https://youtu.be/sc8o5xd-iXk?si=zhiA9GDtnn8_eS6D
https://youtu.be/sc8o5xd-iXk?si=zhiA9GDtnn8_eS6D
mātaṅkatanaye rāgam punnākavarāḷi tāḷam ādi pallavi 1.mā - - - - - ta|ṅka | tana || yē - - - - - - || mā-yē | pā – hi || ānupallavi 1,mā – ta : mahā - | tripura | sundari || mā - raja na ka mā - |dha va sa hō - - dari ||. 2. mā – ta : mahā - - - -| tripura | sundari || mā - ra ja na- ka mā - | dha – va sa hō - - dari || caraṇam kunda mukuḷa śara | dindu dha | va ḷa va ra || sūnda ra smita – ra – da | nē – śa śi va danē || manda - - ga manēlasa / dindī - -va ra na ya nē | vēṅkaṭa rā- ma – nu ta | paṅka ja ca ra ṇē| |
kr̥ti-2-m¡ta¯Äga tanay£ punn¡gavar¡©i ¡di num18
READ MORE Analysis of the Structure And Lyrical Aspects of Krtis of E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar 186Pg
This is also addressed to Mathangi –Goddess Parvati –as evident in the Devata mudra mādhava sahodari.
vākgeya kāra mudra ‘veṅkaṭarāmanuta paṅkaja caraṇe’
Confirms this is a prayer by the composer to the diety to rid him off the distress.
The choice of raga punnāga varāḷi depicts the melancholy mood of the composer.
The sancharas prevail within the Madhya stayi and mandra stayi.Though the setting pallavi one pAdam anupallavi two pAdams and charanam four pAdams is simple the sahitya bhAva and the raga bhava combine to evoke the karuna rasa when rendered.
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