VENKATARAMANEEYAM ENNAPPAADAM SRI VENKATARAMA BHAGAVATAR song24 pg34 neerajanayane vasantha Adi
lesson 1 @5G on Parukkanchery-Durga-Temple https://geetanjaliglobalgurukulam.blogspot.com/2022/08/niraja-nayane-vasanta-rupaka-evrb-gr-phd.html http://parukkancherybhagavathy.com/ pallavi nīraja| nayanerāja||rāje|śvari māmava|| anupallavi vārija|bhavapuraharādi||vāridā|bha nuta carite vāgadhī|śa nāradādi||vandita |pada paṅkajayuge {yugaLE caraNAm śyāmaḷā|bhra samaśobhita||komaḷāṃ|gisumanohari|| kāmarā|jahrudayābuja||lola ma|dhukarī,,|| somaśa|kaladharaśrīkari||sundare|śi bhuvaneśvari hemaśi|kharanagavihāriṇi||īśvarive|nkaṭaramaṇa śaṃkari|| chittaswara sa, , ma ga ma dha dha ni ni dha dha |ma dha ni sa ×ri ×ni dha ni dha ma ga ri| sa ma ga ma dha ma ga ma dha ni sa ×ri|× sa ×ri ×ga ×sa ×ri ×sa ×ni sa ×ni dha dha ni| sa ×ri ×sa ×sa,× ni dha ni dha dha, ma |ga ma ga ga, ri sa ma ga ma dha ni| sa,× , ni dha ni dha, , ma ga ma | ga, , ri sa ni Ösa ×ni dha ma ga ri|| the makuta arrangement and the prastara progression conform to the anga vidhana execution of rupaka tala,without destroying the prosody requirements. the metrical balance also maintained.the accents on the first beat of druta and the first beat of the laghu in th 2+4 rupaka tala The prosodic requirement of yati and antya praasa are met with pg 56 song 36
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