song3 pg 4 Sreerajata rshabhapriya aadi Evrb

Sreerajata rshabhapriya aadi Evrb  

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śrīrajatācaleśvaraṁ

rāgam - vr̥ṣabhapriya tāḷaṁ –ādi

pallavi

1.śrī – ra ja tā – ca| lēśva | ram śivam ||

cin - - tayē – ham | cin – ma | yam - - - ||

anupallavi

1. mā ra – haram pu | ra _ _ ha | ram - - param ||

1. mau livi rā ji | ta su |dhā ka ram ||

caraṇam

dē vamahī ru – ha | mū lē | maṇimaya |

di –vyā- sa nē – dēv | yā – sa ha | sam – sthitam ||

dē va varam vr̥ṣa | bha pri |ya – ga – ma – nam

śrī – vara vēṅka | ṭa rama | ṇā – rccitam

MEANING :PER COURTESY-  DR ALAMELU AND SRI RAMAKRISHNAN

Song 3:  Sri Rajatāchaleswaram

Raga Vrishabhapriya                          Tala: Adi

62nd Melakartha Raga

Pallavi

I meditate upon Lord Siva, the ruler of the Silver mountain (Mount Kailash) and who is an embodiment of consciousness.

Anupallavi

(The One) who is supreme, the destroyer of Manmatha and the three cities (gold, silver and iron); the One who sports the resplendent moon on His crown (Sri rajata)

Charanam

The One who is seated on the resplendent, celestial seat gleaming with jewels, along with goddess Parvati, under the celestial tree (Kalpaka Vriksha), the supreme Lord, the One who loves to travel on the back of the majestic bull, the One who is worshipped deeply by Sri Venkataramana (Sri rajata)

श्रीरजताचलॆश्वरं

रागम् - वृषभप्रिय ताळं –आदि

पल्लवि

1.श्री – र ज ता – च| लेश्व | रम् शिवम् ||

||

चिन् - - तये – हम् | चिन् – म | यम् - - - ||

अनुपल्लवि

1. मा र – हरम् पु | र _ _ ह | रम् - - परम् ||

1. मौ लिवि रा जि | त सु ।धा क रम् ||

1,दे वमही रु – ह | मू ले | मणिमय |

दि –व्या- स ने – देव् | या – स ह | सम् – स्थितम् ||

दे व वरम् वृष | भ प्रि |य – ग – म – नम्

श्री – वर वेङ्क | ट रम | णा – र्च्चितम्

analysis

ENNAPADAM VENKATARAMA BHAGAVATAR ri½abhapriya - E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar 1. ¾r§rajat¡cal£¾vara¯Ä* »½abhapriya ¡di 2. *v»½abh¡suraviddhva¯Äsina¯Ä *v»½abhapriya ¡di ri½abhapriya -Ratipriya-Ratnabhanu- are the 62nd mela names in kanakangi- later kanakambari- earlier kanakambari lists- of which only the first ri½abhapriya is krama sampurna. A few compositions which are set to Rishabhapriya are: Mahima dakkinchu by Tyagaraja Maara ratipriyam by Muthuswami Dikshitar Mahatmule by Mysore Vasudevachar Ghana naya desika by Koteeswara Iyer(January 1870-October 21, 1936) Inta sodhanamulaku by Veene Sheshanna Nandisam vande by Dr. M. Balamuralikrishna