song 13 .21pg śrīrāma raghurāma

 13.21pg śrīrāma raghurāma

rāgaṁ begaḍa tāla khaṇḍa  cāypu

pallavi

śrīrāma raghurāma jitabhr̥gu rāma cinmaya ghana śyāma namastē namastē

anupallavi

dhīrādhidhīra raṇaḍhīra vara gaṁbhīra

devaripugaṇamāra jitamāra sukumāra

caraṇaṁ

śarṇāgata trāṇa karuṇābjanayana

śaracāpadhara suguṇa sāketa sadana

varajānakīramaṇa vanditākhilabhuvana

vanajabhavanutacaraṇa varada vēṅkaṭaramaṇa

१३.२१प्ग् श्रीराम रघुराम

रागं बॆगड ताल खण्ड  चाय्पु

पल्लवि

श्रीराम रघुराम जितभृगु राम चिन्मय घन श्याम नमस्ते नमस्ते

अनुपल्लवि

धीराधिधीर रणढीर वर गंभीर

दॆवरिपुगणमार जितमार सुकुमार

चरणं

शर्णागत त्राण करुणाब्जनयन

शरचापधर सुगुण साकॆत सदन

वरजानकीरमण वन्दिताखिलभुवन

वनजभवनुतचरण वरद वेङ्कटरमण

A stylistic analysis-

Similarity between selected kºtis of E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar   

and that of Trinity and Post Trinity composers

begaṭa-rāga-śrīrāma raghurāma -namaste namaste- kha³¢a cāypu

The setting has a lot of resemblance to the fourth Vibhakti krti of Muthuswami Dhikshita  on Lord Tyagaraja -Tyāgarājāya nāmaste namaste- bēgaṭa-rāga

Another krti among the 108 nama group,

y¡dav£ndra¯Ä bhaj£-b£ga¢a-¡di has a different setting with appropriate usage of the vakra passages to bring about the flavour of rāga chaya.

This shows  complete understanding of the rāga by E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar .