song24pg34neerajadala lesson 1 @5G on Parukkanchery-Durga-Temple ennapadam venkatarama bhagavatarnīraja| nayane vasanta rUpaka evrb gr phd Parukkanchery-Durga-Temple

evrb neerajadala vasanta rupaka 22       Neeraja nayanae         Vasantha        roopakam        34       Devi 

https://geetanjaliglobalgurukulam.blogspot.com/2024/07/song24-pg34-neerajanayane-vasantha-adi.html

https://youtu.be/dCnKulR0PqI

lesson https://youtu.be/d5i-PSZzFLg

https://youtu.be/dCnKulR0PqI

pallavi

nīraja| nayanerāja||rāje|śvari māmava||

anupallavi

vārija|bhavapuraharādi||vāridā|bha nuta carite

vāgadhī|śa nāradādi||vandita |pada paṅkajayuge {yugaLE

caraNAm

śyāmaḷā|bhra samaśobhita||komaḷāṃ|gisumanohari||

kāmarā|jahrudayābuja||lola ma|dhukarī,,||

somaśa|kaladharaśrīkari||sundare|śi bhuvaneśvari

hemaśi|kharanagavihāriṇi||īśvarive|nkaṭaramaṇa śaṃkari||

                                                                chittaswara

sa, , ma ga ma dha dha ni ni dha dha |ma dha ni sa ×ri ×ni dha ni dha ma ga ri|

sa ma ga ma dha ma ga ma dha ni sa ×ri|× sa ×ri ×ga ×sa ×ri ×sa ×ni sa ×ni dha dha ni|

sa ×ri ×sa ×sa,× ni dha ni dha dha, ma |ga ma ga ga, ri sa  ma ga ma dha ni|

sa,× , ni dha ni dha, , ma ga ma | ga, , ri sa ni Ösa ×ni dha ma ga ri||

the makuta arrangement and the prastara progression conform to the anga vidhana execution of rupaka tala,without destroying the prosody requirements.

the metrical balance also maintained.the accents on the first beat of druta and the first beat of the laghu  in th 2+4 rupaka tala

 

The prosodic requirement of yati  and antya praasa are met with

pg 56 song 36

4.1.1 A study of the structure of the kr̥ti as adopted by E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar, keeping in view the similarities and dissimilarities in the sections or  aṅga s of the kr̥ti s by  other composers.  

 n§raja nayana r¡ga vasanta rÀpaka t¡©a

s , , m g m d d n n d d m d n s× r× n d n  d m g r ||

s m g m d m  g m d n s× r×  s× r× g× s× r× s× n s× n d d n ||

s× r× s× s×  , n d n   d d, m g m g g  , r s  m g m d n ||

s× ,  , n  d n d ,  , m g m g , ,  r    s nÖ s× n  d m g r||

The tisra pattern -s× r× g×- s× r× s×- n s× n -d d n -adds to the rhythmic beauty

The daaTu -s m g m d m  g m d n s and janta - d d n n d d -prastaraas bring out the melodic beauty of raga vasantha

The octave shift in the last phrase    s× ,  , n  d n d ,  , m g m g , ,  r -   -s nÖ s× n  d m g r -  is like a makuta –crown formation

 http://parukkancherybhagavathy.com/

http://wikimapia.org/3016816/Parukkanchery-Durga-Temple