SHLOKAM followed by Kanjadalayatha Lochana - Ragam Nadhanamakriya - Puth...

anname arabhi varna

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Sarali Varisai: Ragam: Mayamalava Gowla

Sarali Varisai:
Ragam: Mayamalava Gowla

1) S R G M P D N S | S N D P M G R S ||

2) S R S R S R G M | S R G M P D N S ||
    S N S N S N D P | S N D P M G R S ||

3) S R G S R G S R | S R G M P D N S ||
    S N D S N D S N | S N D P M G R S ||

4) S R G M S R G M | S R G M P D N S ||
    S N D P S N D P | S N D P M G R S ||

5) S R G M P , S R | S R G M P D N S ||
    S N D P M , S N | S N D P M G R S ||

6) S R G M P D S R | S R G M P D N S ||
    S N D P M G S N | S N D P M G R S ||

7) S R G M P D N , | S R G M P D N S ||
    S N D P M G R , | S N D P M G R S ||

8) S R G M P M G R | S R G M P D N S ||
    S N D P M P D N | S N D P M G R S ||

9) S R G M P M D P | S R G M P D N S ||
    S N D P M P G M | S N D P M G R S ||

10) S R G M P , G M | P , , , P , , , ||
      G M P D N D P M | G M P G M G R S||

11) S , N D N , D P | D , P M P , P , ||
      G M P D N D P M | G M P G M G R S ||

12) S S N D N N D P | D D P M P , P , ||
      G M P D N D P M | G M P G M G R S ||

13) S R G R G , G M | P M P , D P D , ||
      M P D P D N D P | M P D P M G R S ||

14) S R G M P , P , | D D P , M M P , ||
      D N S , S N D P | S N D P M G R S |

Janta Varisai Ragam: MayamalavaGowla

Janta Varisai

Ragam: Mayamalava Gowla

GEETANJALI GLOBAL GURUKULAM

DR GANGA RAMACHANDRAN

 

1) S S R R G G M M | P P D D N N S S ||

    S S N N D D P P | M M G G R R S S ||

 

2) S S R R G G M M | R R G G M M P P ||

    G G M M P P D D | M M P P D D N N ||

    P P D D N N S S | S S N N D D P P ||

    N N D D P P M M | D D P P M M G G ||

    P P M M G G R R | M M G G R R S S ||

 

3) S S R R G G R R | S S R R G G M M ||

    R R G G M M G G | R R G G M M P P ||

    G G M M P P M M | G G M M P P D D ||

    M M P P D D P P | M M P P D D N N ||

    P P D D N N D D | P P D D N N S S ||

    S S N N D D N N | S S N N D D P P ||

    N N D D P P D D | N N D D P P M M ||

    D D P P M M P P | D D P P M M G G ||

    P P M M G G M M | P P M M G G R R ||

    M M G G R R G G | M M G G R R S S ||

 

4) S S R- S S R- S R | S S R R G G M M ||

    R R G- R R G- R G | R R G G M M P P ||

    G G M- G G M- G M | G G M M P P D D ||

    M M P- M M P- MP | M M P P D D N N ||

    P P D- P P D- P D| P P D D N N S S ||

    S S N- S S N- S N | S S N N D D P P ||

    N N D- N N D- N D | N N D D P P M M ||

    D D P- D D P- D P | D D P P M M G G ||

    P P M- P P M- P M | P P M M G G R R ||

    M M G- M M G- M G | M M G G R R S S ||

 

5) S S R R G- S R G | S S R R G G M M ||

    R R G G M- R G M | R R G G M M P P ||

    G G M M P- G M P | G G M M P P D D ||

    M M P P D- M P D | M M P P D D N N ||

    P P D D N- P D N | P P D D N N S S ||

    S S N N D- S N D | S S N N D D P P ||

    N N D D P- N D P | N N D D P P M M ||

    D D P P M- D P M | D D P P M M G G ||

    P P M M G- P M G | P P M M G G R R ||

    M M G G R- M G R | M M G G R R S S ||

 

6) S S , R R , G G | S S R R G G M M ||

    R R , G G , M M | R R G G M M P P ||

    G G , M M , P P | G G M M P P D D ||

    M M , P P , D D | M M P P D D N N ||

    P P , D D , N N | P P D D N N S S ||

    S S , N N , D D | S S N N D D P P ||

    N N , D D , P P | N N D D P P M M ||

    D D , P P , M M | D D P P M M G G ||

    P P , M M , G G | P P M M G G R R ||

    M M , G G , R R | M M G G R R S S ||

 

7) S , S R , R G G | S S R R G G M M ||

    R , R G , G M M | R R G G M M P P ||

    G , G M , M P P | G G M M P P D D ||

    M , M P , P D D | M M P P D D N N ||

    P , P D , D N N | P P D D N N S S ||

    S , S N , N D D | S S N N D D P P ||

    N , N D , D P P | N N D D P P M M ||

    D , D P , P M M | D D P P M M G G ||

    P , P M , M G G | P P M M G G R R ||

    M , M G , G R R | M M G G R R S S ||

 

8) S S S R R R G G | S S R R G G M M ||

    R R R G G G M M | R R G G M M P P ||

    G G G M M M P P | G G M M P P D D ||

    M M M P P P D D | M M P P D D N N ||

    P P P D D D N N | P P D D N N S S ||

    S S S N N N D D | S S N N D D P P ||

    N N N D D D P P | N N D D P P M M ||

    D D D P P P M M | D D P P M M G G ||

    P P P M M M G G | P P M M G G R R ||

    M M M G G G R R | M M G G R R S S ||

 

9) S , R G , -S R G | S S R R G G M M ||

    R , G M , -R G M | R R G G M M P P ||

    G , M P , -G M P | G G M M P P D D ||

    M , M P , -P D D | M M P P D D N N ||

    P , P D , -D N N | P P D D N N S S ||

    S , N D , -S N D | S S N N D D P P ||

    N , N D , -D P P | N N D D P P M M ||

    D , D P , -P M M | D D P P M M G G ||

    P , P M , -M G G | P P M M G G R R ||

    M , M G , -G R R | M M G G R R S S ||

 

10) S R , G , -S R G | S S R R G G M M || 

      R G , M , -R G M | R R G G M M P P ||

      G M , P , -G M P | G G M M P P D D ||

      M P , D , -M P D | M M P P D D N N ||

      P D , N , -P D N | P P D D N N S S ||

      S N , D , -S N D | S S N N D D P P ||

      N D , P , -N D P | N N D D P P M M ||

      D P , M , -D P M | D D P P M M G G ||

      P M , G , -P M G | P P M M G G R R ||

      M G , R , -M G R | M M G G R R S S ||

 

11) S , R , G -S R G | S S R R G G M M ||

      R , G , M -R G M | R R G G M M P P ||

      G , M , P -G M P | G G M M P P D D ||

      M , P , D -M P D | M M P P D D N N ||

      P , D , N -P D N | P P D D N N S S ||

      S , N , D -S N D | S S N N D D P P ||

      N , D , P -N D P | N N D D P P M M ||

      D , P , M -D P M | D D P P M M G G ||

      P , M , G -P M G | P P M M G G R R ||

      M , G , R -M G R | M M G G R R S S ||

 

12) S S M M G G R R | S S R R G G M M ||

      R R P P M M G G | R R G G M M P P ||

      G G D D P P M M | G G M M P P D D ||

      M M N N D D P P | M M P P D D N N ||

      P P S S N N D D | P P D D N N S S ||

      S S P P D D N N | S S N N D D P P ||

      N N M M P P D D | N N D D P P M M ||

      D D G G M M P P | D D P P M M G G ||

      P P R R G G M M | P P M M G G R R ||

      M M S S R R G G | M M G G R R S S ||te your own unique website with customizable templates.

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BajarE mAnasa rAmaM-navroj-Bhadrachala Ramadasu -great composers

Composer: Kancherla Gopanna (కంచెర్ల గోపన్న) popularly known as Bhadrachala Ramadasu (భద్రాచల రామదాసు), (c1620 – 1680CE) was born in an affluent Niyogi Brahmin family to Linganna Murthy and Kamamba in Nelakondapalli village of Khammamett Taluk, Warangal Division of (erstwhile Hyderabad State) northern Andhra Pradesh.More...

Raagam: Navaroju

Pallavi

|| BajarE mAnasa rAmaM | BajarE mAnasa rAmaM ||

Anupallavi

|| karadhRutaSara kOdaMDaM | karituMDAyuta Buja daDaM ||

Charanams

|| dASarathI narasiMhaM | dASarathI surasiMhaM |
kausalyA bahu BAgyaM rAmaM | maithilyAlOcana yOgyaM ||

|| avanata jalajaBavEMdraM | agaNita guNagaNa sAMdraM |
mAyAmAnuSha dEhaM muni- | mAnasa rucikara vEShaM ||

|| SyAma sajaladhara SyAmaM | sAMbaSivanuta nAmaM |
BadrAcala nivAsaM paripAlita SrIrAma dAsaM ||
.

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29 dhIra shankarAbharaNam janya
Arohana : P D2 N3 S R2 G3 M1 P
Avarohana : M1 G1 R3 S N2 D2 P

Taalam: Triputa

Language: Telugu (తెలుగు)

kapi narayani -film song-kadalaasu vanji eri

https://malayalasangeetham.info/s.php?1753

kapi narayani-Emira-rama Bhadrajala Ramadas krithi by dr. balamuralikrishna

https://www.youtube.com/watch?v=gqXTG9j3yR0

Emira-rama Bhadrajala Ramadas krithi by dr. balamuralikrishna

Bombay S. Ramachandran

• Issue 199
• Published By Sruti

• ₹70.00

 

Special Feature

 

Senior musicians are often found criticising other musicians for incorrect renderings of raga-s. Likewise, critics and scholars frequently fault some  musicians for performing a raga improperly. The discerning listener often feels bewildered. Every objection raised cannot be valid; nor can every objection be invalid. Some efforts towards developing a rational viewpoint on the subject of raga authenticity are, therefore, in order. Let us make a beginning. As a backdrop to this debate, we must appreciate the socio-economic context in which music practice evolved upto the 19th century. The major seats of musicianship were the courts of the feudal aristocracy, which patronised great musicians. These principalities were isolated from each other by primitive modes of transportation, as well as means of communication. This was an era without radio, without telephony, and without mass-distributed pre-recorded music. Very few musicians knew what precisely others, just a couple of hundred miles away, were singing.

 

Special Feature

 

Manodharma, especially in raga alapana, hinges to a large extent on a sequence of musical concepts that have been tried and tested through the ages. The standard format of alapana currently in vogue stipulates gradual progression to the tara sthayi and back, introduction of fast passages at certain junctures and so on, within which manodharma must be contained. Students of Carnatic music are aware of these aspects. What then constitutes manodharma in raga alapana? Improvisation seems to lie more in the juxtaposition and arrangement of the phrases, the deft touches, modulation and bhava that the artist imbues them with, and the tone and timbre of his voice which inevitably moulds his style. It presupposes talent, erudition, hard work, and an innate sense of propriety.

 

Main Feature

 

The keys to learning in the gurukula system certainly seem to have been patience and alertness. Ramachandran continues: Chitoorar was also a great laya vidwan. In fact he would sing even the sarali varisai in khanda nadai (pulse of five beats). However, he would not explain what he was doing. Not daring to ask him I would just try and imitate. While such methods of teaching-learning ensured there would be no laxity on the part of the students, a fallout of it was that the student never really gained a complete understanding of the subject. In addition, it also created an unfulfilled longing in the mind of the trainee. 

 

Chittoor Subramanyam Pillai - Muscial Gems - Part 2

Classics of Chittoor Subramania Pillai -great masters

IGNCA WORKSHOP

https://www.facebook.com/1484611425084785/photos/1914302298782360/

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Kummiyadi | Vilayattu Paadalgal | Chellame Chellam | Kids Tamil Song

Prof S.R. Janakiraman - Podhigai

janta varisai by sharat vocal

https://drive.google.com/open?id=0B3LDyqtZKWMvUzJBMWxYZFgwNzg

https://drive.google.com/open?id=0B3LDyqtZKWMvR2gzRFktQ0pzQm8

https://drive.google.com/open?id=0B3LDyqtZKWMvYnE4YjRVZzhtWHM

arunasree on key board

https://drive.google.com/file/d/0B17Uge1jvx18V2ZqUHRqci0yaWduckJ0WUdUMHZHX0NWUHVr/view?usp=sharing

ANNAMALAI UNIVERSITY EXAMINATION 2015 -16 -17

DEAR ALL THOSE WHO HAVE ENROLLED FOR VARIOUS EXAMS OF THE ABOVE MAY PL REGULARLY CHECK THE FOLLOWING LINK FOR UPDATES.

http://annamalaiuniversity.ac.in/dde/download/examtimetable/may2015/13gradecertificate.pdf

http://annamalaiuniversity.ac.in/dde/download/examtimetable/may2015/application_may2015.pdf

http://annamalaiuniversity.ac.in/dde/download/examtimetable/may2015/exam_centres_may2015.pdf

http://annamalaiuniversity.ac.in/dde/index.php

http://annamalaiuniversity.ac.in/prospectus_55.php?factcode=55

http://annamalaiuniversity.ac.in/fee_structure.php?fcode=55

iNTERVIEW WITH AIR CHENNAI

private exam 2015

/http://geetanjali2014.blogspot.in/

http://geetanjali2014.blogspot.in/

SANSKRIT KRITIS OF TYAGARAJA-AT ARADHANA-THEMATIC-

KRITIS
ON
GANESA
MURUGA
KRISHNA
RAMA
SEETA
HANUMAN

Online Music Lessons

Beginning blogging..............
Thanks to my Dear student Angayar Papanasam

Saturday, January 23, 2010

Welcome to this music space!

Keyphrases of my likely postings:
1) Random rhythm which evokes happiness, bakthi, devotion, peace, love!
2) Musical exponents and their compositions.
3) Learners pieces and practices.
Happy listening!

http://octave2010.blogspot.in/2010/01/thyagarajas-aradhana-festival-jan-2010.html

http://octave2010.blogspot.in/2010/06/one-more-addition-on-saraswathy.html



http://octave2010.blogspot.in/2010_05_01_archive.html

http://octave2010.blogspot.in/2010_02_01_archive.html

Saturday, January 23, 2010

First Upload Jan 2010

Deity:Lord GaneshA
RAgam: Shivaranjani (Audava rAgam)
Talam: rUpaka
Composer: PApanAsam Shivan
Artist: Ganga Ramachandran
Ar.: S R2 G2 P D2 S
Av.: S D2 P G2 R2 S
P: taruNam idaiyA dayai puri tudikkaiyA uriya
A: sharaNam enrun malaradi paNi tamiyanai tavikka viDAmal
C: un aruLaladOr tuNai ini ulagil illaiyEendan
munnavanE yAnai mukhanE muruganuk-karuLum tudikkaiyAna (madhyama kAlam)
mukkaTparan maganE vighna vinAyakanEmukkani
mOdaka priyanE abhayam abhayam viraindu vandaruL

Sunday, May 23, 2010

sArasa nEthra!

Composer: Tyagaraja
rAga: SB
Guru: Smt Ganga Ramachandran
Rendition: Sands



Pallavi

sārasa nētra-apāra guṇa sāmaja śikṣa gō-uddharaṇa

Charanam

pāpa gaṇa-abhra samīraṇa pāmara pālita pāvana nāma caṇa tāpasa mānasa sārasa su-bhramara-anagha rāghava mā ramaṇa (tisra gati) yōgi vandya pāhi hē sāgara-ārti haraṇa rāga lōbha dūra śrī tyāgarāja pōṣaṇa (sā)

Meaning
O Lotus Eyed! O Lord of abundant virtues! O Lord who protected the Gajendra – the elephant! O Lord who redeemed his mother!

O Wind that blows away the clouds of multitues of sins! O Protector of the ignorant! O Lord who is famous as having a holy name! O Lord who is the honey-bee hovering over the lotus of hearts of ascetics! O Sinless One! O Lord Raghava! O Beloved of Lakshmi! O Lord worshipped by ascetics! O Lord who relieved the distress of the Lord of Oceans, please protect me; O Lord who is far removed from attachment and avarice! O Nourisher of this Thyagaraja!

 Tuesday, June 8, 2010

One more addition on Saraswathy

Composer: Dikshidar
rAga: Hindolam
tAla: Rupakam
Guru: Smt Ganga Ramachandran
Rendition: Sands



Pallavi

sarasvatI vidhi yuvatI saMrakshatu mAM SrI samashTi

CharaNam

muraLI vINA gAna vinOdinI saMvEdinI
cAru candra hAsinI sarasIruha lOcanI
(madhyama kAla sAhityam)
murAri guru guha mOdinI SabdArtha svarUpiNI
haMsinI brahmANI Arakta varNa rUpiNI

ANNAMACHARYA WORKSHOP-ONLINE

http://octave2010.blogspot.in/search?updated-min=2010-01-01T00:00:00-08:00&updated-max=2011-01-01T00:00:00-08:00&max-results=12

Shri Tyagaraja Aradhana in Bur Dubai!

http://octave2010.blogspot.in/search?updated-min=2011-01-01T00:00:00-08:00&updated-max=2012-01-01T00:00:00-08:00&max-results=1

Tuesday, February 22, 2011

Shri Tyagaraja Aradhana in Bur Dubai!

Tyagaraja aradhana programme was organised by Mohana - a group of music lovers - with an intent to promote young talent in music in Dubai to celebrate Sri Tyagaraja Day on 29th January in Bur Dubai.

Songs rendered by Shraddha and Shreya

1) Shara Shara Samrarika
Raagam: Kuntala Varali
Thaalam: Adi
Arohanam: SMPNDS
Avrohanam: SNDPM,S

2) Narayana Hari
Raagam: Yamuna Kalyani
Thaalam: Adi

Both songs in Sruthi G.