3.1.1 . A study of those r¡gas that were brought to light to the music world by Trinity and post Trinity composers by their compositions and also handled by E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar.

kham¡s- up¡nga and bh¡ ½¡ nga known during the period of E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar ,and the variance in his kºtis.

. kham¡s- rādhāramaṇaṃ

khamas-kriti radharamanam- seems upanga

Khamāś-harikāmboji janyaṃ āro-samagamapadhanisa ava-sanidhapamagasa

rādhāramaṇaṃ-ādi

In avarohaṇaṃ different by the scribe

anupallavi-nisanisa nidhadhapa sanidhapa

nidhapama mapadhama magapa,ma,,,

-manidhani sadhanipa,dha,ni,sa, ni gamagarisa,,,

dhanisani dhadhanipa,,dhanisa,mamagari sarisanisa,,,

samagamarigasa,sanirisani,ni,|nisanidhanidhapa,gamapadha nisasapa||(ni,dha,pa,ma, mapadhama magapa,|ma, ,, ,,)

caraṇaṃ -sa,ni rini sa,|nisanisagamagarisa,sa, |

sa,sa,sari ni,, ni ,,ni,, ninidhapa nidhapa,|

dhasa,ni,sa,-sa,ma,ga,-ma, ga,ri,ri,-ga.sa,,,ni,sa,|

sa,ni,ri,sa, sa,dha,ni,ni,|dha,dha,ni,dha,ga,ma,pa,dha,||

ENQUIRY geetanjaliglobalgurukulam