न चोरहार्यं न च राजहार्यं न भ्रातृभाज्यनम् न च भारकारि । व्यये कृते वर्धत एव नित्यम् विद्याधनं सर्वधनप्रधानं ॥ na chorahaaryaM na cha raajahaaryaMna bhraatR^ibhaajyaMna cha bhaarakaari | vyaye kR^ute vardhata eva nityam vidyaadhanaM sarvadhanapradhaanaM ||
Thursday, 3 March 2022
evrb gr PhD jaivatruka,ramayana,sreerajagopala-3kritis ksnacd
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song31pg47evrb innum parāmukameno umakkitu muṟai tāno -rare raga sreedhari-lakshana-lnotation evrb
Ramayana –episodes – innumparamukhamthe kr̥tis of E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar
innumparamukham rare ragasreedhari
5.sreedhari -rare rāga lnotation nnumparamukham evrb
4.ramayana kriti text sreedhari4.¾r§dhari -r¡m¡ya³a kriti pg 47
4.¾r§dhari -r¡m¡ya³a kriti pg 47
pallavi
i´´um par¡mukam£´µ umakkitu muºait¡´o £ªaiye´ m§tu
a´upallavi
pa´´aga ¾aya´a´£ para´t¡ma´£ p¡pavimoca´a´£ patampa³i´t£´
cara³am -1
mu´´am va´attiloru mu´iva´ v£©viyai k¡tt¡y
pi´´ava´u¿a´ ce´¿ru pe³³ava© c¡pam t§ºtt¡y
ma´´a´ ja´aka´ ma´am makiªave vil va©aittay
a´´ai c§tai kai pititt¡y aru©puriya
cara³am -2
ta´taicolmiku ma´tram tara³iyil illaiye´¿ru
ta³¿ak¡ra³yam ce´¿ru tapacika©kkaru© ta´t¡y
a´tarattµr makiªa arakkarka©aiye¿utt¡y
ayµti´akaril utitt¡y aracum pe¿º¡y
i´´um par¡mukam£´µ umakkitu
muºait¡´o £ªaiye´ m§tu
pa´´aga ¾aya´a´£ para´t¡ma´£
p¡pavimoca´a´£ patampa³i´t£´
mu´´am va´attiloru mu´iva´
v£©viyai k¡tt¡y
pi´´ava´u¿a´ ce´¿ru pe³³ava© c¡pam t§ºtt¡y
ma´´a´ ja´aka´ ma´am makiªave
vil va©aittay
a´´ai c§tai kai pititt¡y
aru©puriya
ta´taicolmiku ma´tram tara³iyil
illaiye´¿ru
ta³¿ak¡ra³yam ce´¿ru
tapacika©kkaru© ta´t¡y
a´tarattµr makiªa
arakkarka©aiye¿utt¡y
ayµti´akaril utitt¡y aracum pe¿º¡y
SRIDHARI --ADI notation
1.s×, ,, n ,
d, m , ,, g , r ,| rg mg m , ,,| m, ,, d, n ,||
2.s× n r× s× n , d , m , ,, g, r , | gmp, m , ,,| m, ,,
ndn,||
i´ ´um
par¡ muka m£
´µ umak
3.s× n r× s×
n ,d ,gmpm g, r , | mg p, m , ,,| m, ,, nddn||
i´ ´um
par¡ muka m£
´µ umak
4.g× r s× n r× s× n d s× n d m pm g r| gm p, m
,,,| m, ,, mgmg||
ki´ ´um
par¡ muka m£
´µ umak
m,n, d, n, s× n d, n, s×,| s× n r× s× n, d ,| n d m, d, n ,||
kki tu
muºai t¡´o £
ªai ye´ m§ tu
a:upallavi
1. , , n, d, n, s× , s×, s× ,
r× s× | s×, ,, s× , ,, | s× , ,, r× , s×
,||
pa´´aga¾aya´a´£ --------------------------
2. , , n, d, n, s× , s×, g× r×
r× s× | n, s×, s× , ,, | s× , ,, ns× r× s×||
pa´´aga¾aya´a´£ -----------------------------
r× s× s× n
d, n , s× , s× , s× r× r× s× | ns×, g× , r× g× ,| s×, r× , g× r× s×,||
pa´´aga¾aya´a´£ -- pa ra´
t¡ ma´£
3. r× s× r× s×
nd n, s× , s×, s× r× r× s× | n s× n g×
r× ,g× ,| r× s× r× , g× r× s×,||
pa´´aga¾aya´a´£ -- pa ra´
t¡ ma´£
s× n r× s×
n , d , m , ,, g,r ,| gmp, m , m
, | mndn npdn ||
p¡ pa
vi mo ca´a
´£ pa dam pa³i´t£´
caraam -2
m g m , d, d,
n, d, d, n , | s× , s× , n , d ,
| m , m, g , r,||
ta´ tai colmiku
ma´tram dara ³iyil
il lai ye´¿ru
mg m, d, m ,
gr g, r, s, | m, m, d, d, |
n, d, nd n,||
ta³ ¿a k¡ ra³yam ce´¿rutapasika© kkaru© ta´t¡y
s×, n, d, n,
s×, s× , s× , s× , | n , g× , r×
, g× , |m× , g× , r× , s×, ||
a´ tara ttµr
makiªa a ra kkarka
©ai ye¿utt¡y
s× n r× s× n, d,
m, m, g, r, | p , m , m, m, | n d
n, dm dn ||
a yµ
ti ´a karil uti
tt¡ y a ra¾um pe¿º¡y
https://youtu.be/ngqPLWzZkTk innum-sreedhari evrb - audio
Melodic analysis of rare raga
¾r§dhari - rāga lakṣaṇa given by evrb
Janya of 22nd mela kharaharapriya*PG 47
¡rµha³a sa ri² ga² ma¹ dha² ni² saÇ
avarµha³a
a. saÇ ni² dha² ma¹ ga² ri² pa ma¹ ga² ri² sa
b. saÇ ni² dha² ma¹ ga² ma¹ pa ma¹ ga² ri² sa
Swararanjani : R R Iyengar Lists Swararanjani Under 22nd Mela
Arohana Same sa ri² ga² ma¹ dha² ni² saÇ
Avarohana Different saÇ ni² pa ma¹ ga² ri² sa
Not found in sang chud or gaana bhaskaram
Observation
Melody- seems to be sandwiched between Kharaharapriya and Sriranjani
Avarohan has dha² ma¹ ga² ri² pa ma¹ ga² ri² sa-
To delebarately avoid dpmgr prayoga
n ,d ,gmpm g, r , | mg p, m , ,,| m, ,- m g m , d, d, n, d,
s× n d m pm g r|-mndn npdn|- s× n r× s× n, d, m, m, g, r, | p , m , m, m,
Observation-
different avarohana patterns both vakra
The vakra pattern limits avarohana prayogas. To be carefully manouvered with ndmp,,,mgr gmd,, nn,S,ndm pp, mgr, rp, mgr, gmd,n,s
Limited scope though with occasional use of pa-,sreeranjani effect needs to be eschewed.
¾r§dhari -r¡m¡ya³a kriti ādi for use in Harikatha.
i´´um par¡mukam£´µ umakkitu muºt¡´o £ªaiye´ m§til
and ref ksna cd audio
vatsav¡¢¡cara ¾r§kara v¡c¡magocara vara-ref-tankam cassette
Janya of 22nd mela kharaharapriya*PG 47
¡rµha³a sa ri² ga² ma¹ dha² ni² saÇ
a. saÇ ni² dha² ma¹ ga²
ri² pa ma¹ ga² ri² sa
b. saÇ ni² dha² ma¹ ga² ma¹ pa ma¹ ga² ri²
sa
Swararanjani : R R Iyengar Lists Swararanjani
Under 22nd Mela
Arohana Same sa ri² ga²
ma¹ dha² ni² saÇ
Avarohana Different saÇ ni² pa ma¹
ga² ri² sa
Not found in sang chud or gaana
bhaskaram
Melody- seems to be sandwiched between
Kharaharapriya and Sriranjani
Avarohan has dha² ma¹ ga² ri² pa ma¹ ga² ri²
sa-
To delebarately avoid dpmgr prayoga
n ,d ,gmpm g, r , | mg p, m , ,,|
m, ,- m g m , d, d, n, d,
s× n d m pm g r|-mndn npdn|- s× n r× s× n, d,
m, m, g, r, | p , m , m, m,
different avarohana patterns both
vakra
Limited scope though with
occasional use of pa-,sreeranjani effect needs to be eschewed.
¾r§dhari
-r¡m¡ya³a kriti ādi for use in Harikatha.
i´´um par¡mukam£´µ umakkitu muºt¡´o
£ªaiye´ m§til
vatsav¡¢¡cara ¾r§kara v¡c¡magocara
vara-ref-tankam cassette
structure and textual Analysis in Thesis
Ramayana –episodes – in the kr̥tis of E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar
Kalala Nerchinaa in Deepaka Raga and Vachaama
aghocharame in Raga Kaikavasi are good examples.[1]
innum parāmukameno umakkitu muṟai tāno[2]-raga
sreedhari
Valmikis epic i Ramayana’s
24000 verses is divided into 7 kanda s
6) Yuddha Kanda Rama’s battle with Ravana,recovery of Sita, return to
ayodhya
7) Uttara Kanda Raama Rajya-
coronation and rule
munnamvanattiloru muni vanveḷviyai
kāttāy-Sage Viswamtra’s Sacrifice
pinnavan–uṭanśenṭru
peṇṇavaḷśāpam
tīrttāy-Ahalya rescued
mannan janakan manam makiḻave
vilvaḷayttāy-King
Janaka’sbow
annai sītaikai piṭittāy
aruḷpuriya-Suyamvara of Sita
.tantaiśolmiku mantramtaraṇiyil
illaiyenṭru –King
Dasaratha Ordrer
taṇṭakāraṇyam
śenṭru
tapasikaḷkkaruḷtantāy-Danda
karanya forest
antarattormakiḻa
arakkar kaḷaiyeṭuttāy-anhillation
of Ravana and others
ayotinakaril utittāy araśum peṭṭrāy..-Pattabhisheka-Coronation
For Ramayana Harikatha discourses
bhagavatar’s songs do not
have mudras.[3]
song 9 kr̥ti jaivātrukanibhavadana- rāga-nāṭṭakurinji
jaivatruka natakurinji adi evrb.htm
https://youtu.be/ngqPLWzZkTk
jaivatruka evrb ksna
ref gr phd thesis
3.1.1 . A study of those r¡gas that were brought to light to the music world by Trinity and post Trinity composers by their compositions and also handled by E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar.
nāṭṭakkurinji- rāga – three krtis of E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar
song 25 Pg 38 ¾a¯Äkarabhagavat n¡¿¿akkuºinÅji ¡di
song 9 Pg 14 jaiv¡trukanibha* n¡¿¿akkuºinÅji ¡di ref ksna cd
r¡m¡ lµk¡bhir¡ma sing n¡¿¿akkuºi²²i d£varanÅjana¯Ä tāḷa devaranjanam
appendix pg 18 in APPENDIX 3 NOTATIONS - SONGS
āro-sarigamanidhanipadhanisa-ava-sanidhamagasa
the prayoga -rigamapagarisa is avoided
n¡ttakkurunji-nÖdÖ nÖ s nÖ s, s,-grg,mpmgmgr,s-mgrs rsnÖdÖ nÖ,s,s,-
dmdn r×s×nd ndm,-mpmg srgm -rgm, gmr,- rgs, nÖsrg g,m, mgr,grs,
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