Ramayana –episodes – innumparamukhamthe kr̥tis of E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar
innumparamukham rare ragasreedhari
5.sreedhari -rare rāga lnotation nnumparamukham evrb
4.¾r§dhari -r¡m¡ya³a kriti pg 47
pallavi
i´´um par¡mukam£´µ umakkitu muºait¡´o £ªaiye´ m§tu
a´upallavi
pa´´aga ¾aya´a´£ para´t¡ma´£ p¡pavimoca´a´£ patampa³i´t£´
cara³am -1
mu´´am va´attiloru mu´iva´ v£©viyai k¡tt¡y
pi´´ava´u¿a´ ce´¿ru pe³³ava© c¡pam t§ºtt¡y
ma´´a´ ja´aka´ ma´am makiªave vil va©aittay
a´´ai c§tai kai pititt¡y aru©puriya
cara³am -2
ta´taicolmiku ma´tram tara³iyil illaiye´¿ru
ta³¿ak¡ra³yam ce´¿ru tapacika©kkaru© ta´t¡y
a´tarattµr makiªa arakkarka©aiye¿utt¡y
ayµti´akaril utitt¡y aracum pe¿º¡y
4.ramayana kriti text sreedhari 4.¾r§dhari -r¡m¡ya³a kriti pg 47
௪.ஶ்ரீத₄ரி -ராமாயண க்ரிதி ப்க்₃ ௪௭
பல்லவி
இன்னும் பராமுகமேனோ உமக்கிது முறைதானொ ஏழையென் மீது
அனுபல்லவி
பன்னக₃ ஶயனனே பரன்தாமனே பாபவிமொசனனே பதம்பணின்தேன்
சரணம் -௧
முன்னம் வனத்திலொரு முனிவன் வேள்வியை காத்தாய்
பின்னவனுடன் சென்ட்ரு பெண்ணவள் சாபம் தீற்த்தாய்
மன்னன் ஜனகன் மனம் மகிழவெ வில் வளைத்தய்
அன்னை சீதை கை பிதித்தாய் அருள்புரிய
சரணம் -௨
தன்தைசொல்மிகு மன்த்ரம் தரணியில் இல்லையென்ட்ரு
தண்டகாரண்யம் சென்ட்ரு தபசிகள்க்கருள் தன்தாய்
அன்தரத்தோர் மகிழ அரக்கர்களையெடுத்தாய்
அயோதினகரில் உதித்தாய் அரசும் பெட்றாய்
MEANING :PER COURTESY- DR ALAMELU AND SRI RAMAKRISHNAN
Song number 31 ( Innum paramukham eno) (Why are You turning away from me?)
Ragam: Sridhari Talam: Adi
Kharaharapriya janyam
Arohanam: s r g m d n s
Avarohanam: s n d m g r p m g r s
Pallavi
Still why do You turn Your face (away from me)?
Why do You turn Your face away (from me)?
Is this befitting You, at me who is helpless and hapless?
Anupallavi
(O!) One who has a couch of serpent! (One) who suppresses enemies!(One) who saves those who commit sins! I resort to and supplicate at Your feet. (innum)
Charanam 1
Earlier, You protected the sacrifice of a sage (Viswamitra) in the forest! Then, accompanying him (sage Viswamitra), You redeemed her (Ahalya) from her curse (of sage Gautama). Then, You bent the bow and gladdened the mind of king Janaka, You held the hand (married) of mother Sita. To bless me, (innum ---why are You still reluctant?)
Charanam 2
Considering that there is no word more sacred in the universe than that of (one’s) father, going to (the forest) Dandakaranya, You protected the sages there, who were engaged in penance and austerities. Gladdening the hearts of the celestials, You removed the weeds in the form of demons. You rose (like the Sun) in the city of Ayodhya and ascended the throne (Innum en)
SRIDHARI --ADI notation
1.s×, ,, n ,
d, m , ,, g , r ,| rg mg m , ,,| m, ,, d, n ,||
2.s× n r× s× n , d , m , ,, g, r , | gmp, m , ,,| m, ,,
ndn,||
i´ ´um
par¡ muka m£
´µ umak
3.s× n r× s×
n ,d ,gmpm g, r , | mg p, m , ,,| m, ,, nddn||
i´ ´um
par¡ muka m£
´µ umak
4.g× r s× n r× s× n d s× n d m pm g r| gm p, m
,,,| m, ,, mgmg||
ki´ ´um
par¡ muka m£
´µ umak
m,n, d, n, s× n d, n, s×,| s× n r× s× n, d ,| n d m, d, n ,||
kki tu
muºai t¡´o £
ªai ye´ m§ tu
a:upallavi
1. , , n, d, n, s× , s×, s× ,
r× s× | s×, ,, s× , ,, | s× , ,, r× , s×
,||
pa´´aga¾aya´a´£ --------------------------
2. , , n, d, n, s× , s×, g× r×
r× s× | n, s×, s× , ,, | s× , ,, ns× r× s×||
pa´´aga¾aya´a´£ -----------------------------
r× s× s× n
d, n , s× , s× , s× r× r× s× | ns×, g× , r× g× ,| s×, r× , g× r× s×,||
pa´´aga¾aya´a´£ -- pa ra´
t¡ ma´£
3. r× s× r× s×
nd n, s× , s×, s× r× r× s× | n s× n g×
r× ,g× ,| r× s× r× , g× r× s×,||
pa´´aga¾aya´a´£ -- pa ra´
t¡ ma´£
s× n r× s×
n , d , m , ,, g,r ,| gmp, m , m
, | mndn npdn ||
p¡ pa
vi mo ca´a
´£ pa dam pa³i´t£´
caraam -2
m g m , d, d,
n, d, d, n , | s× , s× , n , d ,
| m , m, g , r,||
ta´ tai colmiku
ma´tram dara ³iyil
il lai ye´¿ru
mg m, d, m ,
gr g, r, s, | m, m, d, d, |
n, d, nd n,||
ta³ ¿a k¡ ra³yam ce´¿rutapasika© kkaru© ta´t¡y
s×, n, d, n,
s×, s× , s× , s× , | n , g× , r×
, g× , |m× , g× , r× , s×, ||
a´ tara ttµr
makiªa a ra kkarka
©ai ye¿utt¡y
s× n r× s× n, d,
m, m, g, r, | p , m , m, m, | n d
n, dm dn ||
a yµ
ti ´a karil uti
tt¡ y a ra¾um pe¿º¡y
https://youtu.be/ngqPLWzZkTk innum-sreedhari evrb - audio
Melodic analysis of rare raga
¾r§dhari - rāga lakṣaṇa given by evrb
Janya of 22nd mela kharaharapriya*PG 47
¡rµha³a sa ri² ga² ma¹ dha² ni² saÇ
avarµha³a
a. saÇ ni² dha² ma¹ ga² ri² pa ma¹ ga² ri² sa
b. saÇ ni² dha² ma¹ ga² ma¹ pa ma¹ ga² ri² sa
Swararanjani : R R Iyengar Lists Swararanjani Under 22nd Mela
Arohana Same sa ri² ga² ma¹ dha² ni² saÇ
Avarohana Different saÇ ni² pa ma¹ ga² ri² sa
Not found in sang chud or gaana bhaskaram
Observation
Melody- seems to be sandwiched between Kharaharapriya and Sriranjani
Avarohan has dha² ma¹ ga² ri² pa ma¹ ga² ri² sa-
To delebarately avoid dpmgr prayoga
n ,d ,gmpm g, r , | mg p, m , ,,| m, ,- m g m , d, d, n, d,
s× n d m pm g r|-mndn npdn|- s× n r× s× n, d, m, m, g, r, | p , m , m, m,
Observation-
different avarohana patterns both vakra
The vakra pattern limits avarohana prayogas. To be carefully manouvered with ndmp,,,mgr gmd,, nn,S,ndm pp, mgr, rp, mgr, gmd,n,s
Limited scope though with occasional use of pa-,sreeranjani effect needs to be eschewed.
¾r§dhari -r¡m¡ya³a kriti ādi for use in Harikatha.
i´´um par¡mukam£´µ umakkitu muºt¡´o £ªaiye´ m§til
and ref ksna cd audio
vatsav¡¢¡cara ¾r§kara v¡c¡magocara vara-ref-tankam cassette
Janya of 22nd mela kharaharapriya*PG 47
¡rµha³a sa ri² ga² ma¹ dha² ni² saÇ
a. saÇ ni² dha² ma¹ ga²
ri² pa ma¹ ga² ri² sa
b. saÇ ni² dha² ma¹ ga² ma¹ pa ma¹ ga² ri²
sa
Swararanjani : R R Iyengar Lists Swararanjani
Under 22nd Mela
Arohana Same sa ri² ga²
ma¹ dha² ni² saÇ
Avarohana Different saÇ ni² pa ma¹
ga² ri² sa
Not found in sang chud or gaana
bhaskaram
Melody- seems to be sandwiched between
Kharaharapriya and Sriranjani
Avarohan has dha² ma¹ ga² ri² pa ma¹ ga² ri²
sa-
To delebarately avoid dpmgr prayoga
n ,d ,gmpm g, r , | mg p, m , ,,|
m, ,- m g m , d, d, n, d,
s× n d m pm g r|-mndn npdn|- s× n r× s× n, d,
m, m, g, r, | p , m , m, m,
different avarohana patterns both
vakra
Limited scope though with
occasional use of pa-,sreeranjani effect needs to be eschewed.
¾r§dhari
-r¡m¡ya³a kriti ādi for use in Harikatha.
i´´um par¡mukam£´µ umakkitu muºt¡´o
£ªaiye´ m§til
vatsav¡¢¡cara ¾r§kara v¡c¡magocara
vara-ref-tankam cassette
structure and textual Analysis in Thesis
Ramayana –episodes – in the kr̥tis of E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar
Kalala Nerchinaa in Deepaka Raga and Vachaama
aghocharame in Raga Kaikavasi are good examples.[1]
innum parāmukameno umakkitu muṟai tāno[2]-raga
sreedhari
Valmikis epic i Ramayana’s
24000 verses is divided into 7 kanda s
6) Yuddha Kanda Rama’s battle with Ravana,recovery of Sita, return to
ayodhya
7) Uttara Kanda Raama Rajya-
coronation and rule
munnamvanattiloru muni vanveḷviyai
kāttāy-Sage Viswamtra’s Sacrifice
pinnavan–uṭanśenṭru
peṇṇavaḷśāpam
tīrttāy-Ahalya rescued
mannan janakan manam makiḻave
vilvaḷayttāy-King
Janaka’sbow
annai sītaikai piṭittāy
aruḷpuriya-Suyamvara of Sita
.tantaiśolmiku mantramtaraṇiyil
illaiyenṭru –King
Dasaratha Ordrer
taṇṭakāraṇyam
śenṭru
tapasikaḷkkaruḷtantāy-Danda
karanya forest
antarattormakiḻa
arakkar kaḷaiyeṭuttāy-anhillation
of Ravana and others
ayotinakaril utittāy araśum peṭṭrāy..-Pattabhisheka-Coronation
For Ramayana Harikatha discourses
bhagavatar’s songs do not
have mudras.[3]
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