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Friday, 10 May 2024

41Dasakam 41.Pranaamam- Salutations This is the last chapter

 


dasakam 41
dasakam 41


Dasakam 41.Pranaamam- Salutations





 

1.Devi thwadhavaasyamidham  na kinchidh,
Vasthu  thwadhanyadh bahadeva bhasi,
Devaasuraasrupanaraadhi roopaa,
Viswathmike  they sathatham  namosthu.

1.Oh Goddess , you live inthis entire world and,
There  is nothing in this world , which is not you,
Oh Soul of the world who is spread  everywhere,
Taking incarnation  as Devas  asuras   and human being,
You are shining in many roles.My salutations to you always.

2.Na janma the  karma cha devi loka-,
Kshemaaya  janmaani  dadhaasi  maatha,
Karoshi  karmaani  cha nispruhaa  thwam,
Jagadvidhaathrai   saththam  namasthe.

2.Oh Goddess  you do not have birth nor Karma,
You who do not have  any desire , you  take incarnations,
For the benefit of the world, you alsi engage  yourself in acts,
My salutations to you   who is guiding the   world.

3.Thath  thwathpadham  yadh druvamaaru ruksha,
Pumaan  vrathee   nischala   deha chitha,
Karthi  theevraani  thapaamsi  yogi,
Thasyai  namasthe jagadambikaayai.

3.People desiring to reach your  place  , which is,
Destruction less, observe  penances  , they also,
Do Thapas  without  moving their  mind or body,
And My salutations to you , who is like that.

4.thwadajnayaa vaathyanilo analascha,
Jwalathydhethi   drumaani  sasi cha,
Nijair  nijai  karmabhireva   sarve,
Thwaam  poojayanthe  varadhe  namasthe.

4.As per your orders  , the   wind   blows,
The fire  burns, sun rises, moon also rises,
All people by doing their acts  keep on
 Worshipping you,My salutations to you.

5.Bakthir  na  vandhyaa yatha  yeva devi,
Raagadhirogaabhibhavaadh   vimukthaa,
Marthyaa dayasthvathpadamapnuvathi  ,
THasyai namasthr   bhuvanesi mathaa.

5,Devotion to you   never   becomes a waste and oh Goddess,
Because of this, people like the human beings,
Get freedom   from   attachment and hatered,
And reach you, Oh goddess  of the universe,
Oh mother , My salutations   to you.

6.Sarvaathmanaa  yo bhajathe  thwadangrim,
Mayaa thavamushya   sukham  dadhaathi,
Dukham  cha  saa thwad vimukhasya  devi,
Maayaadhinaadhe   sathatham namasthe.

6.Oh Goddess  , whomsoever  sincerely   sing about  ,
Your feet, To them  your Maya   grants pleasure ,
And to those who disregard you , she  gives sorrow,
Oh Goddess  who is beyond Maya, My salutations  to you always.

7.Dukham  na dukham sukham sikham cha.
Thwad vismruthir  dukha asahya baram,
Sukham sadaa  thwath smaranam mahesi,
Lokaaya  sam  dehi namo namasthe.

7.Sorrow is not sorrow  and pleasure is not pleasure,
And the unbearable  sorrow , is forgetting   you,
Oh Great goddess , Plesure is always remembering you,
Please grant auspiciousness  to this world, my salutations.

8.Pathanthu they  devi krupaa kadaksha,
Sarvathra  badhraani  bhavanthu nithyam,
Sarvoopi mruthyor   mathasthwamethu,
Nasyathu anadhraani   shive namasthe.

8.Oh Goddess who has a merciful glance, let  them ,
Spread everywhere, Let only   good happen  always,
Let all people move away death and attain deathlessness,
Let the bad be completely destroyed, Oh Goddess , my salutations.

9.Namo  namasthe  akhila sakthi yukthe,
Namo namasthe  jagathaam vidathrii,
Namo namasthe   karunaradra   chitha,
Namo namasthe  sakalaarthi hanthri.

9.Salutations and salutations  all powerful one,
Salutations and salutations, one who rules over the world,
Salutations and salutationsm , one who has a melting mind,
Salutations and salutations, one who destroys all worries.

10.Durga mahalakshmi  namo namasthe,
Badre mahaavani  namo namasthe,,
Kalyaani maathangi   reme bhavani,
Sarvaswaroope sathatham namasthe

10.Oh Durga, Oh Mahalakshmi  , salutations and salutations,
OH goddess  assuring safety, Oh great Saraswathi, Salutations  and salutations,
Oh Doer of good, Oh daughter  of Mathanga  , salutations and salutations,
Oh Goddess  with all forms , I always salute you.

11.Yath kinchidh ajnaathavatheha  devi-,
Narayaneeyam  rachidham mayodham,
Abadra  naasaaya   sathaam hithaaya,
Thava prasaadhaaya cha nithyamasthu.

11.Me who do not know   anything, has written,
THis book called “Devi Narayaneeyam,”
Let this  be forever ,   for destroying  evil,
To  do  good   to good people,
And let  this always shower your grace.


Shubham
Let there be good




४० चत्वार िं शदशकः - प्रार्थना 40 chatvaarimshadashakah' - praarthanaa Dasakam 40 Prarthanaa-Prayer.(These are prayers addressed to the Goddess by the poet)

 ४० चत्वार िं शदशकः - प्रार्थना

40 chatvaarimshadashakah' - praarthanaa

Dasakam 40 Prarthanaa-Prayer.(These are prayers addressed to the Goddess by the poet)

आद्येति तिद्येति च कथ्यिे या

या चोदयेद्बुद्धिमुपासकस्य ।

ध्यायातम िामेि सदाऽतप सिव -

चैिन्यरूपाां भिमोचन ां त्वाम् ॥ ४०-१॥

aadyeti vidyeti cha kathyate yaa

yaa chodayedbuddhimupaasakasya .

dhyaayaami taameva sadaa'pi sarva-

chaitanyaroopaam bhavamochaneem tvaam .. 40-1..


Who is the original, the knowledge, who inspires one’s mind to meditate, she who

is in the form of the universal soul, she who gives salvation, I meditate on her

always.

Devi is the original. There was no time when devi was not there. That is why devi is

called aadya. Knowledge and ignorance is also devi. in whoever devi resides in the

form of knowledge that person gets salvation, in whomever she resides as

ignorance he gets entangled in attachments. The poet prays to the devi who is in

the form of knowledge and releases one from worldly existence. All the living

things have a soul-that is devi’s soul. The below is a brilliant shloka from devi

bhagavatham


ॐ सर्व चैतन्य रुपाां तामद्यां वर्द्याां च धीमहि।

बुद््धां या नः प्रचोदयात ्॥

Sarva Chaitanya Roopam Taam Aadyam Vidyaam cha Dheemahi

Buddhim Yaa Nah Prachodayaat"

I meditate on the beginningless Brahmāvidyā who is Sarvacaitanyarūpā, of the

nature of all-consciousness; May She stimulate our buddhi to the realisation of

That (or who stimulates our buddhi in different directions).



प्रतितििाऽन्तः करणेऽस्तु िाङ्मे

िदातम सत्यां न िदाम्यसत्यम् ।

  सत्योद्धिरे नां पररपािु माां मे

श्रुिां च मा तिस्मृतिमेिु मािः ॥ ४०-२॥

pratisht'hitaa'ntah'karane'stu vaangme

vadaami satyam na vadaamyasatyam .

satyoktirenam paripaatu maam me

shrutam cha maa vismri'timetu maatah' .. 40-2..


2.Let my words be permanently embedded in my subconscious. I will always

speak the truth. I will never tell a lie. Let these truthful words of mine ever look

after me. Oh mother, let me never forget whatever I have heard.

Thoughts, words and performance-these 3 are what forms a person’s character.

Think and talk and behave accordingly. If there is co-ordination between

thoughts, words and actions then we can call that person idealistic. Truthfulness

should be the foundation for thoughts. Then that person’s thoughts, words and

actions will be a firm decision taken truthfully. The material for our thoughts

come from our sub-conscious. The poet wishes that may his sub-conscience and

words be always truthful. He believes that his firm belief in truthfulness will

protect him. The solution to know is to hear. If you immediately forget what you

have heard, then whatever you have heard will be a waste. If mother, devi blesses

then the hearing of spiritual scriptures will be successful. One can see the sound

of the words from many of the vedas. It can also be seen in the shlokas ahead.



िेजद्धि मेऽध िमजस्रमस्तु

मा मा परद्वे षमतिश्च दे ति ।

करोतम ि याव तण समां सुहृद्धिर्

तिद्या परा साऽििु माां प्रमादाि् ॥ ४०-३॥

tejasvi me'dheetamajasramastu

maa maa paradveshamatishcha devi

karomi veeryaani samam suhri'dbhir

vidyaa paraa saa'vatu maam pramaadaat .. 40-3..


3. Let whatever I have learnt be always creditable. Oh Goddess, let there not be

hatred in me towards others. Let me do my duty towards my friends. Let my

divine knowledge save me from mistakes.

                                           

Whatever one studies should be useful in life. That is what the prayer ‘let my

knowledge be creditable’ means. Loving others is peace, showing hatred brings

restlessness-that is the state of mind. The poet prays that may his mind not

develop hatred towards anybody and cause restlessness. Everybody should

perform their duties similarly and experience the results equally-this is what is

needed for a healthy living in a society. Whatever is performed should be with

maximum no mistakes, that is the knowledge one should try for. Once a person

gets that supreme knowledge, come what may, he will never make mistakes.



त्वां रक्ष मे प्राणशर रकमव-

ज्ञानेद्धियान्तः करणातन दे ति ।

भिन्तु धमाव मतय िैतदकास्ते

तनराकृतिमाव ऽस्तु तमथः कृपार्द्रे ॥ ४०-४॥

tvam raksha me praanashareerakarma

jnyaanendriyaantah'karanaani devi .

bhavantu dharmaa mayi vaidikaaste

niraakri'tirmaa'stu mithah' kri'paardre .. 40-4..


4.Oh Goddess even if you are protecting my soul, organs for actions, organs for

wisdom and body, let your spiritual duties come into me.

Oh merciful goddess, let there never be rejection between us.

Praanan, apaanan, vyaanan, udaanan, samaanan-these are the known 5 praanaas.

Each of them have their own duties. It is prana shakti that makes one strong.

When the praana becomes weak , then our body and mind will become weak.

Mouth, hands, feet, anus and the genitals are the organs of action

(karmendriyaas).

Jnanendriyas are the five lower sense organs, referred to as ears (shotra), eyes

(chakshu), nose (grahnu), tongue (jivha) and skin (tvak).

The soul, pride, intelligence and mind are the pure divisions of the sub

conscious-all this together form the body-the poet gives devi the total

responsibility of taking care of them. Following righteousness according to the

vedas and offering to a god that one likes is Vaidik dharmam. The poet requests

devi to help him follow righteousness as prescribed by the scriptures. We should

not differentiate the poet from devi. interest in devotees and devotion to devi

should be present in both. It means both should not be forgetful.

                                            Karmendriyas are the organs that interact with the material world. The

feet (pada) move, the hands (pani) grasp and hold, the rectum (payu)

eliminates, the genitals (upastha) procreate and the mouth (vak)

speaks.

the five karmendriyas (means of expression, action or senses) and the five

jnanendriyas (wisdom or knowing senses). Indriya is a term in Indian

philosophy that refers to the sensory, spiritual faculties



यच्छ्रूयिे यत्खलु दृश्यिे च

िदस्तु भर्द्रां सकलां यजत्रे ।

त्वाां सांस्तुिन्नस्तसमस्तरोग

आयुः तशिे दे ितििां नयातन ॥ ४०-५॥

yachchhrooyate yatkhalu dri'shyate cha

tadastu bhadram sakalam yajatre .

tvaam samstuvannastasamastaroga

aayuh' shive devahitam nayaani .. 40-5..

5. Oh! Devi you who is worshipped, let whatever I hear, whatever I see, all that, be

good. Oh! Auspicious one, I am praying to you, that I should be able to achieve a

life with reduced diseases and having interest towards God.

To please whoever one worshipps, she-devi-yajneeya(yajatra), let whatever she

hears and sees be good-the poet prays. A life with interest towards god-it means

a life where one can satisfy the gods and also to follow the orders given by gods.

A prayer that requests that one’s life should not be destroyed by diseases, etc.

before the completion of one’s duties.



अतिघ्नमायाद्धत्वि तिश्विो मे

ज्ञानां प्रसन्ना मम बुद्धिरस्तु ।

नािेि तसन्ुां दु ररिां समस्तां

त्वत्सेियैिातििरातम दे ति ॥ ४०-६॥

avighnamaayaatviha vishvato me

jnyaanam prasannaa mama buddhirastu .

naaveva sindhum duritam samastam

tvatsevayaivaatitaraami devi .. 40-6..


6. Let knowledge flow from everywhere towards me without any obstruction. Let

my mind be always happy. Oh Goddess! By serving you, may I be able to face all

my sufferings, like crossing an ocean by a boat.

The poet prays to devi, that may he learn new lessons from whatever he sees,

and whatever he hears. It means that he wants knowledge to flow into him from

all directions. With every extra knowledge gained the mind gets very happy.

When the mind gets enlightened, then all the lustful sins will start getting

destroyed. One can cross an ocean on a ship. By worshipping devi(the ship), one

can cross the ocean of sufferings .


उिाव रुकां बन्निो यथैि

िथैि मुच्येय च कमवपाशाि् ।

त्वाां त्र्यम्बकाां क तिवमि ां यजेय

सन्मागविो माां नय तिश्वमािः ॥ ४०-७॥

urvaarukam bandhanato yathaiva

tathaiva muchyeya cha karmapaashaat .

  tvaam tryambakaam keertimateem yajeya

sanmaargato maam naya vishvamaatah' .. 40-7..


7. I must be able to get detached from Karma Just like a cucumber getting free of

its ties, I worship you with three eyes and who has great fame, Oh! mother of the

universe , lead me in good path.

A farmer takes care of his white cumber and red pumpkin by tying and hanging

them. If even one of them wither, then it will fall down from the knot. Same way

the poet prays to get freedom from the bondage of materialistic duties. Devi is

triambakam-it means she is 3-eyed. It also means that she is watching over

Creation, maintenance, and destruction, ignorance caused due to being

unrealistic, all our past present and future happenings-no place where devi’s

glance does not reach. The poet prays to devi to lead him by the correct path.


क्ष णायुषो मृत्युगिान् िशक्त्या

द र्ाव युषो ि िभयान् करोतष ।

सङ्गच्छ्रिः सांिदिश्च सिाव न्

परोपकारै करिान् कुरुष्व ॥ ४०-८॥

ksheenaayusho mri'tyugataan svashaktyaa

deerghaayusho veetabhayaan karoshi .

sangachchhatah' samvadatashcha sarvaan

paropakaaraikarataan kurushva .. 40-8..


8.The people who are dead, because their life span is over, can by your power get

back their life and also be fearless. Make them to move together, speak in one

voice, and create interest in helping others.

Devi has the capability to revive dead people. [check dashakam 36-the story how

devasena revived priyavartas dead son is there]. Devi is capable of making

everybody a charitable and merciful person. Devi is also capable of uniting

people in their journey of life and their discussions. The poet prays to devi for

that.

मत्यो ह्यिां बातलशबुद्धिरे ि

धमाव नतभज्ञोऽप्यपराधकृच्च ।

िा दु लवभां मे कतपिस्तपुष्प-                                

सुमाल्यिच्छ्र णवतमदां नृजन्म ॥ ४०-९॥

martyo hyaham baalishabuddhireva dharmaanabhijnyo'pyaparaadhakri'chcha .

haa durlabham me kapihastapushpa-

sumaalyavachchheernamidam nri'janma .. 40-9..


9. I am only a human being-, it is a childish mind only; I do not know what is

righteousness; I am always making mistakes; this weak human-body of mine is

being crushed like how a monkey crushes a garland of flowers.

One takes birth as a human being when once luck reaches its fag end. The

intelligent man should make good use of his birth. Should be near to people who

have knowledge. What is self-rightousness they should ask them and understand.

They should follow self-righteousness without fail in the brightness got from that

knowledge. In that way he should remove the dirt in the mind caused due to

anger. Then in a pure mind, pure devotion to devi will arise. That will take him

closer to the supreme status. That is the success of a human life. If you don’t do

any of these things then this human life is wasted. Give any garland made of

flowers to a monkey it will be torn to shreds by the monkey. The poet feels his

life is taking a similar turn. And he is fearful of that.



यथा पथा िारर यथा च ग ः िां

ित्सां िथाऽऽधाििु माां मनस्ते ।

तिश्वातन पापातन तिनाश्य मे यिर्द्रां

तशिे दे ति िदातिविद्धि ॥ ४०-१०॥

yathaa pathaa vaari yathaa cha gauh' svam

vatsam tathaa''dhaavatu maam manaste .

vishvaani paapaani vinaashya me yadbhadram

shive dehi tadaartihantri .. 40-10..


10. Like how water travels down a path, like how a cow watches over its calf,

similarly let your benevolent mind come flowing towards me. Oh! destroyer of

our sorrows, Oh auspicious one! Destroy all my sins, and knowingly give me what

is good.

A canal, conduit etc. is a path for water to flow. Water flows very fast through

them-without flying of in different directions. A mother cow gets restless to reach

her baby when she sees her calf. Without seeing anything anywhere she will

                                            

run towards her calf. Same way devi’s mind-compassion-should flow towards

him, the poet wishes. Are the sins committed by going to be an obstruction?-if

so, then it should be rubbed off, is what the poet prays to devi. the poet is very

much aware of the fact that devi looks into the happiness and is compassionate.



बहूद्धितभः तकां तितदिस्त्वयाऽिां

पुत्रः तशशुस्ते न च िेति तकतिि् ।

आगच्छ्र पश्यातन मुखारतिन्दां

पदाम्बुजाभ्ाां सििां नमस्ते ॥ ४०-११॥

bahooktibhih' kim viditastvayaa'ham

putrah' shishuste na cha vedmi kinchit .

aagachchha pashyaani mukhaaravindam

padaambujaabhyaam satatam namaste .. 40-11..


11.What is the need to say more? You know me. I am your child. I do not know

anything. Please come here. Let me see your Lotus like face. My salutations to

your lotus like feet, always.

Devi is everybody’s mother. The poet is only a child-a person who knows

nothing. In that position why say more? The poet prays to devi to come in front

of him. The poet’s greatest desire is to see devi’s compassionate face. In order to

achieve this the poet ends this chapter by saluting at the lotus feet of devi.



Thus ends the 40th chapter

                         

Jnana and Karma Indriyas:

Organs Of Sense And

Function

Article by Dr Raghuram Y.S. MD (Ay) & Dr Manasa, B.A.M.S

Indriyas means sense organs. Indriyas are the tools of knowledge and learning

according to Ayurveda.



Sense organs are the important organs of our system which detect various senses

Sense organs are the important organs of our system which detect various senses

from the environment (sense objects), carry them to the mind and intellect for

processing the information and later help us in acquiring the knowledge of the

objects in their true sense.



Sense organs help us in acquiring Yathartha anubhava i.e. ‘knowledge of an object

or subject related to the particular indriyas in their true and unadulterated sense,

asit-is’.



Such a knowledge obtained with the help of indriyas is called as indriya janya gnana

or Pratyaksha gnana.

The knowledge of Indriyas is much beyond the learning of anatomy and physiology

of the famous sense organs namely the eye, the nose, the tongue, the ear and the

skin. The term Indriya explains more than this. In this article I would like to focus on

the definition of Indriya, its classification and functions of indriyaas and its sub-types

in brief.


Definition of Indriya

indraM AtmA tasya sAdhanam indriyam|

                                  

Indra means Aatma i.e. soul. Indriya is its saadhana or instrument (tool) for getting

the knowledge. This means to tell that Indriya is the instrument (source) of aatma to

perceive true and comprehensive knowledge.


indriyaM indra liGgaM indra dRSTaM indra sRSTaM indra juSTaM indra dattaM iti|

(pANinIya sUtra 5/2/93)

The term Indriya is entangled with the word ‘Indra’, which forms its root word. Indra

means Aatma or soul. The Aatma or soul experiences the knowledge we gain

through Pratyaksha or Indriyaas. Indriya is said to be –


Indra Linga – Sign of Indra or Aatma (that through which Indra manifests or shows

its presence)

Indra Drushtam – Seen or perceived by Indra (that through which Indra sees)

Indra Srushtam – Created by Indra

Indra Jushtam – Associated with Indra

Indra Dattam – Given by Indra


In simple terms – ‘That which is a sign of Indra, seen, created, associated and given

by Indra or Aatma is called Indriya’.


We can see that the knowledge is gained through Indriyartha Sannikarsha i.e. the

association of Indriya (sense organ) with the Indriyartha (sense object). This

knowledge is taken by Manas (mind), and screened by Buddhi (intellect). But

ultimately it is the Indra which judges and enjoys the knowledge in true sense. Thus

the Indriya is invariably associated with Indra in the process of perception of true

and comprehensive knowledge.


ina iti viSayANAM nAma tAn inaH viSayAn prati dravanti iti indriyam| yadvA

indriyasya AtmanaH liGgaM cihnam upabhoga sAdhanam indriyam iti|


The word Indriya is made up of 2 terms i.e. ‘In’ and ‘Dravanti’.

‘In’ means Vishayas (subjects or objects of sense)

‘Dravanti’ means flow or move towards

                                              

Therefore Indriya means ‘That which moves towards its Vishayas or objects’.

Indriyasya (aatmanaha) Lingam (Upabhoga saadhanam) Indriyam Meaning – ‘The

sign or source (means) of gaining experience or knowledge for Aatma is called

Indriya’

This means to tell that Indriya is the source or means through which the Aatma or

soul experiences the knowledge of the sense objects.

Classification of Indriyas

Indriyaas are classified into 3 broad categories. They are:

– Buddhi Indriyas or Gjnaana Indriyaas

– Karma Indriyas

– Ubhaya Indriya

Buddhi Indriyas or Gnaana Indriyaas –

Buddhi Indriyas comprise of sense organs. They are 5 in number. They are as

mentioned below:

  Chakshu Indriya – Sense organ of Sight (Eye)

  Shrotra Indriya – Sense organ of Hearing (Ear)

  Ghraana Indriya – Sense organ of Smell (Nose)

  Rasanaa Indriya – Sense organ of Taste (Tongue)

  Twak Indriya or Sparshana Indriya – Sense organ of Touch (Skin)


Karma Indriyaas –

Karma means action. Indriyas involved in actions and important functions are called

Karma Indriyas. Karma Indriyaas comprise of motor organs. They are also 5 in

number. They are as mentioned below:


  Vaak Indriya – Motor organ of speech (Speech organs)

                                                Paani Indriya – Motor organ of grasp or hold (Hands)

  Paada Indriya – Motor organ of locomotion (Feet)

  Paayu Indriya – Motor organ of excretion, defecation (Anus and Rectum)

  Upastha Indriya – Motor organ of sex (Penis)

Ubhaya Indriya –

Ubhaya means both. Ubhaya Indriya is both sensory and motor in function. It is

associated with sensory organs while sensory perception is taking place and with

motor organs while motor activities are taking place. Ubhaya Indriya is one in

number. It is called Manas or Mind.

  Buddhi Indriyas

Buddhi Indriyas or Gnaana Indriyaas eka

eka adhika yuktAni khAdInAm indriyANi tu|

paJca karmAnumeyAni yebhyo buddhiH pravartate||(ca.zA. 1/24)


The Buddhi Indriyaas namely Chakshu, Shrotra, Ghraana, Rasanaa and Twak are

called Buddhi Indriyaas because Buddhi or knowledge (intelligence) is embedded in

these organs. Buddhi Indriyaas are therefore called Gjnaana Indriyaas (indriyaas

which help in perceiving the knowledge of sense objects).



Each Gnaana or Buddhi Indriya is made up of all the Mahabhutas i.e. elements of

nature but is predominant in one Mahabhuta. The function of these indriyaas

depends on the quality and quantity of Mahabhuta present in these indriyaas. The

Mahabhuta predominance in Buddhi Indriyaas are as below mentioned –


Chakshu Indriya – eyes – Dominated by Agni Mahabhuta (fire element). Perceives

Roopa Guna – sight sense.

Shotra Indriya – Ears – dominated by Akasha – ether element (vacuum) – perceives

sound – Shabda guna.

Ghrana Indriya – Nose – dominated by Prithvi – earth element – perceives smell

sense – Gandha Guna

                                                Rasana Indriya – tongue – dominated by Jala – water element – perceives taste –

Rasa guna.

Twak Indriya – skin – dominated by Vayu – air element – perceives touch sense –

Sparsha guna.


Pancha Karma Indriyas

hastau pAdau guda upasthaM vAg indriyam athA api ca| karma

indriyANi paJca eva pAdau gamana karmaNi|| pAyU upasthaM

visargArthaM hastau grahaNa dhAraNe| jihvA vAg indriyaM vAk ca

satyA jyotiH tamo anRtA||(ca.zA.1/25,26)


Karma Indriyaas are the organs of motor functions. They are designed andThis

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designated to perform certain activities important life activities They are 5 in

designated to perform certain activities, important life-activities. They are 5 in

number. They are as mentioned below –


1. Hasta (pani)- hands

Functions as per Charaka – Grahana (receive, gather, collect), Dhaarana (hold)

Functions as per Saankhya Karika – aharana (receive), aadaana (hold)



2. Paada, Foot –

Functions as per Charaka – Gamana (To walk, move, locomotion)

Functions as per Saankhya Karika – Viharana (roam around, move), Gamana (walk)



3. Guda (Paayu), Anus

Functions as per Charaka – Mala Visarga (defecation)

Functions as per Saankhya Karika – Mala Utsarga (defecation)


4. Upastha (Linga), Penis

Functions as per Charaka – Mootra Visarga (urination)

                                                Functions as per Saankhya Karika – Ananda / Ramana (Sexual pleasure)



5. Vak Indriya, Tongue, organs of speech

Functions as per Charaka – Vaak, Vaani (speech)

Functions as per Saankhya Karika – Vachana – speech




Indriya Vritti

rUpAdiSu paJcAnAm Alocana mAtram iSyate vRttiH|

vacana AdAna viharaNa utsarga AnandAH ca paJcAnAm||(sAM.kA.28)


Vrittis are the assigned functions of the Indriyaas (duties).




Jnana Indriya Vritti

Chakshu Indriya – Eyes – Roopa Grahana, Alochana – perceiving and analyzing

form, color, size, shape etc

Shotra Indriya – Ears – Shabda grahana, alochana (perceiving and analyzingThis

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different types of sounds)

Ghraana Indriya – Nose – Gandha grahana, alochana (perceiving and analyzing

different types of smells)

Rasana Indriya – tongue – Rasa grahana, alochana (perceiving and analyzing

different types of tastes)

Sparsha Indriya – skin – Sparsha grahana, alochana (perceiving and analyzing

different types of touches, feel)


Bhoutikatwa of Indriya

Bhoutikatwa of Indriyas (relation of elements of nature and Indriyaas) –

According to Ayurveda, the Indriyas are made up of Pancha Mahabhutas (5

elements of nature) just like any other material or object of the creation. Each

                                            

Indriya is made up of all the Mahabhutas but predominantly made up of single

Mahabhuta.

Below tabulated are the relations of specific Mahabhutas with their related Indriyas.


Creation of Indriya

According to some Darshanaas the whole world and every individual life, human

being are created from either 24 or 25 tatvas (creative principles). Sushruta has

accepted 25 tatvas taking part in the creation of Purusha or Srushti.


Among the 25 principles, 8 are Prakritis (primordial elements) and 16 are Vikritis

(derivatives). The Aatma or Purusha (life element) when gets association in the form

of 25th tatva with these 24 factors the life is created.



Related reading: Purusha: Definition, Types, Characteristic Features



8 Prakritis or Ashta Prakritis are – Avyakta, Mahat, Ahankara and Pancha

Tanmatras (5 tanmatras). Tanmatras are the micro or elemental forms of Sense

objects. They are Shabda, Sparsha, Rupa, Rasa and Gandha.



The 16 Vikritis are the 11 Indriyas (mentioned in the introduction of this article) and

5 Mahabhutas (5 elements of nature).

 According to the above said philosophies the Indriyas are created from the

According to the above said philosophies, the Indriyas are created from the

Ahankara (cosmic egoism) during the Srushti Utpatti Krama (chronological pathway

of creation of universe).


Other important points related to Indriyas –




Asatmya Indriya Artha Samyoga

Asaatmya Indriyaartha Sannikarsha

Asaatmya Indriyaartha Sannikarsha (Incompatible relationship between Indriyaas

and their Indriyaarthaas) is one of the main causes for manifestation of diseases.


                                                

This happens in 3 ways –

– Heena Yoga – Deficit contact of Indriyaas with Indriyaarthaas

– Ati Yoga – Excessive contact of Indriyaas with Indriyaarthaas

– Mithyaa Yoga – Perverted contact of Indriyaas with Indriyaarthaas

Indriya Pradoshaja Roga

Indriya Pradoshaja Rogas

The diseases caused by functional impairment or defect of Indriyaaas are called as

Indriya Pradoshaja Rogas.

Indriyartha Sannikarsha

Indriyaartha Sannikarsha

The relationship or contact between Indriya and its related artha (indriyaartha or

sense object) is called Indriyaartha Sannikarsha. This forms the root cause of

Gnaana Utpatti or Pratyaksha Gnana (comprehensive and unadulterated

knowledge).

Sequence of Indriyartha Sannikarsha – First there is a contact of Indriya with its

Indriyaartha. The information is carried to the Manas or mind. The information is later

analyzed by the Buddhi (intellect). The aatma or soul observes everything and enjoys

the knowledge. (The same sequence happens with each and every Indriya

and Indriyaartha in the process of Pratyaksha gnana).




                                          

३९ एकोनचत्वार िं शदशकः - मणिद्वीपणनवाणिनी 39 ekonachatvaarimshadashakah' - manidveepanivaasinee She who resides in Mani dweepa

 ३९ एकोनचत्वार िं शदशकः -           मणिद्वीपणनवाणिनी

39 ekonachatvaarimshadashakah' - manidveepanivaasinee  She who resides in Mani dweepa


(In this chapter, Mani Dweeepa, the ocean of nectar, where the goddess

resides is described. These are contained in chapter 10, 11 and 12 of Book 12

of the Devi Bhagawatham.)



सुधासमुद्रो जगताां त्रयाणाां

छत्रीभवन् मञ्जुतरङ्गफेनः ।

सवालुकाशङ् खवववित्ररत्नः

सतारकव्योमसमो ववभावत ॥ ३९-१॥

sudhaasamudro jagataam trayaanaam

chhatreebhavan manjutarangaphenah' .

savaalukaashankhavichitraratnah'

sataarakavyomasamo vibhaati .. 39-1..


1.Beautiful waves and foams, sandy spreads covered with shells and

several different type of gems, that ocean of nectar, lights up the 3

worlds like a star studded sky and covers them like an umbrella.

Above earth is Indra’s swargloka, above that brahma’s satyaloka,

above that shiva’s kailasha, above that vishnu’s vaikuntham, above

that is amrit samudram. There are crores of universe. Each of the

universe have their own brahma, Vishnu, shiva along with their

worlds. Above all this is amrit samudram(ocean of nectar). That is

why it is called the umbrella of the universe-the 3 worlds. When you

see this ocean of nectar it looks like a sky filled with stars. That is why

the infinite sky is equal to the ocean of nectar. There are stars in the

sky. In place of the stars, the ocean of nectar has several precious

stone, and shells in its sandy spread. It is not easy to rech the sky

and the ocean of nectar-both are same.

What is known in the Śrutis, in the Subāla Upaniṣada, as the

Sarvaloka over the Brahmaloka, that is Maṇidvīpa. Here the Devī

resides. This region is superior to all the other regions. Hence it is

named “Sarvaloka.” The Devī built this place of yore according to Her

will. In the very beginning, the Devī Mūla Prakriti Bhagavatī built this

place for Her residence, superior to Kailāśa, Vaikuṇṭha and Goloka.

Verily no other place in this universe can stand before it. Hence it is

called Maṇidvīpa or Sarvaloka as superior to all the Lokas. This

Maṇidvīpa is situated at the top of all the regions, and resembles an

umbrella. Its shadow falls on the Brahmāṇḍa and destroys the pains

and sufferings of this world. Surrounding this Maṇidvīpa exists an

ocean called the Sudhā Samudra, many yojanas wide and many

yojanas deep. Many waves arise in it due to winds. Various fishes and

conches and other aquatic animals play and here the beach is full of

clear sand like gems. The sea-shores are kept always cool by the

splashes of the waves of water striking the beach. Various ships

decked with various nice flags are plying to and fro. Various trees

bearing gems are adorning the beach.


तन्मध्यदे शे ववमलां मवणद्वीप्

आख्ाां पदां दे वव ववराजते ते ।

यदु च्यते सांसृवतनाशकारर

सवोत्तरां पावनपावनां ि ॥ ३९-२॥

tanmadhyadeshe vimalam manidveep

aakhyaam padam devi viraajate te .

yaduchyate samsri'tinaashakaari

sarvottaram paavanapaavanam cha .. 39-2..


2.Oh Goddess! In the middle of that ocean, is the very white and

saintly Manidweepa, your prestigious shining residence. It is said

that it destroys all sorrows, is the best among all and purest amongst

the pure.

In the centre of the ocean of nectar is the manidweepam. This is that

place of bhuvaneshwari. It is to this place that the trimurthis reached.

This is where the trimurtis got their powers to create, maintain and

destroy-(refer chapter 9). As soon as one reaches here, his worldly

sorrows finishes. Amongst many pure places, manidweepa is the

purest. Sri krishna and radha played the raasa leela in golokam.

Manidweepa is finer than this goloka.




तत्रास्त्ययोधातुमयो मनोज्ञः

सालो महासारमयस्ततश्च ।

एवां ि ताम्रावदमयाः वकलाष्टा-

दशावतवित्रा वरणा लसन्ति ॥ ३९-३॥

tatraastyayodhaatumayo manojnyah'

saalo mahaasaaramayastatashcha .

evam cha taamraadimayaah' kilaasht'aa-

dashaatichitraa varanaa lasanti .. 39-3..


3.In that there is an exquisite fort made of Iron. Within that there is a

fort made of brass. Like this there are eighteen other forts made of

copper and other metals that shines.

The manidweepa that is situated in the middle of the ocean of nectar

includes the 18 forts. The outermost is made of iron. On crossing this

and moving inwards we will find a fort made of brass. In this way in

order, copper, lead, brass+copper, 5-metal

(iron,tin,copper,gold,silver), silver, gold, topaz, ruby, onyx, diamond,

turquoise, sapphire, pearl, emerald, coral, 9-gems[The nine jewels are

:-- (1) Muktā, (2) Māṇikya, (3) Vaidūrya, (4) Gomeda, (5) Vajra, (6)

Vidruma, (7) Padmarāga(mix of orange and pink-ruby and yellow

sapphire), (8) Marakata, and (9) Nīla.]

on crossing these 16 forts, made of different materials, one enters

the manidweepam. Each of these forts by itself are very strange. A

person who comes inwards from outside get to see many sights

when he crosses each of these fort regions. In some places beautiful

palaces, in another gardens, in another place clear waters, powerful

armed castles, in another beautiful apsaras, in another place the

vehicles of the people who have come to see devi, it is like a

crowded city. The view resembles a modern town in all aspects.



तैरावृतां ते पदमवद्वतीयां

ववभावत वििामवणसद्म दे वव ।

सन्त्यत्र सत्स्तम्भसहस्ररम्य-

शृङ्गारमुक्त्यावदकमण्डपाश्च ॥ ३९-४॥

tairaavri'tam te padamadviteeyam

vibhaati chintaamanisadma devi .

santyatra satstambhasahasraramya-

shri'ngaaramuktyaadikamand'apaashcha .. 39-4..


4. Oh Goddess! Your incomparable place, chinthamani graham,

masked by them, gets particularly illuminated. Here there are

beautifully decorated halls having 1000’s (i.e., innumerable) of

beautiful pillars.

One can reach devi’s incomparable place, Chintamani graham, by

crossing the 18 forts. Here there are 4 halls. These are the Śriṅgāra

Maṇḍapa, Mukti Maṇḍapa, Jñāna Maṇḍapa and Ekānta Maṇḍapa.

Each of them have 1000’s (innumerable) beautiful pillars. The

brilliance of each of these is like that of one Koṭi Suns. All the halls

smell like the sweet scent of fresh flowers.

The halls are built of one thousand (i.e., innumerable) pillars. These are

the Śriṅgāra Maṇḍapa, Mukti Maṇḍapa, Jñāna Maṇḍapa and Ekānta

Maṇḍapa; on the top there are canopies of various colours; within are

many scented articles scented by the Dhūpas, etc. The brilliance of

each of these is like that of one Koṭi Suns. On all sides of these four

Maṇḍapas there are nice groups of gardens of Kaśmīra, Mallikā, and

Kuṇḍa flowers. Various scents, and scented articles, for example, of

musk, etc., are fully arranged in due order. There is a very big lotus

tank here; the steps leading to it are built of jewels. Its water is nectar,

on it are innumerable full-blown lotuses and the bees are humming

always over them. Many birds, swans, Kāraṇḍavas, etc., are swimming

to and fro. The sweet scents of lotuses are playing all round. In fact,

the whole Maṇidvīpa is perfumed with various scented things. Within

the Śriṅgāra Maṇḍapa, the Devī Bhagavatī is situated in the centre on

an Āsana (seat) and She hears the songs sung in tune by the other

Devīs along with the other Devas. Similarly sitting on the Mukti

Maṇḍapa, She frees the Jīvas from the bondages of the world. Sitting

on the Jñāna Maṇḍapa, She gives instructions on Jñāna, and sitting on

the fourth Ekānta Maṇḍapa, She consults with Her ministers, the

Sakhīs, Ananga Kusuma, etc., on the creation, preservation, etc., of the

universe.


ब्रह्माण्डकोटीः सुखमावसि

उपासकास्ते मनुजाः सुराश्च ।

दै त्याश्च वसद्धाश्च तथेतरे ि

यदितो यान्ति पदां तदे तत् ॥ ३९-५॥

brahmaand'akot'eeh' sukhamaavasanta

upaasakaaste manujaah' suraashcha .

daityaashcha siddhaashcha tathetare cha

yadantato yaanti padam tadetat .. 39-5..


5.This Chinthamani griha is the place where men, devas, asuras, the

saints and rishis, and similar people who worship you and eventually

reach.

Human beings stay on earth, the devas stay in heaven. In this way

each and every living thing operates in a specific place. Like this all

those who operate from specific places and worship devi, eventually

attain which lotus feet, that is this. There is nothing that is more

greater than this.


त्वां मण्डपस्था बहुशन्तियुिा

शृणोवि दे वीकलगीतकावन ।

ज्ञानां ववमुन्तिां ि ददावस लोक-

रक्षामजस्रां कुरुिे ि दे वव ॥ ३९-६॥

tvam mand'apasthaa bahushaktiyuktaa

shri'noshi deveekalageetakaani .

jnyaanam vimuktim cha dadaasi loka-

rakshaamajasram kurushe cha devi .. 39-6..


6. Oh devi! In that hall, along with your other various shakthis, are

sitting and hearing sweet music of other Devis. You are granting

wisdom as well as salvation. You are also always protecting all the

worlds.

Devi’s presence is always felt in all the 4 halls mentioned above. In

the shringara-mandap a lot of beautiful apsaras are sitting and

singing songs. In that auditorium devi jagadambika is present. Devi

who sits in the mukti-mandapam, gives salvation to the deserving.

Devi who sits in the jnana mandapam gives knowledge to the people

who are curious. In the 4th hall the ekaanth-mandapam, devi shines

bright with all her lady ministers and holds discussions on world

protection-for devi everything is very easy, everything is a divine

play.


मञ्चोऽन्तस्त वििामवणगेहतस्ते

ब्रह्मा हरी रुद्र इहे श्वरश्च ।

खुरा भवन्त्यस्य सदावशवस्तु

ववराजते सत्फलकत्वमाप्तः ॥ ३९-७॥

mancho'sti chintaamanigehataste

brahmaa haree rudra iheshvarashcha .

khuraa bhavantyasya sadaashivastu

viraajate satphalakatvamaaptah' .. 39-7..


7.In Your Chinthamani Griha, there is a cot, with Brahma, Vishnu,

Rudra and Easwara as its 4 legs. Sadashiva shines as the plank of that

cot.

There is a very nice cot in Chintamani griha. A plank that holds the 4

legs is also there-this is the shape of a cot, right. The cot has brahma,

Vishnu. Rudra and eeshwara as its 4 legs. The plank that connects

them is sadashiva. Create, sustain, annihilate, the hidden cause and

to bless are the duties of brahma, Vishnu, shiva, eeshwara and

sadashiva respectively. According to Shaivite assumptions these

forms of eeshwara are the limbs of a cot.


तस्योपरर श्रीभुवनेश्वरर त्वां

सवेशवामाङ्कतले वनिण्णा ।

ितुभुजा भूिणभूविताङ्गी

वनव्याु जकारुण्यवती ववभावस ॥ ३९-८॥

tasyopari shreebhuvaneshvari tvam

sarveshavaamaankatale nishannaa .

chaturbhujaa bhooshanabhooshitaangee

nirvyaajakaarunyavatee vibhaasi .. 39-8..


8.Oh! Goddess of universe(bhuvaneswari) on top of that cot, You

who is full of compassion, is sitting on the left thigh of the great god,

along with your four hands that are decorated with different types of

ornaments and shining very bright.

It was mentioned earlier that the devi was sitting in each of the 4

halls and performing all her duties. But actually her seat is this cot

that was mentioned. It can be said that the devi’s form is the

combination of the essence of all the beauties present in the

thousands of universe. Each of the universe have their own trimurti’s.

but there is only 1 manidweepam for all the universes. Bhuvaneswari

also is only 1. Anything small that takes place in mannidweepa is

manifested many times more in the universe. Whatever is there in

large numbers is present in small numbers also. Mannidweepa is a

collection of the several universes. The rains in each of the universe

is a shadow of manidweepa.

The palace of the Devī Bhagavatī is named Śrī Cintāmaṇi Griha. Within

this is placed the raised platform, the dais and sofa whereon the Devī

taketh Her honourable seat. The ten Śakti-tattvas form the staircases.

The four legs are (1) Brahmā, (2) Viṣṇu, (3) Rudra, and (4) Maheśvara.

Sadāśiva forms the upper covering plank. Over this Śrī Bhuvaneśvara

Mahā Deva or the Supreme Architect of the Universe is reigning. Now

hear something about this Bhuvaneśvara. Before creation while

intending to sport, the Devī Bhagavatī divided Her Body into two parts

and from the right part created Bhuvaneśvara. He has five faces and

each face has three eyes. He has four hands and He is holding in each

hand speer, signs indicating do not fear, axe, and signs granting

boons. He looks sixteen years old. The lustre of of His Body is more

beautiful then Koṭi Kandarpas and more fiery than thousand Suns; and

at the same time cool like Koṭi Suns. His colour is crystal white, and on

His left lap Śrī Bhuvaneśvarī Devī is always sitting.


प्रवतक्षणां कारयवस त्ववमच्छा-

ज्ञानवियाशन्तिसमन्तिताऽत्र ।

वत्रमूवतुवभः शन्तिसहस्रयुिा

ब्रह्माण्डसगुन्तस्थवतसांहृतीश्च ॥ ३९-९॥

pratikshanam kaarayasi tvamichchhaa-

jnyaanakriyaashaktisamanvitaa'tra .

trimoortibhih' shaktisahasrayuktaa

brahmaand'asargasthitisamhri'teeshcha .. 39-9..

9. Along with the power of desire, wisdom and action and along with

one thousand Shakthis sitting there, with help of the trimurti’s, you

get creation, sustainence and destruction done of the universes.

No work can be done without the powers of desire, knowledge and

work. Hence, all these 3 powers(embodiments) are always present

along with devi. not just these 3, there are also other thousands of

powers(embodiment) with devi. In each and every universe, to each

of them, devi provides the powers to see, touch etc. at the

appropriate time. Without getting the powers from devi nobody can

get the ability to see, feel etc. With her power of authority, devi gets

the activity of creation, sustenance and annihilation of the universe

done by the trimurthi’s. The creation, sustainment and destruction of

the thousands of universes is taking place every second. The devi

who resides in manidweepa , appears as the divine chieftan for

everything

Remember she was described ‘like a queen’ in the 1st chapter. When

devi opens her eyes she creates, when she closes her eyes she

destroys.

It is said in Lalitha sahasranama

281-namavalli;(66-stotram).Unmesha nimishotpanna vipanna

bhuvanavali-She who creates and destroys the universe by opening

and closing of her eye lids


सा त्वां वह वािाां मनसोऽप्यगम्या

वववित्ररूपाऽवस सदाऽप्यरूपा ।

पुरः सताां सविवहता कृपाद्राु

सदा मवणद्वीपवनवावसनी ि ॥ ३९-१०॥

saa tvam hi vaachaam manaso'pyagamyaa

vichitraroopaa'si sadaa'pyaroopaa .

purah' sataam sannihitaa kri'paardraa

sadaa manidveepanivaasinee cha .. 39-10..

10. Your unspoken words is unreachable to the mind also(as she is formless).

Always anyone without any form, but, assuming many different forms, is seen

in form overflowing with mercy in front of the devotees. At the same time, you

are residing in manidweepa.

There are no words in any languages, to describe the ruler. of the crores of

universes. Then, does the brain have the ability to imagine?-that too is not

there. Devi is nirgunna-no form. At the same time she is saguna also-has many

forms. When the devotees call she reaches there-she might be reaching in

different forms. That devi, who is always in front of her devotees at all times, is

always present in manidweepa also-how can one describe a devi who is so

superior and full of compassion, in words?

The vision of the devi in chintamanigriha, that can reached by crossing the 18

fortresses, awakens our mind. What are these 18 fortresses? The scriptures

say, that other than the body that comprises of the 5 elements, there is a

subtle body(sukshama shareeram) within that. The 5 pranas, 10 sense organs,

mind and intelligence-the subtle body is made up of these 17 principle forms.

Along with this a body that is ignorant, lustful and materialistic, also exists.

Including this it becomes 18. Beyond this 18 devi sits. On crossing the pranas,

sense organs and the conscience-‘I am not any of them’ kind of ignore them

and deny the existence of each of them-a yogi will be able to be reach the

level of self-awareness. The body is manidweepam; devi is our soul. As we age

we get possessed by our body, sense-organs etc. hence the stage of self-

awareness becomes impossible for them. Meditating for a long time can help

one remove that possessiveness towards one’s body and sense organs, and

move towards self awareness. That pleasure is the ocean of nectar(amrit

samudram). The famous shloka mentioned in soundaryalahiri, “Sudha sindhur

madhye” can be read along with this. The description of manidweepa in

detail is given in chapters 10, 11, 12 of skanda 12 of devi bhagavatham.


Prana has many levels of meaning from the breath to the energy of

consciousness itself. Prana is not only the basic life-force, it is the

master form of all energy working on the level of mind, life and body.

Indeed the entire universe is a manifestation of Prana, which is the

original creative power. Even Kundalini Shakti, the serpent power or

inner power that transforms consciousness, develops from the

awakened Prana.

The human being consists of five koshas or sheaths from the physical

to subtle and causal principles:

Annamaya kosha – food – physical – the five elements

Pranamaya kosha – breath – vital – the five pranas, subtle body

energies

Manomaya kosha – impressions – outer mind – the five kinds of

sensory impressions, deeper imagination, astral

Vijnanamaya kosha – ideas – intelligence – directed mental activity,

deeper wisdom

Anandamaya kosha – experiences – memory, subliminal and

superconscious mind, repository of karmas, causal


मातमुदिः करणे वनिण्णा

ववद्यामयां माां कुरु बन्धमुिम् ।

बन्धां ि मोक्षां ि ददास्यसिा

दासोऽन्ति ते दे वव नमो नमस्ते ॥ ३९-११॥

maatarmadantah'karane nishannaa

vidyaamayam maam kuru bandhamuktam .

bandham cha moksham cha dadaasyasaktaa

daaso'smi te devi namo namaste .. 39-11..


11.Oh! mother you please sit in my inner-conscience and make me absorbed

in knowledge, detached from everything. You who do not have any likes or

dislikes, attachments as well as salvation. I being your slave, again and again

salute you.

The poet requests devi to reside in his inner-conscious the same way that she

resides in Chintamani graham. Chintamani graham is free from rajo and tamo

guna-it is pure sattva guna. Similarly, the poet desires that his inner conscious

becomes free from rajo and tamo guna. Only then will devi be able to reside

there. Devi has no love or enimity towards anybody-devi is indifferent. The

poet prays to devi to nremove the ignorance that is present in him and replace

it with knowledge and thus make him knowledgeable. Devi should hear his

prayers-for that the poet repeatedly salutes devi and thus ends the chapter

tamas (darkness & chaos), rajas (activity & passion), and sattva

(beingness & harmony).


Thus ends chapter 39




Manidweepa the Abode of Devi Bhagavati

Being far superior to Kailasa, Vaikuntha and Goloka, the Sarvaloka or

Manidweepa is the residence of Devi Bhagavati in whom the entire

Creation rests! Indeed She resides everywhere and anywhere but

notionally at Manidweepa and the description is transcripted in detail

by Maharshi Veda Vyasa apparenly for the consumption of mortals to

carry conviction into their consciousness. Surrounded by ‘Sudha

Sagara’ ( The Ocean of Nectar), Manidweepa has a strong iron

enclosure of several Yojanas far and wide with four gates well guarded

by Devas and Devis.


Within the First Enclosure, there is an Enlosure of white metal made of

an amalgam of zinc and tin/copper which touches Heavens and is

hundred times higher than the walls of the outer Enclosure.This

Enclosure is interspersed with gardens and forests with a wide range

of trees and plants, flowers with intoxicating fragrances, luscious fruits

along with streams of fruit juices and gregarious animals and birds of

staggering variety.

The third Enclosure is made of copper with a height of seven yojanas

comprising several ‘Kalpavrikshas’, with golden leaves/ flowers and

fruits yielding gems, fulfilling desires of any imagination.The King of

the Gardens along with the wives Madhu Sri and Madhava Sri

maintains an excellent Spring Season, where Gandharvas reside,

rendering divinely songs and music.


The Fourth Enclosure made of lead with its wall height is again seven

yojanas and within the Enclosure are the Sanatanaka trees with flowers

whose fragrance reaches as far as ten yojanas and fresh fruits

providing sweet juices of great quality and its King with the two

queens Sukra Sri and Sudha Sri always maintains enjoyble mild

summer where Siddhas and Devas reside here.


The Fifth Enclosure made of brass with a spread of ten yojanas is

maintained by its Chief as a perennial Rainy Season accompanied by

twelve of his wives,viz. Nabha Sri, Nabhyasya Sri, Sravasya, Rasyasalini,

Amba, Dula, Niranti, Varidhara, Abhramanti, Megha Yantika,

Varshayanti, and Chivunika. The Trees grown in the Gardens of this

Enclosure are Hari Chandana.


The Sixth Enclosure is made of walls with five-fold irons and its

Gardens grow Mandara Trees and creepers; the wives of its Chief are

Isalakshmi and Urjalakshmi maintaining the Season of Autumn. Here

again Siddhas reside with their wives.


The Seventh Enclosure of seven Yojanas of length is made of Silver, its

Chief maintaining Hemanta (dewy) Season with his two wives Saha

Sri and Sahasya Sri with Parijata as its main tree and flowers.


The Eighth Enclosure is made of molten gold with Kadamba garden

in the center with Tapas Sri and Tapasya Sri as the wives of the King

and the fruits of the trees yield honey that is consumed aplenty by

Siddhas and wives who are the inhabitants and the season again is

dewy.

The ‘Navavarana’ or the Ninth Enclosure is made of Pushparaga gems

of Kumkum (saffron) colour which is abundant all over inside the

Enclosure like forests, trees, rivers, flowers, lotuses, ‘Mandapas’ (Halls),

pillars and so on. All the ‘Dikpalakas’ of High Regency reside in the

Eight Directions of the Enclosure, with the thousand eye bodied Indra

in the East in Amaravati on Airavata with Sachi Devi, ‘Vajra Ayudha’ or

thunderbolt, the Celestial Apsarasas and the rest; Agni Deva in South

East with his two wives Svaha and Svadha , his Vahana and other

belongings; Yama Dharmaraja in the South with his ‘Yama danda’ (

his Symbol the Celestial Rod) along with Chitragupta; Nirruti in the

South West with his axe and wife representing Rakshasas’; Varuna

Deva in the West with his wife Varuni and ‘Pasa’ ( the noose), drinking

Varuni honey and with the King of Fishes as his Vahana (Vehicle) and

surrounded by aquatic animals; Vayu Deva in the North West with his

wife, forty nine members of his Vayu family along with groups of Yogis

adept in Pranayama and other practices along with his Deer Vahana;

the King of Yakshas and Unparallelled Possessor of Gems and Jewels

Kubera in the North along with his two Shaktis Viriddhi and Riddhi

and his Generals Manibhadra, Purnabhadra, Maniman, Manikandhara,

Manisvargi, Manibhushana and Manikar Muktadhari; Rudra Deva in

the North East with other Rudras who are angry and red eyed, armed

and mighty, frightful and revolting, fiery mouthed and detestably

distorted, some times ten handed or thousand handed, odd number

footed and odd number mouthed; in the company of Bhadrakalis and

Matriganas, Rudranis and Pramadhaganas making ‘Attahasas’ or

reverberating screeches and so on.


Tenth Enclosure made of Padmaraga Mani inside which are the Sixty

four ‘Kalas’ like Pingalakshi, Visalakshi, Vriddhi, Samriddhi, Svaha,

Svadha and so on each of these having hundreds of akshouhini strong

armies and individually each of these ‘Kalas’ have the unimaginable

Power of destroying a lakh of ‘Brahmandas’(Universes)!


The Eleventh Enclosure is made of Gomeda Mani and within this are

the sin-destroying and beneficent Maha Shaktis viz. Vidya, Hri, Pushti,

Prajna, Sinivali, Kuhu, Rudra, Virya, Prabha, Nanda, Poshani, Riddhida,

Subha, Kalaratri, Maharatri, Bhadra Kali, Kapardini, Vikriti, Dandi,

Mundini, Sendhu Kanda, Sikhandini, Nisumbha Sumbha Madini,

Mahishasura Mardini, Rudrani, Sankarardha Saririni, Nari, Nirayani,

Trisulini, Palini, Ambika and Hladini.

The Twelfth Enclosure made of Diamonds and is the dwelling place of

Bhuvaneswari, and is surrounded by Eight Shakties viz. Anangarupa,

Ananaga Madana, Madanantara, Bhuvana Vega, Bhuvana Palika,

Sarvasisira, Ananga Vedana and Ananda Madana; each of these Main

Atteandants of Bhuvaneswari has a lakh of Attendants.


The Thirteenth Enclosure is made of Vaiduryas and the Residences of

Eight Matrikas viz. Brahmi, Mahesvari, Kaumari, Vaishnavi, Varahi,

Indrani, Chamunda and Mahalakshmi.


The Fourteenth Enclosure made of Indranilamani, which is the Most

Auspicious Place of the Sixteen Petalled Holy Lotus with Sixteen Maha

Shaktis resident viz. Karali, Vikarali, Uma, Sarasvati, Sri, Durga, Ushas,

Lakshmi, Sruti, Smriti, Dhriti, Sraddha, Medha, Mati, Kanti and Arya.


The Fifteenth Enclosure made of ‘Mukta’ or Pearls inside which reside

Eight Shaktis Ananga Kusuma, Ananga Kusuma Tura, Ananga Madana,

Ananga Madanatura, Bhuvanapala, Ganganavega, Sasirekha, and

Gangana Vegarekha.


The Sixteenth Enclosure which is made of Marakatha (Vaidurya) is

hexagonal of Yantra Shape, and on the eastern corner of the Center

is the Brahma with Devi Gayatri with Vedas, Sastras and Puranas as

well as their Expansions; on the Western corner is Maha Vishnu and

Savitri along with ther own Expansions; on the North Western corner

is Maha Rudra and Sarasvati with Rudra and Parvati Expansions and

Sixty four Agamas and all Tantras; on the South Eastern side is the

abodes of Kubera and Maha Lakshmi; on the Western corner side are

the Couple of Madana and Rati Devi and on the North Eastern side

are Ganesha and Pushti Devi.

The Seventeenth one is made of Prabala (Red like Saffron) Devi

Bhagavati’s five Elements viz. Hrillekha, Gagana, Raktha, Karailika, and

Mahochuchusma;


Finally, the Eighteenth Enclosure is built with Navaratnas ( Nine Jewels)

with Bhagavati in the Center with ‘Pancha Amnayas’ (Eastern Amnaya

is Creation by Mantra Yoga, Southern is Maintenance by Bhakti,

Western is Pralay by Karma Yoga, Northern is Grace by Jnana Yoga

and Urdhva Amnaya is Liberation); ten Maha Vidyas (Kali,Tara,

Chhinnamasta, Bhuvaneswari, Bagala, Dhumavati, Matangi, Shodasi

and Bhairavi) and Avataras viz. Bhuvanesvaris Pasamkusavari, Bhairavi,

Kapala, Amkusa, Paramada, Sri Krodha , Triptavasarudha, Nityaklinna,

Annapurnesvari and Tvarita .


Ratnagriha or the Crown Palace of Mula Prakriti or Maha Devi

Bhagavati is beyond the Eighteenth Enclosure, built of Chintamani

Gems with thousands of pillars built by Suryamani Gems or

Vidyutkantamani Gems. Four huge ‘Mandapas’ or halls each with

thousand pillars in the Palace are made of kaleidoscopic and artistic

mix of ‘Navaratnas’ ( The Nine Gems) viz. Mukta, Manikya, Vaidurya,

Gomeda, Vajra, Vidruma, Padmaraga, Nila and Marakatas with

dazzling lights and exhilarating perfumes suited to the Themes of the

Halls designated as Shringara, Mukti, Jnana and Ekanta.


In the Central place of each of the Halls, there is a Very Special

Chintamani Griha or the Sanctum Sanctorum on a raised platform with

a plank supported by the four legs of Brahma, Vishnu, Rudra and

Mahesvara and the plank is Sadasiva Himself!


The Maha Tatvas are the stair cases leading to the Upper Chambers.

Mula Prakriti and Maha Purusha constitute two halves of the Physical

Formation of Maha Devi cum Maha Deva with Five Faces of Each Half,

with corresponding three Eyes and four arms and armoury , one hand

reserved exclusively for providing boons. The Attending Sakhies are

those surrounding the ‘Ardhanarisara’ are Icchaa Sakti, Jnaana Sakti

and Kriya Sakti who are always present with the Maha Bhagavati along

with Lajja, Tushti, Pushti, Kirti, Kanti, Kshama, Daya, Buddhi, Medha,

Smriti and Lakshmi in their physical Forms. The Nine Pitha Shaktis Jaya,

Vijaya, Ajita, Aparajita, Nitya, Vilasini, Dogdhri, Aghora and Mangala

are at the constant Service. Devi Bhagavati is simultaneously present

in all the Mandapas; enjoying Vedas, Hymns of Praise, and Music in

Shringara Hall; freeing Jivas from bondages in Mukti Hall; rendering

advice and instructions in Jnana Hall and conducting consultations in

Ekanta Mandapa with Ministers like Ananga Kusuma etc.on matters of

vital significance related to Creation, Preservation and Destruction of

Evil.Indeed the inhabitants of Manidweepa are all those who have

attained Samipya, Salokya, Sarupya and Sarvasti. They have no

Arishdvargas to overcome, no tatvas to gain, no gunas to regulate, no

Yogas to perform, no ambitions or desires to fulfil. They have no

concepts of time, death, age, distance, body, mind, light, season or the

‘Tapatriyas’. Human beings normally tend to describe the negativity

of life always but the Eternal State of Perfect Equilibrium is some thing

utterly unimaginable!


Maharshi Veda Vyas assured that reading, listening or imagining

about Manidweepa and of the Glories of Devi Bhagavati would

provide peace of mind, contentment and fresh springs of hope,

purpose and direction of life especially when new projects or actions

are launched as also when apprehensions, obstacles, diseases,

tragedies or even death are envisaged! ( Source : Devi Bhagavata)

३८ अष्टात्रिंशदशकः - त्ित्तशुद्धिप्राधान्यम् 38 asht'aatrimshadashakah' - chittashuddhipraadhaanyam

 ३८ अष्टात्रिंशदशकः - त्ित्तशुद्धिप्राधान्यम् 38 asht'aatrimshadashakah' - chittashuddhipraadhaanyam


(in this chapter it is said that just by doing rituals, it does not help

you. Several examples of this is given. The best option is to pray to

the Goddess with a very pure mind.)



अन्तर्मुखो यः स्वशम भेच्छयैव

स्वयं ववर्शेन र्नोर्लावन ।

दृष्ट्वा शर्ाद्यैर्मुनमते सर्ूलं

स भाग्यवान्दे वव तव वियश्च ॥ ३८-१॥

antarmukho yah' svashubhechchhayaiva

svayam vimarshena manomalaani .

dri'sht'vaa shamaadyairdhunute samoolam

sa bhaagyavaandevi tava priyashcha .. 38-1..


1. Oh Goddess! He who for his own progress, sees within himself

   and finds and analyses his shortcomings in his mind and uproots

   them, that person is very lucky as he is very dear to you.

   Most people waste their life in wishing for an easy life and

   children. If one of the children wishes to progress in life then that

   is a wonder by itself. That wish is his ultimate aim. Someone who

   aims should 1st look within himself, criticise himself, and search for

   the causes of incompleteness like anger and failure etc. within

   himself. He should carefully analyse all his thoughts, actions and

   words. Then He should make efforts to find solutions to the

   incompleteness found out by him. By practicing patience and self-

   restraint, one can overcome this mental stain. In this manner,

  whoever wipes out all his mental stains, is very lucky. He is loved

  by devi.



न वेदशास्त्राध्ययने न तीर्ु -

संसेवया दानतपोव्रतैवाु ।

शमद्धं र्नो यावत तव स्मृतेस्तद्

वैशद्यर्ादशुवदे वत र्ातः ॥ ३८-२॥

na vedashaastraadhyayanena teertha-

samsevayaa daanatapovratairvaa .

shuddhim mano yaati tava smri'testad

vaishadyamaadarshavadeti maatah' .. 38-2..


2. By learning Vedas and other religious scriptures, or by bathing in

   sacred waters, or by doing charity, meditation or observing fasts,

   the mind need not become pure. Oh mother just by remembering

   you, it would become as clear as a mirror.

   Without going inwards within yourself and self-criticism the

   mental dirt cannot be removed. Many of them, in order to get a

   merit for their righteous actions, go have bath in sacred rivers,

   give a lot of charity, observe fasts etc. all thes are definitely good.

   But, by just observing these, one’s mental dirt will not go away.

   The benefits one gets by studying the vedas and religious

   scriptures is ditto. Because, the diseases caused due to anger

   cannot be treated by this. At the same time, constantly

   remembering devi, might help in removing a persons mental dirt.

   When one gets enlightened by meditating on devi constantly,

   then the tamo guna of anger has no choice but to shift. So when

   someone wants to prosper then, it is not enough for them to do

   several mechanical duties, in fact, they should look inwards and

  criticise oneself, practice patience and self restraint and also pray

  to devi.



शमद्धनु यज्ञेन यजन् शशाङ्कः

पत्ीं गमरोः िाप भृशं स्मरातुः ।

शतक्रतमगौतर्र्र्ुपत्ी-

र्गादहल्ां र्दने षम ववधः ॥ ३८-३॥

shuddhirna yajnyena yajan shashaankah'

patneem guroh' praapa bhri'sham smaraartah' .

shatakraturgautamadharmapatnee-

magaadahalyaam madaneshu viddhah' .. 38-3..


3 By doing yajna you do not become pure. The Moon, who did yajna,

became very passionate, and had an affair with the wife of Guru.

Indra who had carried out a Hundred yajnas, hit by the arrows of

cupid, had an affair with the virtuous wife, ahalya, of sage Gauthama.

Just because one does a lot of yagnas, it does not mean that they

are mentally pure. The proof for this in the story of Chandra, moon.

Chandra conducted a yagna. He had an affair with Brihaspati’s (his

guru’s) wife-tara. A son was also born to them. This story can be

read in the 1st skanda chapter 11 of devi bhagavatham. Indra

performed 100 yagnas. How he had an affair with ahalya, gauthama’s

wife, very well known from the Ramayana. Indra and Chandra who

had performed yagnas could not win over the effect of cupid on

them.

Brihaspati the Teacher of devas had a beautiful wife named Tara.

Once, Chandra (Moon) visited the house of Brihaspati the Guru and

instantly fell in love with Tara, who too reciprocated her romantic

feelings. In course of time, she deserted Brihaspati and moved into

Chandra’s house. Brihaspati approached Chandra and counselled

him that this romance with his own Guru’s wife was not only

illegitimate but a blatant infringement of Dharma which would

attract a sin tantamount to ‘Brahma Hatya’ or the murder of a

Brahmana and asked Tara to be returned to him. Chandra declined

to do so as Tara came away out of her own desire. Brihaspati visited

Chandra again but the latter was adamant to return Tara saying that

the couple were madly infatuated mutually. Brihaspati warned

Chandra with dire consequences and approached Indra for redressal.

Indra himself faced a situation similar but his role was as a cheat for

masquerading as Sage Gautama in Ahalya’s bed and received the

curse to imprint genital marks all over his body. However his role

was that of the Chief of Devas and despatched an intelligent

emissary to Chandra Loka. The Representative advised Chandra to be

sensible as he already had twenty eight beautiful Stars as his wives

and even offered any of the Apsara Damsels to quench his lust. The

Messenger returned to Indra empty handed and the latter decided

to wage a war against Chandra Loka. Knowing of this incident, the

Danava Guru Sukracharya, the arch-rival of Deva Guru Brihaspati,

espoused the cause of Chandra and assured of the help of Demons

in a possible war. Meanwhile Brahma Himself flew across by His

‘Hamsa Vahana’ (Chariot of Swan) to Chandra Loka and

consequently Chandra let Tara return to Brihaspati, who was happy

and excused Tara for her indiscretion. Tara a pregnant woman gave

birth to a charming boy but Tara confirmed that he was Chandra’s

own son and Chandra took away the child and named him ‘Budha’.


Story of ahalya

Ahalya was the wife of Gautama Maharishi. Ahalya was also known

as Ahilya. The Mythology tells that Lord Brahma had created some

beautiful woman out of whom Ahalya was the best. She was a

virtuous woman and she was impeccably beautiful. Lord Brahma

wished Sage Gautama to look after this virtuous girl and later on the

couple tied knot with each another.

After Gautama leaves for his ritual bath, Indra masquerades as

Gautama and asks Ahalya to satisfy him. Ahalya, engrossed in

worship, rejects him, considering it inappropriate to have sex at the

cost of neglecting the gods. Indra reminds her that her first duty is to

serve him. Finally Ahalya gives in, but Gautama learns of Indra's

deception through his supernatural powers and returns to the

ashram. When Gautama arrives after the act, Indra tries to flee as a

cat but is cursed to bear the marks of a thousand vulvae. When

asked by Gautama about her visitor, Ahalya wittily answers that it

was a majjara, a word meaning either "cat" or, when split as ma-jara,

"my lover". Gautama laughs and curses her to be turned into stone,

Ahalya's plea of innocence is acknowledged by Gautama, who

declares that her mind is pure and she has kept the "vow of chastity

and fidelity", but another man's seed has defiled her body. Gautama

orders her to go to the forest and become a stone until rescued by

the touch of Rama's feet

Indra represents our five indriyan (senses) and our mind. Here,

adultery implies that the mind and our senses took control of Ahalya.

When, instead of your consciousness, your mind runs you,

materialistic desires can haunt you anytime. Once our spiritual power

becomes weak, any seeker would feel the attraction of materialistic

pleasures to be greater than that of spiritual joy. Thus, Sage

Gautama advised Ahalya to do more penance and went for

hermitage in the Himalayas.

The symbolic story that she became a stone, implies that she kept all

the indriyas inside her such that she became as inert as a stone. A

materialistic mind always reacts, while a stable mind watches. A

seeker has all his/her indriyas in control. One can then see how the

mind plays tricks in making you believe all that it wants.



स ववघ्नकारी तपसां र्मनीनां

गतस्पृहं योवगवरं िशान्तर्् ।

हा ववश्वरूपं पववना जघान

न वकञ्चनाकायुर्र्र्ुबमधेः ॥ ३८-४॥

sa vighnakaaree tapasaam muneenaam

gataspri'ham yogivaram prashaantam .

haa vishvaroopam pavinaa jaghaana

na kinchanaakaaryamadharmabuddheh' .. 38-4..


4.Indra created impediments to the tapas of the sages. The great,

desireless, peaceful yogi, vishwaroopa, was killed by Indra with the

help of the weapon vajra. Alas! there is nothing in this world that a

person of evil mind would not do.

The one who has performed 100 yagnas, indra, was not just lustful,

he was also full of jealousy and ill-feelings towards people. In

different puranas one can find stories about how indra tries to

prevent any good deeds done by man on earth. The story of how he

tried to obstruct the penance of the desireless nara-narayana has

been described in devi bhagavatham skanda 4 chapter 5. That

effort was a total waste. The completely desireless vishwaroopa, was

observing penance in solitude. Indra for no reason just chopped off

that yogi’s head. When the brain is ruled by unrighteousness, then

there is nothing that he will not do-he will do anything, say anything.

Indra was the 1 who had performed 100 yagnas. Still ill-feelings and

jealousy always ruled him.

The Guru of Devas was Brihaspati. But once he had an altercation

with Indra, the king of Devas, and Brihaspati abandoned the Devas.

Without a proper Guru to guide, Devas faced several reversals.

Finally, on the advice of Brahma, Vishwarupa was appointed as the

Guru of Devas.

Vishwarupa to impress Indra, gave him Shiva Kavach, with which he

defeated the demons (asuras).

Vishwarupa was born of the union of a Deva (Tvashta) and an Asura

woman (Rachna). He had deep love and affection for his mother and

this made him a supporter of the Asuras.

So whenever he performed a yajna for the Devas, in his mind he

prayed for the welfare of the Asuras.

Soon Asuras became powerful and Devas grew weaker.

Soon Indra realized the treachery of their newly appointed Guru and

in a fit of rage; he beheaded Vishwarupa in his ashram.



र्मवनवुवसष्ठः खलम तीर्ुसेवी

तपोवनवर्गाु वर्समतश्च कोपात् ।

उभौ वर्र्ः शेपतमराविभावं

िाप्तः वकलै को बकतां परश्च ॥ ३८-५॥

munirvasisht'hah' khalu teerthasevee

taponidhirgaadhisutashcha kopaat .

ubhau mithah' shepaturaad'ibhaavam

praaptah' kilaiko bakataam parashcha .. 38-5..


5. Was not sage Vasishta an attender of sacred rivers, was not the

son of Gaadhi(Vishwamitra) an eminently pious man. In extreme

anger both of them cursed each other. One of them became a

kingfisher and other a stork.

With the help of examples it has been proved earlier that by just

performing yagnas one’s mind does not become pure. Also by going

for pilgrimages one’s mind need not become pure. Vasishtha lives

on the banks of river ganga. He bathes in the water of the ganges,

drinks also the water of the ganges. Still his anger, ill-feelings etc. did

not get eliminated. That is why he picked a fight with vishwamitra.

He was a rishi who had performed penances for a very long time. He

too did not have a pure mind. Vashishta did not like satyavrata, who

was a king from the surya clan. But vishwamitra sent him to heavens

along with his body. The competition between Vasishta and

vishwamitra starts here. Harishchandra, the son of satyavrata, was

liked a lot by Vasishta. It was just the opposite with vishwamitra. In

the name of Harishchandra, vishwamitra and Vasishta had a face-off.

Vishwamitra claimed that Harishchandra told lies, whereas Vasishta

claimed otherwise. By using devious means vishwamitra usurped the

entire kingdom of harishchandra. On that basis Vasishta cursed

vishwamitra- “may you change into a stork”. In return vishwamitra

cursed Vasishta-‘then, may you change into a kingfisher”. Both built

their homes on two nearby trees-always fighting with each other.

After many years passed by like this, brahma decided to interfere.

Both of them withdraw their curses. The story of this curse can be

seen in skanda 6, chapter 13 of devi bhagavatham.

From Vasishta’s competitive spirit we get the proof that by just going

for pilgrimages one‘s dirt in the mind cannot be removed. He used

to stay on the banks of river ganga. Doing penance without looking

within oneself and self analysing oneself, one’s mind will not be

purified, this is proved from the story of vishwamitra.

The mind always tries to seek shelter with various objects and is, therefore,

always restless. How, then, can the purity of mind be effected, with ease, when

it is occupied with all sorts of thoughts on various objects. Cupidity, anger,

greed, pride, and egoism, these bring about all sorts of obstacles in the holy

places of pilgrimages, in practising tapasyā and in observing vows. Non-injury,

truthfulness, non-stealing, chastity and purity, controlling of senses, and

observing one’s own religion, all these bring about the fruits of the labour in

visiting all tīrthas. They bestow fruits that can be obtained by visiting all the

tīrthas. During one’s pilgrimage, one forsakes one’s Nitya Karma (daily duties)

and one has to come in contact with various persons. Hence one’s journey

becomes fruitless; rather it becomes a source of sin. The waters of the sacred

places can only wash the outside dirts and the impurities of the physical

bodies; they can never wash the impurities of their inner minds. Were it the

fact that the waters of the tīrthas could purify their minds, why was it, then,

that the Munis, residing on the banks of the Ganges, and devoted to God, ever

indulged themselves with feelings of jealousy and enmity against each other.

The humble Munis like Vaśiṣṭha, and the Ṛṣis like Viśvāmitra were always

entangled in love and hatred and they were ever impatient with anger.

Therefore it is evident that the internal purification, the purification of heart,

the bathing in the Gñān Gaṅgā flowing within, no doubt removes more the dirt

than the Ganges and other places of pilgrimages. No doubt this fact must be

admitted on all hands that one’s impurity of mind is washed away if by the

strange combination of Fate, one comes in intimate contact with a man

possessed of the Divine Knowledge. The Vedas or Śāstras, vows or austerities,

sacrifices or gifts none can purify the heart. Vaśiṣṭha, the son of Brahmā,

though versed in the Vedas and residing on the banks of the Ganges, was

under the control of love, hatred and other infirmities. Out of the enmity of

Viśvāmitra and Vaśiṣṭha, arose the great battle named Āḍi Baka, astonishing

even to the Gods. In this, the ascetic Viśvāmitra was cursed by Vaśiṣṭha, on

account of some curse in connection with the king Hariścandra and had to

take his birth as a crane (Baka). The Ṛṣi Vaśiṣṭha was cursed also by Viśvāmitra

and was born as a bird named Śarāri. Thus the two powerful Ṛṣis were born as

Āḍi Baka and lived on the banks of the Mānasarovara and they fought for full

ten thousand years (ajuta) terribly, out of anger, with their nails and beaks like

two maddened lions.

The story of Harishchandra

Harishchandra was a great monarch, belonging to the Ikshvaku dynasty (Lord

Sri Rama's lineage). Several years had passed after his marriage, but he did not

have children. Both he and his wife, Taramati, yearned for a child and undertook

many a ritual and pilgrimage for begetting a son. Then, they decided to pray to

Lord Varuna (the Rain God) in order to invoke his blessings. Varuna was pleased

with them and blessed them with a son. However, he also wanted them to

sacrifice the child to him. The couple was helpless and was forced to agree to

the condition laid down by Varuna.

In due course of time, the son was born to Harishchandra. While they were

ecstatic by the birth of their first child, they were also anxious when they realized

that they had to keep up their promise to Varuna.


A few days later, Varuna appeared before them and demanded that the child be

offered to him as a sacrifice, as they had promised earlier. Harishchandra

pleaded with the God and requested him to let the infant stay with them until

he developed his teeth. Varuna agreed and returned once the child developed

his teeth. Still unwilling to let his son go, the king asked the Lord to wait till the

child had had his tonsure ceremony. Once again, Varuna agreed and went away.


Harishchandra kept making newer excuses and Varuna kept agreeing to them.

A few years went by this way, by which time, the boy was old enough to

understand everything going on around him. He came to know the story behind

his birth and that he should have been handed over to Varuna a long time ago.

Disappointed with this parents' lack of integrity, the boy absconded from home

and ran away tlando another . This enraged Varuna, who came again, wanting

the child back.


By this time, Harishchandra was afflicted by a deadly strain of dropsy. Seeing his

pitiful condition, Varuna himself relented and told him that did not want the boy

back. He also blessed the king that he should be free of his disease.


Harishchandra realized his folly and knew that this was his punishment for not

having fulfilled his promise to God. He felt really bad that he had cheated his

own Lord and vowed then and there, that he would never lie or go back on his

promise anymore. Thereafter, he stayed true to his resolution and lived a life of

truth and righteousness. This gave him the name, 'Satyavrata', or the observer

of truth.

Indra Tests Harishchandra

One day, in the court of Indra, the God of the Gods, some earthly matters were

being discussed by the sages and Devas present there. Indra raised a doubt

whether there were at all any honest and truthful human beings on earth. Sage

Vasishtha mentioned the name of Harishchandra. This incensed Indra, who was

aware about how the latter had cheated Varuna by not fulfilling his promise. To

this, the sage replied that the king's past was of no consequence now, because

he had truly changed and become a pure and honest man now. He also

confidently stated that, if he was proven wrong, he would dismantle his jata

(tightly wound locks of hair), letting his hair loose, and also walk away, bare-

bodied.


When all these discussions were going on, Narada asked sage Vishwamitra what

he would do if Harishchandra stuck to path of truth, as he had promised.

Vishwamitra replied that he would give the king half the quantum of divine

blessings and grace that he had earned throughout his lifetime, and that he

would make him a world-renowned monarch.


The sages then decided that they would join forces in order to test

Harishchandra and see how well he fared in his life. Thus started the most

difficult phase in the ruler's life.

Harishchandra Faces Immense Challenges

Sages Vasishtha and Vishwamitra returned to earth after their celestial meeting

and put their heads into planning ways and means by which they could test

Harishchandra and lead him on the path to sin. They were plotting to rid him of

all his wealth, to see if he would lie at least then. In the meantime, the ruler,

blissfully unaware of what was happening around him, continued to be the ideal

husband, father and king.

Some followers of Vishwamitra approached him and informed him of a religious

sacrifice, the Bahu Suvarna Yagna, also stating that he would be the most

qualified person to conduct the same. Harishchandra heard them out and then

promised them that he would make all the arrangements to conduct it, along

with the other sages. One of the conditions of the ritual was that the king should

distribute unlimited gifts and wealth after the sacrifice - which he should give

away whatever anyone asked for, even if it eventually hurt him to do so.


King Harishchandra was well aware of this condition, and yet he agreed to

conduct this sacrifice. He gave away much wealth, gifts and food to the poor

and the needy. By the end of the yagna, his subjects and the sages conducting

the ritual were all pleased and satisfied.


Vishwamitra, however, wanted to test the king even further. He approached the

king and demanded that a man should stand on the back of an elephant and

toss a coin in the air, up to a certain height. He then said that the king should

pile up money and jewels so as to measure up to that height and give the same

away to him. Harishchandra instantly agreed to this demand and arranged for

the wealth to be sent to the sage's ashram.


Bewildered by his integrity and generosity; also disappointed in his own failure;

Vishwamitra left the wealth and gifts there, saying that he would send someone

to pick up his gifts, at a later time. Harishchandra had clearly won this first round

of tests.

Vishwamitra Unleashes More Tragedies on Harishchandra

Vishwamitra was getting more worried by the minute. He had not succeeded in

this round and would be ridiculed by the Devas if he failed once again. Ever

since the yagna, Harishchandra was earning more and more respect from

everyone around. The sage thought for some time and then decided to

completely rob the king of his power, so that he would have no other choice,

except to lie for his survival. He used his siddhis (magical powers) to create

several wild animals and let them loose inside the kingdom, so that they could

make the subjects suffer to the maximum.


The wild beasts, pests and insects that the sage created, wrought immense

damage on the kingdom. They attacked farmers' fields, destroying crops;

destroyed food and other supplies; and damaged people's homes. The suffering

subjects beseeched the king for redressal of their issues. The king assured them

that he would do everything in power to set right the great misfortune that had

befallen his kingdom. He then set out to hunt the animals causing the damage

and kill them.


Reaching the interiors of the jungle, he spent all day finding and slaying them.

As he proceeded yet deeper into the jungle, he unexpectedly came upon a

sanctuary where wild animals lived together in a peaceful environment. On

venturing ahead, he approached a hermitage he had never seen before. As he

neared it, he realized this was the ashram of his family teacher, sage Vasishtha.

The locale was calm and serene and soothed his frayed nerves. After taking the

blessings of the sage, he told him about his errand and then left to travel yet

deeper into the forest.


By afternoon, he reached another hermitage - that of sage Vishwamitra. But as

he neared the place, he could feel a tangible change in the atmosphere. Tired,

he decided to rest a little before visiting the sage. He lay down with his head

resting on his wife's lap and soon went into a deep slumber.


When Vishwamitra came to know that the king was near his ashram, he started

feeling restless and his feeling of revenge came to the fore. Still smarting at his

humiliation the previous time, he vowed to defeat Harishchandra this time.

Using his yogic powers, the sage created two beautiful girls. However, as his

intentions were evil, the girls were made of filth and dirt. He then ordered them

to go to the king and tempt him to commit sin. Sage Vishwamitra was rather

infamous for his spiteful and vengeful nature. Once he decided he did not like

someone, he could harbor ill-will against that person for a very long time.


In the meantime, Harishchandra, who was sleeping, had a horrible dream. He

sensed something inauspicious was about to take place. On getting up, he

described the dream to Taramati. She tried to placate him, as did his son and

minister.

At this time, the two girls sent by the sage approached him and entertained him

with song and dance. Their main purpose was to tease and annoy him, finally

distracting him from the path of righteousness. They then demanded that he

marry them. At this, Harishchandra flared up and referring to them as lowly

beings that did not deserve to marry a mighty monarch as himself, asked them

to leave immediately. When they refused, he beat them with a sledge hammer

and drove them out.


The girls, in tears, rushed to Vishwamitra, begging for his help. This moment was

just the one the sage had hoped for. Burning with indignation, he approached

the king and stood angrily before him. The monarch respectfully greeted and

welcomed him, also apologizing for any fault shown in his duty towards him. All

the while, Harishchandra could not but help noticing the difference in the aura

between this sage and that of sage Vasishtha. The latter had been so calm and

graceful, whereas Vishwamitra's whole being seemed to be one contorted

bundle of hatred and rage.


Vishwamitra mercilessly shouted at Harishchandra for killing his animals, as also

for beating up his girls. He demanded that the latter marry them forthwith.

When he refused to do so, the sage grew even more resentful and abusive.

Finally, in order to placate the sage, the king offered to give up his kingdom to

him. The sage agreed in a trice and asked Harishchandra to give up his entire

kingdom to him.


The monarch agreed without batting an eyelid. The sage, however, was adamant

that he pass on his power to him in the presence of all his subjects. Agreeing to

the sage's wishes, he seated the sage in his chariot and followed him on foot,

all the way back to the kingdom. Once back in the palace, he summoned his

minister, court officials and all his subjects, and handed over all his royal and

administrative powers to sage Vishwamitra, in their presence.


In spite of all this, Vishwamitra was still not satisfied. He demanded that the king

take off all his jewels and those of his wife and child as well. He further gave

them cheap garments and asked them to hand over their expensive silks and

other clothes to him. Harishchandra then requested Vishwamitra to give them

permission to leave. The sage, still resentful, half-heartedly gave his consent. On

stepping out of the palace, the citizens were confused on seeing their king and

his family in such a sorry state. He consoled them, and, telling them that

Vishwamitra was now their ruler, proceeded to walk away from them all.


Still not satisfied with all his newly-gained possessions, Vishwamitra stopped

Harishchandra in his tracks and demanded the gifts that he had earlier agreed

to safeguard, till the time the sage came to claim them. The latter had nothing

else to offer now - he had handed over everything to the sage. However,

Vishwamitra stubbornly insisted that he expected those gifts back and gave

Harishchandra a time period of 48 days, within which he would have to return

those gifts to him.

The sage then asked one of his followers, Nakshatraka, to follow them and

relentlessly torture them, till the time they had paid up their dues. He himself

decided to take the shape of terrible storms, fire, thirst, hunger and various wild

animals, in order to make them lose their way; finally forcing Harishchandra to

utter at least one single lie.

Harishchandra Travels to Varanasi

Harishchandra was now a pauper and could not hope to pay Vishwamitra's debt.

He decided to go to Kashi or Varanasi and collect money by taking a huge loan

and then working hard to repay it. They had to travel through a dense jungle in

order to reach Varanasi. While that was difficult in itself, Vishwamitra created

limitless troubles for them. They all suffered immense trauma, both physically

and mentally. However, Harishchandra never once swerved from his vow of

truthfulness and righteousness. Additionally, the power of Taramati's chastity

also protected them all from permanent harm.


On reaching Varanasi at last, they felt even more lost in a strange town; among

strange people. They then went to the temple of Lord Vishweshwara (Shiva) to

offer their obeisance to him. They were all wondering how to clear all their debts,

when Taramati suggested that he sell her and their son, in order to pay up all

their debts. Harishchandra was shocked when he heard her utter those words.

He could not even think of doing something so lowly. She insisted even as he

started mouthing his refusal.


Eventually, the once-powerful monarch; a descendant of the mighty lineage of

Lord Rama himself; prepared to sell his wife and son. He wandered from street

to street, offering his wife and son for sale. After a long time, one Brahmin

seemed slightly interested. He, however, found fault with the wife, saying that

she looked too old. He also said that son looked too weak. Then, after much

haggling, he bought them both for cash.


The king paid this money to Nakshatraka, thereby debiting some amount.

However, a large part of the loan remained unpaid. As the day for the full

repayment of the debt neared, the king got more and more panicky. He decided

he would sell himself as well and so, he roamed around the streets of Varanasi,

yelling, "I am a king of the Ikshvaku dynasty. I now offer myself for sale".


Finally, a man offered to buy him. This person was Veerabahu, an outcast, who

was in charge of the burning-ground. He was obviously drunk and his breath

reeked of alcohol. For a moment, Harishchandra wondered if he was doing the

right thing by accepting this drunk's offer. After all, he came from the exalted

Ishvaku dynasty and this was way below his caliber. However, there was no other

way he could repay his debt and so, he accepted Veerabahu's offer. He told him

about the amount he had to repay, telling him that he would have to stand atop

an elephant and toss a coin - he would then have to pay up gold and money

that reached up to that height. The latter asked him what Harishchandra would

do for him if he were to pay up the required wealth. The king promised him that

he would forever remain his servant and do his bidding for the rest of hs life.


Veerabahu agreed and paid the money to Nakshatraka, thereby clearing all of

Harishchandra's debts. Nakshatraka was amazed at the amount of money

heaped up before his eyes and also felt bad at the way his Guru, Vishwamitra,

had tortured a pure soul such as this noble king standing humbly in front of

him. In any case, he did his duty and took all the money back to his Guru.

Vishwamitra Tests Them Even More

When Nakshatraka came back with all the money, Vishwamitra got even more

angry and upset. He had never failed in any challenge and this defeat was too

much for him to take. He decided to unleash even more tragedies on

Harishchandra. Taramati and her son, Rohitashwa, were serving at the Brahmin's

house. The Brahmin was, in actuality, an evil manifestation of Vishwamitra

himself. He kept harassing them endlessly. They were already being treated

badly out there - slaving away for him; being starved and scolded all day long.

They, though, kept struggling through it all, hoping and praying for better days.


One day, Rohitashwa went to the forest gather wood. There, he was stung by a

poisonous serpent. Taramati came to know of his death only late evening. She

was completely heartbroken. Her son was the only little solace to her and he too

had gone. However, she tried to compose herself. She realized that she was all

alone and was the only one to cremate her son's body. Even to do so, she had

to take her master's permission. The evil man gave her permission for only one

day.


Weeping inconsolably, she went into the forest, in search of her child's body.

Finding it, she wept her heart out. She then lifted his lifeless body and walked

to the cremation ground. Placing him down gently, she went in search of

firewood for the funeral. Since she had no money, she had to collect it all herself.

Finally, she collected enough firewood and was about to light the fire, when

Harishchandra, who was guarding the ground, snatched the firewood from her

hands and, holding the boy's dead body by the toe, hurled it away from the

funeral pyre.


Taramati shed bitter tears, beseeching him to permit her to cremate her dead

child. Not recognizing her or the child, Harishchandra demanded that she first

hand over the boy's clothes to him and also pay up the prescribed fees for the

cremation. She told him that she was penniless and, therefore, could not pay

him. He suggested that she pawn her mangalsutra (symbol worn around the

neck by married women) and bring him the required money. Taramati

bemoaned her condition and the fact that her son - a prince of the Ikshvaku

dynasty - had to endure this unceremonious funeral.


Taramati Goes through Immense Crisis

Vishwamitra, who was repeatedly facing defeat the hands of Harishchandra,

made a final bid to trap him. The same night that the boy died, some bandits

kidnapped the prince of Varanasi and killed him, in order to take all his jewels.

Hearing the child cry for help, Taramati, in her distraught condition, thought it

was her son crying out for her. She rushed to the dying boy and tried to soothe

him. The bandits quickly packed up his jewels and left the place before anyone

could spot them. Seeing Taramati near the boy, the king's men misunderstood

the situation and thought that she had murdered him. They forcefully took her

to the king's palace.


When she was brought before the king, she looked disheveled and benumbed.

She was not even in a position to speak up and explain her position. The king

felt sorry for her, but decided that she must be executed for her crime. He

ordered Veerabahu, the public hangman, to execute her. Veerabahu, in turn,

ordered his new assistant to complete the execution of this woman.


In the meantime, Harishchandra was awaiting the woman, hoping that she

would return soon with the money to cremate her son. Now, he had to go and

execute another strange woman. He led the woman to the gallows and asked

her to say her last prayers. He did not know she was and did not care anyways.


Taramati squatted on the ground and offered her salutations to her Guru, sage

Vasishtha. She then looked skyward and loudly prayed for her husband,

Harishchandra, taking his name; wishing that his name lasted forever and that

his son came back to life. She also wished that Vishwamitra became immortal.

With that, she asked the executioner to strike the blow.

Hearing her words, Harishchandra was shocked out of his stupor and

immediately recognized this shriveled woman, who was actually his wife. He also

realized that this was the same woman who had brought her son to the

crematorium, in order to burn his body. In spite of knowing this, however, he

realized that he was merely a servant to his master and hence, had to do his

bidding. He had no right to defy his master's orders and therefore, he had no

choice, but to kill this wonderful woman, who was the love of his life. His pulse

racing and tears coming to his eyes, he raised the hangman's sword and

prepared to bring it down on his wife's neck.

Harishchandra Witnesses the Miracle of Grace

Dawn was just arriving and the Sun was rising on the mountains. Suryadeva (the

Sun God) was gazing down at the brilliant glory of the Suryavamsa (the dynasty

of the Sun) and was taking pride at the honor and integrity displayed by his

descendant. All the Gods and angels too assembled to witness this heavenly

event - when a mortal king would achieve Godhead. Vasishtha was fervently

hoping that Vishwamitra would at least now realize his folly and liberate

Harishchandra and his family from all their terrible troubles.


Just then, Vishwamitra appeared before Harishchandra and told him that he

would pardon him and bring his son back to life, also giving him back all his

wealth and power, on one condition - that he married the 2 girls that had

entertained him at an earlier time. Only then did the king realize that all he had

endured was not a result of karma, but occurred due to the evil machinations of

this Guru standing menacingly in front of him. He had had enough and with

determination ringing in his voice, refused his Guru's offer, saying that he would

not yield to any sort of temptation. Saying thus, he lifted his sword and prepared

to behead his wife.

Just before the blade could touch her neck, Lord Shiva, Lord Vishnu and Lord

Brahma, appeared before them. This was the ultimate triumph of truth. They

blessed Harishchandra and revived his dead son, Rohitashwa.


Vishwamitra prostrated before the Lord. He went on to speak about the feud

between himself and sVasishtha and how that became the prime cause of

Harishchandra's suffering. He then also explained that all that suffering was an

illusory drama and that the evil Brahmin, who bought Taramati and Rohitashwa,

was actually Lord Agni, the God of Fire. Veerabahu, who bought the king, was

actually Yama, the God of Death. The sage then officially stated, in front of all

present there, that Harishchandra had indeed won the challenge and that he

would give back all the wealth and power, and also half of all the grace that he

had earned in his lifetime of penance.


The angels showered flowers on the king and his family, also returning him to

his kingdom. All his suffering turned out to be a blessing in disguise, as the

world had been witness to the true power of his truthfulness and virtue.





र्नावन पृष्टावन गमरूनदातॄन्

स्वान् भागुवान् पमत्रकलत्रभाजः ।

क्रमधाः परं है हयभूवर्पाला

न्यपीियन् कोऽत्र ववशमधवित्तः ॥ ३८-६॥

dhanaani pri'sht'aani guroonadaatree'n

svaan bhaargavaan putrakalatrabhaajah' .

kruddhaah' param haihayabhoomipaalaa

nyapeed'ayan ko'tra vishuddhachittah' .. 38-6..


6. the Bhargavas, who were the gurus of the haihaiya, were angered

by the haihaiya kings, who troubled them along with there wives and

children, as they had not given them(the haihaiyaas) the promised

wealth. Who has got a clean mind here? (-nobody)

When lust, anger and greed enter into one’s mind without any end,

then a situation arise where one will do anything. A very good

example of this is the story of the haihaiyas. Once the rule of

kaartaveerya arjun ended, the haihaiyaas lived in poverty. The

bhargavas,their family priests, had a lot of wealth. Knowing this the

haihaiyaas asked the bhargavaas for some money. The bhargavaas

did not give. The haihaiyaas got extremely angry and attacked the

bhargavaas. Women, children and even pregnant ladies-were all

harassed by them. Finally due to the blessings of devi they were

saved.[ refer 35th dashakm shloka 9]. Had the haihaiyas been pure

in mind then they would not have attacked the bhargavaas. Had the

bhargavaas been pure in mind then they could have give some

wealth to the haihaiyaas. Both the parties were greedy. Who is there

who has conquered lust and anger. If we ignore those rishis who are

in solitude, then we will have to say nobody is there.



कमयाु न्न वकं लोभहतो र्नमष्यो

यमवर्वष्ठराद्या अवप र्र्ुवनष्ठाः ।

वपतार्हं बन्धमजनान् गमरू   ं श्च

रणे वनजघनमः खलम राज्यलोभात् ॥ ३८-७॥

kuryaanna kim lobhahato manushyo

yudhisht'hiraadyaa api dharmanisht'haah' .

pitaamaham bandhujanaan guroomshcha

rane nijaghnuh' khalu raajyalobhaat .. 38-7..


7. a man whose intellect is clouded by greed, what will he not do?-he

will do anything. Though Yudhisthira and others were followers of

Dharma, Because of their greed for the kingdom, in the war, they

killed their grand father, relatives and their great Gurus.

Once one gets intoxicated with greed, then they will do anything. All

loving relations will be shattered. People who are righteous forget

their righteousness. A very well know example for this is the story of

the pandavaas. Why did the Kurukshetra war take place?-in the

name of greed. Yudhishtira and the other padavas were generally

righteous in there behaviour. But when greed rang its bells, thren

they forgot all their righteousness. bheeshma was their grandfather,

drone their their teacher. Weren’t Duryodhana and the other

kauravas their brothers? All of them were killed. Once greed is filled

in one’s mind, then he will not hesitate to do anything.


कृष्णोपवदष्टो जनर्ेजयस्तम

शमधान्तरङ्गः वपतरं र्खेन ।

परीवितं पापववर्मक्तर्ायं

ववर्ाय ते िापयवतस्म लोकर्् ॥ ३८-८॥

kri'shnopadisht'o janamejayastu

shuddhaantarangah' pitaram makhena .

pareekshitam paapavimuktamaaryam

vidhaaya te praapayatisma lokam .. 38-8..


8. Janamejaya as per the advice of vyaasa, with a pure conscious

performed a yagna, freed his father parikshith from sin, and also

made him a king par excellence, and sent him to your land.

Though the Pandavas were greedy, but their descendent, parikshith

was not greedy. Due to the association he kept, he insulted a

maharshi and he got the tag of being a sinner. Due to the curse of

the muni, parikshith got bitten by takshaka and died an untimely

death, due to which his soul roamed around outer space without

getting deliverance. His son janamejaya, from veda-vyaasa-muni,

heard and learnt the glories of devi. Vyaasa taught him the ill effects

of lust, greed etc. Soon janamajeya performed a yagna to please

devi-devimakham. As soon as the yagna was completed, his father

parikshith’s sins got washed out. He soon got moksham.

Whatever is done to please devi-yagna, going on pilgrimages,

keeping fasts etc.- with a pure mind that has not been touched by

lust greed etc., will always give results. But will give adverse reslts if

done with an impure mind. The Pandavas performed the rajasuya

yagna with the il-gotten wealth with great pomp and show, and did

not get any benefits, whereas janamajeya performed the devi yagna

with a clean and pure mind and that was successful. Through these

stories it has become very clear that it is cleanliness of the mind that

is very important.



सदा सदािाररतो ववववक्ते

दे शे वनषण्णश्चरणाम्बमजे ते ।

ध्यायन्नजस्रं वनजवासना यो

वनर्ाु वष्टु स त्वन्मयतार्मपैवत ॥ ३८-९॥

sadaa sadaachaararato vivikte

deshe nishannashcharanaambuje te .

dhyaayannajasram nijavaasanaa yo

nirmaarsht'i sa tvanmayataamupaiti .. 38-9..


9. A person who is high in morality, meditates alone on your lotus

feet, and removes all the bad desires, attains salvation and merges

with you.

All the bad qualities like lust, anger etc. of the mind will be removed

by virtue of constant practice of religious activities. One should do

an analyses of oneself by looking within oneself. By doing this one

will be able to identify the incompleteness of one’s mind. We should

erase the bad qualities by doing good things(sath-karma). Like this

one should distance the defects and the unwanted desires.

Whopever does this will attain salvation and be one with the lord.



ज्ञानं न भद्क्तनु तपो न योग-

बमद्धनु र्े वित्तजयोऽवप र्ातः ।

अन्धं तर्ोऽहं िववशावर् र्ृत्ोः

सर्मधरे र्ं वरदे नर्स्ते ॥ ३८-१०॥

jnyaanam na bhaktirna tapo na yoga-

buddhirna me chittajayo'pi maatah' .

andham tamo'ham pravishaami mri'tyoh'

samuddharemam varade namaste .. 38-10..


10.Oh mother! I lack wisdom, devotion, self-discipline, inclination for

Yoga, nor do I have control over the mind. Blinded, I am falling into

the darkness of hell. Please lift me from death. Oh giver of boons,

Oh Goddess my Salutations to you. The poet is convincing devi that

he does not possess the above said mental purity or the knowledge

of devotion etc.; not only that he feels that he is about to fall into the

darkness of hell. He ends this chapter by requesting devi to pull him

up before he falls into the darkness of hell.




Thus ends the 38th chapter


Chitta-Śuddhi, the purity of the heart (that purity which imparts to man the

blessedness of God-vision) is very difficult even for the high-souled persons;

with the greatest caution and utmost effort one has to practise for that. To

those persons, that are void of this Chitta Śuddhi, it is all vain to go to places

of pilgrimage, to make charities, to practise tapasyā, to be truthful; in fact,

anything, which is the means to attain Dharma, becomes useless.


O King! Śraddhā (Faith) is of three kinds :-- (1) Sāttvikī, (2) Rājasikī and (3)

Tāmasikī to all persons in all their religious matters. The Sāttvik faith is the only

one of the three that yields entire results; and it is very rare in this world. The

Rājasik faith, done according to due rules, yields half the results thereof and

the Tāmasik faith is fruitless and inglorious; the Tāmasik faith arises with those

persons that are overwhelmed with lust, anger, greed, etc. Therefore, Keep to

the company of the good and hear the Śāstras, Vedānta, etc., and free the

heart of worldly desires and then concentrate it to the worship of the Devī and

live in a sacred place of pilgrimage. Men afraid and troubled with the defects

of the Kālīyuga, should always take the name of the Devī, sing praises, and

meditate on Her lotus feet. Thus the Jīvas will not have any fear of Kālī and the

fallen vicious persons will easily be able to cross this ocean of the world and be

free. There is no doubt in this.