Sri Hanuman Dandakam

 

https://www.youtube.com/watch?v=oNb8mqluP44

śrī āṁjanēyaṁ prasannāṁjanēyaṁ

prabhādivyakāyaṁ prakīrti pradāyaṁ

bhajē vāyuputraṁ bhajē vālagātraṁ bhajēhaṁ pavitraṁ

bhajē sūryamitraṁ bhajē rudrarūpaṁ

bhajē brahmatējaṁ baṭaṁcun prabhātaṁbu

sāyaṁtramun nīnāmasaṁkīrtanal jēsi

nī rūpu varṇiṁci nīmīda nē daṁḍakaṁ bokkaṭin jēya

nī mūrtigāviṁci nīsuṁdaraṁ beṁci nī dāsadāsuṁḍavai

rāmabhaktuṁḍanai ninnu nēgolcedan

nī kaṭākṣaṁbunan jūcitē vēḍukal cēsitē

nā morāliṁcitē nannu rakṣiṁcitē

aṁjanādēvi garbhānvayā dēva

ninneṁca nēneṁtavāḍan

dayāśālivai jūciyun dātavai brōciyun

daggaran nilciyun dolli sugrīvukun-maṁtrivai

svāmi kāryārthamai yēgi

śrīrāma saumitrulaṁ jūci vārinvicāriṁci

sarvēśu būjiṁci yabbhānujuṁ baṁṭu gāviṁci

vālinin jaṁpiṁci kākutthsa tilakun kr̥pādr̥ṣṭi vīkṣiṁci

kiṣkiṁdhakēteṁci śrīrāma kāryārthamai laṁka kēteṁciyun

laṁkiṇin jaṁpiyun laṁkanun gālciyun

yabhbhūmijaṁ jūci yānaṁdamuppoṁgi yāyuṁgaraṁbicci

yāratnamun decci śrīrāmunakunnicci saṁtōṣamun^^jēsi

sugrīvunin yaṁgadun jāṁbavaṁtu nnalunnīlulan gūḍi

yāsētuvun dāṭi vānarul^mūkalai penmūkalai

yādaityulan druṁcagā rāvaṇuṁḍaṁta kālāgni rudruṁḍugā vacci

brahmāṁḍamainaṭṭi yā śaktinin^vaici yālakṣaṇun mūrchanoṁdiṁpagānappuḍē nīvu

saṁjīvinin^decci saumitrikinnicci prāṇaṁbu rakṣiṁpagā

kuṁbhakarṇādula nvīrulaṁ bōra śrīrāma bāṇāgni

vāraṁdarin rāvaṇun jaṁpagā naṁta lōkaṁbu lānaṁdamai yuṁḍa

navvēḷanu nvibhīṣuṇun vēḍukan dōḍukan vacci paṭṭābhiṣēkaṁbu cēyiṁci,

sītāmahādēvinin decci śrīrāmukunnicci,

yaṁtannayōdhyāpurin^jocci paṭṭābhiṣēkaṁbu saṁraṁbhamaiyunna

nīkanna nākevvarun gūrmi lēraṁcu manniṁci śrīrāmabhakta praśastaṁbugā

ninnu sēviṁci nī kīrtanal cēsinan pāpamul^lbāyunē bhayamulun

dīrunē bhāgyamul galgunē sāmrājyamul galgu saṁpattulun kalgunō

vānarākāra yōbhakta maṁdāra yōpuṇya saṁcāra yōdhīra yōvīra

nīvē samastaṁbugā noppi yātāraka brahma maṁtraṁbu paṭhiyiṁcucun sthirammugan

vajradēhaṁbunun dālci śrīrāma śrīrāmayaṁcun manaḥpūtamaina eppuḍun tappakan

talatunā jihvayaṁduṁḍi nī dīrghadēhammu trailōkya saṁcārivai rāma

nāmāṁkitadhyānivai brahmatējaṁbunan raudranījvāla

kallōla hāvīra hanumaṁta ōṁkāra śabdaṁbulan bhūta prētaṁbulan ben

piśācaṁbulan śākinī ḍhākinītyādulan gālidayyaṁbulan

nīdu vālaṁbunan juṭṭi nēlaṁbaḍaṁ goṭṭi nīmuṣṭi ghātaṁbulan

bāhudaṁḍaṁbulan rōmakhaṁḍaṁbulan druṁci kālāgni

rudruṁḍavai nīvu brahmaprabhābhāsitaṁbaina nīdivya tējaṁbunun jūci

rārōri nāmuddu narasiṁha yan^cun dayādr̥ṣṭi

vīkṣiṁci nannēlu nāsvāmiyō yāṁjanēyā

namastē sadā brahmacārī

namastē namōvāyuputrā namastē namaḥ

srI A~jca~nEyam piracannA~jca~nEyam

prapātivyākāyam prakīrti piratāyam

bhaje vāyuputram– bhaje valgatram– bhajeham– punitam–

bhaje sūryamitr bhaje rudararūpam–

bhaje barahmatejam– paṭañcun̆ prapatāmpu

cayantaramun nīnāmacaṅkīrttanāḷ jē.ci

un paṭivattai vivarittu un mītu nē taṇṭakam pōkkāṭṭin

uṅkaḷ cilaiyāki, uṅkaḷ vēlaikkārarāka iruṅkaḷ

rāmapaktuṇṭanai nekōlcetan nī

un kaṭākṣampunan jūcitē vemarāl

nān aḷutāl ennaik kāppāṟṟu

añcanātēvi karpanvaya tēvā

nenacca neneṇṭāvatān

tayāṣālivāy jūcciyun tatavai prōcciyun

arukil nilcciyun ṭolli cukrīvukun-mantirivāy

cuvāmi cuṟucuṟuppānār

srīrāmar caumitrulam vantu avarkaḷai vicārittār

sarvēṣu pujiñci yappanujum pantu kaviñci

kakutca tilakanin aruḷaip pārttu vālinin kutikkiṟār

kiṣkintā kētēñci srī rāma kāriyartamai laṅkā keteñciyun

laṅkinin jāmpiyun laṅkanun kālcciyun

yāppumicam jūcci yānantamuppoṅki yāyuṅkarāmpicci

yāratnamun tēcci srī rāmunannicci cantōṣmun^^jēci

cukrīvunin yaṅkāṭuñ jāmpavantu nnaluṇṇilulan kuṭi

yācētunukku appāl vānaruḷ^mūkkalai peṇmūkalai

yataityulan rāvaṇanaip pōl cīṟṟattuṭan vantān

mayaṅki viḷuntapōtu pirammāṇṭamāynāṭṭi yā ṣākiṭin^vaicci yalakṣun

cañcīvinin^tēci caumitrikininiñci piraṇāmpu rakcimpakā

kumpakarṇatula nvīruḷam pōrā srīrāma panākni

varaṇṭarin rāvaṇun jāmpaka nanta lōkampu lanantamai uṇṭā

navēpiṣunun vīran toṭukan vantu muṭicūṭṭuc ceytān.

cītāmahātēvinin tēcci srīrāmukuniñcicci,

yantannayōttiyāpurin^jōcci paṭṭāpiṣēkam toṭaṅkiyatu

ennai mannittu srīrāma paktanāka iru.

uṅkaḷukku cēvai ceytu, uṅkaḷ kīrttanaiyaip pāṭuvatāl, nāṅkaḷ payappaṭukiṟōm

tirunē pākyamuḷ kalkunē empiremul kalku campattulun kalkunō

vānarakarā yōbhakta mantāra yōpuṇyā cañcāra yōdhara yōbharā

nīyē piramma mantirattai uccarikkum valiyuṭaiyavan, nilaiyānavan

vajratēhampunun ṭālci srīrāma srīrāmayañcun manapūtānam kātin musṭan

talattuna jihvayattiliruntu, mūvulakilum cañcarippavanē un nīṇṭa carīram, irāman

namāṅkitadhayānivai barahmatējambanān raudaranijvalā

kallōla havīra hanumanta ōmkāra ṣapatpulan pūta pirētāmpulan pen

picācampulan ṣākini tākkinītyātulan kalitāyampulan

nīṭu vaḷampunan juṭṭi nelampaṭam kōṭṭi nīmuṣṭi kaṭṭampulan

pahutaṇṭāmpulan rōmakaṇṭampulan turuñci kālākni

rutruntaivāy nī pirammapirapāpācitampaina nitivya tējampununun jūcci

rarōri namutu naracimma yān^cun tayātariṣṭi

nēṟṟu nāsvāmiyō yāñcanēya taricanam

namastē satā pirammaccāri

namastē namōvāyuputra namastē namaḥ

శ్రీ ఆంజనేయం ప్రసన్నాంజనేయం

ప్రభాదివ్యకాయం ప్రకీర్తి ప్రదాయం

భజే వాయుపుత్రం భజే వాలగాత్రం భజేహం పవిత్రం

భజే సూర్యమిత్రం భజే రుద్రరూపం

భజే బ్రహ్మతేజం బటంచున్ ప్రభాతంబు

సాయంత్రమున్ నీనామసంకీర్తనల్ జేసి

నీ రూపు వర్ణించి నీమీద నే దండకం బొక్కటిన్ జేయ

నీ మూర్తిగావించి నీసుందరం బెంచి నీ దాసదాసుండవై

రామభక్తుండనై నిన్ను నేగొల్చెదన్

నీ కటాక్షంబునన్ జూచితే వేడుకల్ చేసితే

నా మొరాలించితే నన్ను రక్షించితే

అంజనాదేవి గర్భాన్వయా దేవ

నిన్నెంచ నేనెంతవాడన్

దయాశాలివై జూచియున్ దాతవై బ్రోచియున్

దగ్గరన్ నిల్చియున్ దొల్లి సుగ్రీవుకున్-మంత్రివై

స్వామి కార్యార్థమై యేగి

శ్రీరామ సౌమిత్రులం జూచి వారిన్విచారించి

సర్వేశు బూజించి యబ్భానుజుం బంటు గావించి

వాలినిన్ జంపించి కాకుత్థ్స తిలకున్ కృపాదృష్టి వీక్షించి

కిష్కింధకేతెంచి శ్రీరామ కార్యార్థమై లంక కేతెంచియున్

లంకిణిన్ జంపియున్ లంకనున్ గాల్చియున్

యభ్భూమిజం జూచి యానందముప్పొంగి యాయుంగరంబిచ్చి

యారత్నమున్ దెచ్చి శ్రీరామునకున్నిచ్చి సంతోషమున్^^జేసి

సుగ్రీవునిన్ యంగదున్ జాంబవంతు న్నలున్నీలులన్ గూడి

యాసేతువున్ దాటి వానరుల్^మూకలై పెన్మూకలై

యాదైత్యులన్ ద్రుంచగా రావణుండంత కాలాగ్ని రుద్రుండుగా వచ్చి

బ్రహ్మాండమైనట్టి యా శక్తినిన్^వైచి యాలక్షణున్ మూర్ఛనొందింపగానప్పుడే నీవు

సంజీవినిన్^దెచ్చి సౌమిత్రికిన్నిచ్చి ప్రాణంబు రక్షింపగా

కుంభకర్ణాదుల న్వీరులం బోర శ్రీరామ బాణాగ్ని

వారందరిన్ రావణున్ జంపగా నంత లోకంబు లానందమై యుండ

నవ్వేళను న్విభీషుణున్ వేడుకన్ దోడుకన్ వచ్చి పట్టాభిషేకంబు చేయించి,

సీతామహాదేవినిన్ దెచ్చి శ్రీరాముకున్నిచ్చి,

యంతన్నయోధ్యాపురిన్^జొచ్చి పట్టాభిషేకంబు సంరంభమైయున్న

నీకన్న నాకెవ్వరున్ గూర్మి లేరంచు మన్నించి శ్రీరామభక్త ప్రశస్తంబుగా

నిన్ను సేవించి నీ కీర్తనల్ చేసినన్ పాపముల్^ల్బాయునే భయములున్

దీరునే భాగ్యముల్ గల్గునే సామ్రాజ్యముల్ గల్గు సంపత్తులున్ కల్గునో

వానరాకార యోభక్త మందార యోపుణ్య సంచార యోధీర యోవీర

నీవే సమస్తంబుగా నొప్పి యాతారక బ్రహ్మ మంత్రంబు పఠియించుచున్ స్థిరమ్ముగన్

వజ్రదేహంబునున్ దాల్చి శ్రీరామ శ్రీరామయంచున్ మనఃపూతమైన ఎప్పుడున్ తప్పకన్

తలతునా జిహ్వయందుండి నీ దీర్ఘదేహమ్ము త్రైలోక్య సంచారివై రామ

నామాంకితధ్యానివై బ్రహ్మతేజంబునన్ రౌద్రనీజ్వాల

కల్లోల హావీర హనుమంత ఓంకార శబ్దంబులన్ భూత ప్రేతంబులన్ బెన్

పిశాచంబులన్ శాకినీ ఢాకినీత్యాదులన్ గాలిదయ్యంబులన్

నీదు వాలంబునన్ జుట్టి నేలంబడం గొట్టి నీముష్టి ఘాతంబులన్

బాహుదండంబులన్ రోమఖండంబులన్ ద్రుంచి కాలాగ్ని

రుద్రుండవై నీవు బ్రహ్మప్రభాభాసితంబైన నీదివ్య తేజంబునున్ జూచి

రారోరి నాముద్దు నరసింహ యన్^చున్ దయాదృష్టి

వీక్షించి నన్నేలు నాస్వామియో యాంజనేయా

నమస్తే సదా బ్రహ్మచారీ

నమస్తే నమోవాయుపుత్రా నమస్తే నమః

ஸ்ரீ ஆஞ்சநேயம் பிரசன்னாஞ்சநேயம்

ப்ரபாதிவ்யாகாயம் ப்ரகீர்தி பிரதாயம் ভஜே வாயுபுத்ரம் ভஜே வலগத்ரம் ভஜேஹம் புனிதம் ভஜே ஸூர்யமித்ர ভஜே ருদ்ரரூபம் ভஜே ব்ரஹ்மதேஜம் படஞ்சுঁ ப்ரபதாம்பு சயந்தரமுன் நீநாமசங்கீர்த்தனாள் ஜே.சி உன் படிவத்தை விவரித்து உன் மீது நே தண்டகம் போக்காட்டின் உங்கள் சிலையாகி, உங்கள் வேலைக்காரராக இருங்கள் ராமபக்துண்டனை நெகோல்செதன் நீ உன் கடாக்ஷம்புனன் ஜூசிதே வெமரால் நான் அழுதால் என்னைக் காப்பாற்று அஞ்சனாதேவி கர்பந்வய தேவா நெனச்ச நெனெண்டாவதான் தயாஷாலிவாய் ஜூச்சியுந் ததவை ப்ரோச்சியுன் அருகில் நில்ச்சியுன் டொல்லி சுக்ரீவுகுன்-மந்திரிவாய் சுவாமி சுறுசுறுப்பானார் ஸ்ரீராமர் சௌமித்ருலம் வந்து அவர்களை விசாரித்தார் ஸர்வேஷு புஜிஞ்சி யப்பநுஜும் பந்து கவிஞ்சி ககுத்ச திலகனின் அருளைப் பார்த்து வாலினின் குதிக்கிறார் கிஷ்கிந்தா கேதேஞ்சி ஸ்ரீ ராம காரியர்தமை லங்கா கெதெஞ்சியுன் லங்கினின் ஜாம்பியுன் லங்கனுன் கால்ச்சியுன் யாப்புமிசம் ஜூச்சி யானந்தமுப்பொங்கி யாயுங்கராம்பிச்சி யாரத்னமுன் தேச்சி ஸ்ரீ ராமுநன்னிச்சி சந்தோஷ்முன்^^ஜேசி சுக்ரீவுனின் யங்காடுஞ் ஜாம்பவந்து ன்னலுண்ணிலுலன் குடி யாசேதுனுக்கு அப்பால் வானருள்^மூக்கலை பெண்மூகலை யதைத்யுலன் ராவணனைப் போல் சீற்றத்துடன் வந்தான் மயங்கி விழுந்தபோது பிரம்மாண்டமாய்னாட்டி யா ஷாகிடின்^வைச்சி யலக்ஷுன் சஞ்சீவினின்^தேசி சௌமித்ரிகினிநிஞ்சி பிரணாம்பு ரக்சிம்பகா கும்பகர்ணதுல ன்வீருளம் போரா ஸ்ரீராம பனாக்னி வரண்டரின் ராவணுன் ஜாம்பக நந்த லோகம்பு லனந்தமை உண்டா நவேபிஷுனுன் வீரன் தொடுகன் வந்து முடிசூட்டுச் செய்தான். சீதாமஹாதேவினின் தேச்சி ஸ்ரீராமுகுனிஞ்சிச்சி, யந்தன்னயோத்தியாபுரின்^ஜோச்சி பட்டாபிஷேகம் தொடங்கியது என்னை மன்னித்து ஸ்ரீராம பக்தனாக இரு. உங்களுக்கு சேவை செய்து, உங்கள் கீர்த்தனையைப் பாடுவதால், நாங்கள் பயப்படுகிறோம் திருனே பாக்யமுள் கல்குனே எம்பிரெமுல் கல்கு சம்பத்துலுன் கல்குனோ வானரகரா யோভக்த மந்தார யோபுண்யா சஞ்சார யோধிர யோভிரா நீயே பிரம்ம மந்திரத்தை உச்சரிக்கும் வலியுடையவன், நிலையானவன் வஜ்ரதேஹம்புனுன் டால்சி ஸ்ரீராம ஸ்ரீராமயஞ்சுன் மனபூதானம் காதின் முஸ்டன் தலத்துன ஜிஹ்வயத்திலிருந்து, மூவுலகிலும் சஞ்சரிப்பவனே உன் நீண்ட சரீரம், இராமன் நமாங்கிதধ்யாநிவை ব்ரஹ்மதேஜம்বுநாந் ரௌদ்ரநிஜ்வலா கல்லோல ஹவீர ஹனுமந்த ஓம்கார ஷபத்புலன் பூத பிரேதாம்புலன் பென் பிசாசம்புலன் ஷாகினி தாக்கிநீத்யாதுலன் கலிதாயம்புலன் நீடு வளம்புனன் ஜுட்டி நெலம்படம் கோட்டி நீமுஷ்டி கட்டம்புலன் பஹுதண்டாம்புலன் ரோமகண்டம்புலன் துருஞ்சி காலாக்னி ருத்ருந்தைவாய் நீ பிரம்மபிரபாபாசிதம்பைன நிதிவ்ய தேஜம்புனுநுந் ஜூச்சி ரரோரி நமுது நரசிம்ம யான்^சுன் தயாதரிஷ்டி நேற்று நாஸ்வாமியோ யாஞ்சநேய தரிசனம் நமஸ்தே ஸதா பிரம்மச்சாரி நமஸ்தே நமோவாயுபுத்ர நமஸ்தே நமঃ

 

Varṇam: Jalajākśa - Hamsadhvani - Ādi

Ragam: Hamsadhvani
Talam: Ādi
Composer: Mānambuccāvaḍi Venkaṭa Subbayyar

Lyrics

Pallavi: jalajākśā ninneḍa bāsi cālā marulu konnadirā
Anupallavi: celiya nela rāvadēmirā celuvuḍaiṉa śrī venkaṭēśā

Caranam: nī sāṭi doranē gāṉa

Pallavi: She, who has eyes like the water lilies (“jalajakshi”), is exceedingly (“chala”) distressed (“marulu konnadi”) because of her separation from you (“ninnu edabasi”).

 

Anupallavi: O venkatesa! You are her soul mate ("cheluvudaina"). Why are you not coming (“ravademira”) to claim your beloved (“chelia nela”)?

 

Charanam: I have not seen (“ne gaana”) any other lord (“dora”) who can be compared to you (“nee saati”).

 telugu guide

పల్లవి 

జలజాక్ష {క్షి} నిన్నెడ బాసి 

చాల మరులు కొన్నదిరా

అనుపల్లవి

 చెలియ నెల రావదెమిరా 

చెలువు డైన శ్రీ వెంకటేశ

చరణం 

నీ సాటి  దొరనే గాన

vande mataram keyboard lesson@5g

https://youtu.be/IexYywk0o0s 

vandemataram lesson

ppb t0di varna

ppb t0di varna 

tankam list

 

sentamizhnAdenum

 https://youtu.be/UpgVCyMLjw4

https://clips.skype.com/watch/V2:4f0b1b4f-0c01-437b-9690-1b404e19a4fdsentamizhnAdenum

 

GRADE1

 

 

Thirunavukarasar (appar) (AD 564-645)

 Thirunavukarasar (appar) (AD 564-645) 

BIRTH - In Thiruvamoor, pugazhanar and Mathenyar gave birth to Thilagavathi, a girl child and Marul Neekiyar, a boy child. Marul Neekiyar is famously called as “Thirunavukarasar”. His other name is Appar 

CHIDHOOD-Thilakavathi was about to get married to senapathi Kalipagaiyar. But as he died during a war, Thilagavathi wants to die along with her husband. But because of his brother, she changed her decision, made her brother excel in all arts & Sciences. 

JAINISM - SAIVISM 

In early days, Thirunavukkarasar was following jainism. He was entitled “Tharumasenar”. DharmasEnar .

Thirunavukkarasar - the word means 'The king of the tongue' eulogizing 'The king of speech/words'.

When he was born his parents named him Marunikkiyar. He went on to become a scholar in Jainism and earned the title Dharmasenar. Later he relinquished Jainism to adopt Shivism and earned the title Thirunavukkarasar.

When Thilakavathiyar was twelve the local army chief Kalippakaiyar wanted to marry her. Before the marriage could be conducted, war broke out with the king of the north and Kalippakaiyar had to go to war front. Meanwhile both Pukazanar and Madhiniyar passed away. Soon, the valiant Kalippakaiyar too became martyr in the battlefield. Thilakavathiyar did not want to live without Kalippakaiyar  and wanted to end her life. Marunikkiyar persuaded  her away from it and she continued leading a pious life.

title Dharmasenar.

Marunikkiyar trying to come out of the grief, he involved himself in various charities. The thought about the uncertainty in life took him to the religions and was attracted by the non-violence of Jainism. He went to Patalipuththiram (Kadalur) famous for the Jain institutions and learned the Jain scriptures with zeal and was praised for his knowledge by the Jains. They awarded him the title Dharma Senar. He won the Buddhists in debates on philosophy and the entire Jain groups were happy to have such a meritorious leader.

miracles in his life and compositions-

In the meanwhile, Thilakavathiyar spent time in the worship of Lord Shiva at Thiruvadhikai praying to Lord many times to rescue her younger brother from the ignorance and show him the right path. The Lord appeared in her dream and blessed her and said that he would bring Marunikkiyar to the right path, by giving chulai (a terrible stomach pain). Dharma Senar got unbearable pain in his stomach and no medicine could mitigate the pain. Appalled by the severity of the disease the Jains who torture themselves for attaining liberation, chanted all the mantras and gave the Holy water. Instead of alleviating, it amplified the pain. They touched throughout his body with the peacock feather but that too did not stop him from screaming. Frightened and confused the Jains gave up their efforts. With raising pain and no help at hand, Dharma Senar (Marunikkiyar) remembered his loving adorable sister. He sent a person to inform  Thilakavathiyar about his pain. Though she felt pity for her brother, she conveyed to him that she would not go to the place of Jains. Marunikkiyar took decision that he would leave the company of Jains and submit himself to his sister and  proceeded to Thiruvadhikai. Praising the glory of Lord Shiva she welcomed him saying "It is the grace of Lord Siva that brought you back, Surrender yourself to Him and serve Him".

But he got “Sulai Noi” severe stomach pain. At last he seeked the help of his sister Thilagavathi. She took his brother to Thiruvathigai Veerattaneswarar. He sang “Kootrayenavaru” pathigam. He got his pain & illness removed by the blessings of god shiva. Again he changed to saivam. 

Hearing this jain king gave him lot of troubles. He took the abode of God for all his problems and got relieved tremendously. King threw him with stone tied at the back into the ocean. 

But he sang hymn. 30   “Kattrunai Pootiye Kadalinil Paychimum Nattrunai Yavathu Namachivayave” 

 He sang in Thirupathiri Puliyur, “Enralumai Enneku Enthaiyamai Karuvai Kidanthu un Kazhdadi Puzhuvai Pirakkinum Punniyaa” all these hymns.

 He went to several places, all siva temples, and sang Devaram Pathigams. 

He went to Thirusakthi Muttram, Pennadagam, Thiruvizhi Mizhalai, Thiru Kalahasthi, Thiruvaiyaru. He was well known to the world because of his wonderful incidents connected and linked with Lord Shiva. 

One time he was carrying the Pallakku of Thirugnana Sambandar. As he grew old, as he pleaded to god for Thiru Kailayam glimpse, he got that glimpse- kaatchi  in Thiruvaiyaru Lord Shiva with Umadevi gave “Kailayam Katchi” for him in his native place itself  

In Pugalur be got mixed with lord in the form of light. His songs were considered 4th, 5th, 6th padigams in 12 Thirumarai. panniru tirumurai -

He sang 4900 padigams. But we have 312 padiams having 3066 songs. He was called Thandaga Vendar.

and serve Him".

The next day she took him to the temple for the early morning pooja 'Thirupalliezuchchi' (first worship in the temple - waking up of the Lord). Prostrating to the Lord he felt the urge to sing and sang his first Thevaram "Kurrayinavaru Vilakkakilir". He was immediately freed of his illness and there heared a voice, "As you sang the beautiful hymns enriched with nice words of excellent meaning, let your name be praised in the worlds as Navukkarachu" (the king of the tongue - King of words). The word Thiru is appended to names to show respect and Marunikkiyar who turned Dharma Senar has become Thirunavukkarasu, one of the most ardent devotee of Lord Shiva.

If with one song the God himself says that he is the king of words, what could be the greatness of his hymns !  Devotees remember Thirunnvukkarachar peruman with gratitude for the unparalleled words of devotion that are expressed through his hymns.

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Jain sages of Patalipuththiram were a worried lot when they came to know of the miraculous curing of  Dahrma Senar, by the God Shiva, relief which their religion could not provide. They, who were supposed to be the embodiment of the truth, conspired and mislead the king that Dharma Senar was only feigning the stomach pain as an excuse to go to Shiva.

As per their advice, the king put him through various punishments like putting him into in a burning lime kiln, feeding poison, setting a rogue elephant on him, drowning etc. None of these could do any harm to Thirunavukkarashar. In the burning kiln the sage sang "Machil vinaiyum" (meaning: The shelter of Lord's feet is like the nice breeze on the bank of a beautiful pond in a spring), in front of the wild elephant he sang "Chunnaven chandhanach chandhum" (meanig: Slaked lime paste for me is my Sandalwood paste, and goes on to expound - We are the slaves of the Lord of Thiruvadhikai, we are not afraid of anything nor is there anything that could scare us) and while they tried to drown him he sang "Chorrunai vedhiyan" and the panchakshara manthra - Na mah Shi va ya.

The God of Sea was blessed to hold the great sage over him. The sage arrived on that rock to the town of Lord Thiruppadhirippuliyur .

The king by now realizing the Truth repented for his sins, denounced the Jains and surrendered to the sage who won without wars. The king built a temple for the Lord there called Gunaparavichcharam.

The Shaiva movement was relatively more involved in religious conflicts and controversies. Saint Appar, after his conversion from Jainism to Shaivaism, converted the Pallava ruler from Jainism to Shaivaism. His poetry is a mixture of Jain world-view and Siva Bhakthi. Even though he expresses his regret for having wasted much of his life as a Jain monk, his poetry seems to be a form of synchronism between Jainism and Shaivaism. The Jain world-view and Jain didactic works become acceptable to the Shaivites.

Popular compositions: Talaiye ni (Pantuvarali), Yamamani (Bhairavi), Sotrunai (Kedaragowla) etc.

kAdhi mOdhi

 

Song 1028 - kAdhi mOdhi (common) kAdhi mOdhi vAdhAdu nUl ...... katriduvOrung kAsu thEdi yeeyAmal vAzhap ...... peRuvOrum mAdhupAgar vAzhvEenA ...... nekkurugArum mARilAdha mAkAlanUr ...... pukkalaivArE nAdha rUpa mA nAtha rAgath ...... uRaivOnE nAgalOkam eerEzhu pAruk ...... uriyOnE theedhilAdha vEl veera sEvaR ...... kodiyOnE dhEva dhEva dhEvAdhi dhEvap ...... perumALE. ......... Meaning ......... kAdhi mOdhi vAdhAdu nUl katriduvOrung: People who study books which turn them into fiercely bickering and fighting debaters, kAsu thEdi yeeyAmal vAzhap peRuvOrum: people who earn wealth but spend their lives tight fisted without giving alms, and mAdhupAgar vAzhvEenA nekkurugArum: people whose hearts do not melt in praising You as the Treasure of SivA who has PArvathi by His side - all these mARilAdha mAkAlanUr pukkalaivArE: will wander about going back and forth to the place of the Death-God (Yaman) who never discriminates. nAdha rUpa: You are the form of Divine Music! mA nAtha rAgath uRaivOnE: You are cherished in the heart of the Greatest Deva, namely SivA! nAgalOkam eerEzhu pAruk uriyOnE: You reside in all the fourteen worlds*, including Heaven. theedhilAdha vEl veera: You hold the Spear that can never do any harm. sEvaR kodiyOnE: You have hoisted Your flag of the Rooster. dhEva dhEva: You are the God of all Gods! dhEvAdhi dhEvap perumALE.: You are the Super Lord, Oh Great One!

* The 14 worlds are as follows: 7 Upper Worlds: bUlOgam, bhuvarlOgam, suvarlOgam, janalOgam, thabOlOgam, mahAlOgam and sathyalOgam. 7 Lower Worlds: athalam, vithalam, suthalam, tharAthalam, mahAthalam, rasAthalam and pAthAlam.

parimaLa kaLaba hameer kalyani tunrd by gr at (thiruchchendhUr)

 

Song 78 - parimaLa kaLaba (thiruchchendhUr) parimaLa kaLabasu gandhac chandhak ...... thanamAnAr      padaiyama padaiyena andhik kungat ...... kadaiyAlE variyaLi niraimural kongu kanguk ...... kuzhalAlE      marugidu maruLanai inbut Ranbut ...... RaruLvAyE arithiru marugaka dambath thangat ...... RirumArbA      alaigumu gumuvena vembak kaNdith ...... theRivElA thiripura dhaganarum vandhik kumsaR ...... gurunAthA      jeyajeya harahara sendhiR kandhap ...... perumALE. ......... Meaning ......... parimaLa kaLabasu gandha sandha thanamAnAr: These women, with fragrant and aromatic chests splashed with a mix of sandal paste padaiyama padaiyena andhikkung katkadaiyAlE: are flinging their deathly weapons from the corner of their eyes. variyaLi niraimural kongu kangkuR kuzhalAlE: Their dark cloud-like hair attracts beetles humming and seeking the flowers. marugidu maruLanai inbutr tranbutr aruLvAyE: I am very much obsessed with these women and my mind is boggled. You must kindly and gladly shower Your grace on me. arithiru maruga kadamba thonga thirumArbA: You are the nephew of Vishnu and Lakshmi. You wear the garland made of Kadamba flowers. alaigumu gumuvena vembak kaNdith theRivElA: When You wielded the spear with rage at the sea*, the simmering waves rose with noise. thiripura dhaganarum vandhikkum saR gurunAthA: You are the Great Master worshipped by Lord SivA who burnt down Thiripuram! jeyajeya harahara: Victory To You! Oh Remover of all sins, sendhiR kandhap perumALE.: You are Lord KanthA, the Great One residing at ThiruchchendhUr!

* In the final battle, SUran disguised himself as a mango tree and hid inside the sea. This enraged Murugan who wielded His Spear to split SUran into two parts.

 

Song 616 - aingkaranai (kongkanagiri) ainkaranai oththa manam aimpulam agatri vaLar      andhi pagal atra ninaiv ...... aruLvAyE ambuvi thanakkuL vaLar senthamizh vazhuththi yunai      anbodu thudhikka manam ...... aruLvAyE thangiya thavath thuNarvu thandhadimai muththi peRa      chandhira veLikku vazhi ...... aruLvAyE thaNdigai ganappavusu eNdisai madhikka vaLar      sambrama vidhath thudanE ...... aruLvAyE mangaiyar sugaththai vegu ingidhamenutra manam      undhanai ninaith thamaiya ...... aruLvAyE maNdali karap pagalum vandha suba rakshai puri      vandhaNaiya budhdhiyinai ...... aruLvAyE kongiluyir petru vaLar then karaiyil appararuL      koNdu udalutra poruL ...... aruLvAyE kunjara mugaRkiLaiya kandhanena vetri peRu      kongaNa girikkuL vaLar ...... perumALE. ......... Meaning ......... ainkaranai oththa manam: A mind that is as fast as GanEshA, God with five hands (GanEshA went around the Universe in the fastest way), aimpulam agatri: mastery over the five perceptory senses, vaLar andhi pagal atra ninaivu: and a thought process beyond the endless cycle of day and night aruLvAyE: bless me with these! ambuvi thanakkuL vaLar senthamizh: In beautiful Tamil, which greatly flourishes in this world, vazhuththi yunai anbodu thudhikka manam aruLvAyE: (I should sing) Your praise with love. thangiya thavath thuNarvu thand(hu): You should bless me with the requisite meditating mind adimai muththi peRa: so that this humble slave of Yours may attain salvation chandhira veLikku vazhi aruLvAyE: and transcend the cosmos of the moon (through yOgA). thaNdigai ganappavusu: (I request You to give me) a palanquin, dignity and respect eNdisai madhikka vaLar sambrama vidhath thudanE aruLvAyE: from people in all eight directions, with increasing awe and admiration. mangaiyar sugaththai vegu ingidhamenutra manam: My mind, which has immersed itself in the sensual gratifications offered by women, unRanai ninaith thamaiya aruLvAyE: should be made to concentrate only on You and to remain there in peace. maNdali karap pagalum vandha: Day and night, state leaders come to me seeking suba rakshai puri vandhaNaiya: ways and means of protecting the people and ensuring their welfare; budhdhiyinai aruLvAyE: You have to give me the necessary wisdom to guide them. kongiluyir petru vaLar then karaiyil: In Kongunadu, a miracle happened when a dead boy regained his life* (after he was devoured by a crocodile) appararuL koNdu udalutra poruL aruLvAyE: through the compassion of SivA (AvinAsi), when the body also grew; teach me the secret of this miracle* kunjara mugaRkiLaiya kandhanena vetri peRu: You, the younger brother of the elephant-headed GanEshA, famous as the victorious Kanda kongaNa girikkuL vaLar perumALE.: You prosper in Kongkanagiri, Oh Great One!

* Kongkanagiri is in Coimbatore district, four miles from Somanur.

Once, a little boy went to take a dip in the nearby lake at ThiruppukkoLiyur and was eaten alive by a crocodile. After a year, SundharamUrthy NAyanAr, one of the Four Great Saivites, came to the barren lake and heard about the death of the boy. He sang AvinAsi Pathikam whereupon the lake was filled with water. The crocodile came to the bank of the lake and spat the boy alive, with one year's growth in the body too! AruNagirinAthar asks MurugA to teach him the secret of this miracle.

orupozhudhum irucharaNa nEsath thEvaith ...... thuNarEnE

 ஒருபொழுது மிருசரண நேசத் தேவைத் ...... துணரேனே

     உனதுபழ நிமலையெனு மூரைச் சேவித் ...... தறியேனே பெருபுவியி லுயர்வரிய வாழ்வைத் தீரக் ...... குறியேனே      பிறவியற நினைகுவனெ னாசைப் பாடைத் ...... தவிரேனோ துரிதமிடு நிருதர்புர சூறைக் காரப் ...... பெருமாளே      தொழுதுவழி படுமடியர் காவற் காரப் ...... பெருமாளே விருதுகவி விதரணவி நோதக் காரப் ...... பெருமாளே      விறன்மறவர் சிறுமிதிரு வேளைக் காரப் ...... பெருமாளே.

ஒருவேளை கூட உன் திருவடியில் அன்பு வைத்து அறிய மாட்டேன். உனது பழனி மலையை வணங்கி அறியேன். பூமியில் உயர்ந்த அரிய வாழ்க்கையைக் குறிக் கொள்ளவில்லை. இருப்பினும், பிறவி ஒழிய வேண்டும் என்று நினைக்கின்றேன். என் ஆசைகளை விட்டொழிக்க மாட்டேனோ? அசுரர்களின் ஊர்களைச் சூறையாடியவனே, உன்னைத் தொழும் அடியார்களுக்குக் காவல் புரிபவனே, வெற்றிக் கவிகளான தேவாரத்தை உலகுக்குச் சம்பந்தராக அவதரித்து வழங்கியவனே, வேடுவப் பெண்ணாகிய வள்ளிக்கு உடனிருந்து காவல் புரிபவனே, என் ஆசைகளை விட்டொழிக்க வேண்டுகிறேன்.

Song 123 - orupozhudhum irusaraNa (pazhani) orupozhudhum irucharaNa nEsath thEvaith ...... thuNarEnE      unadhupazha nimalaiyenum Uraic chEvith ...... thaRiyEnE perubuviyil uyarvariya vAzhvaith theerak ...... kuRiyEnE      piRaviyaRa ninaiguvanen Asaip pAdaith ...... thavirEnO dhurithamidu nirudharpura sURaik kArap ...... perumALE      thozhudhuvazhi padumadiyar kAvaR kArap ...... perumALE virudhukavi vidharaNavi nOdhak kArap ...... perumALE      viRanmaRavar siRumithiru vELaik kArap ...... perumALE. ......... Meaning ......... orupozhudhum: Even once, irucharaNa: at Your two hallowed feet nEsath thEvaith thuNarEnE: I failed to prostrate with devotion. unadhu pazhani malaiyenum Urai: Towards Your abode called Pazhani sEvith thaRiyEnE: I have never worshipped. peru buviyil: In this vast world, uyar variya vAzhvai: a lofty and rare way of life theerak kuRiyEnE: was never pursued by me as a goal. piRaviyaRa ninaiguvan: (Despite all my shortcomings,) I still desire not to be reborn! en AsaippAdai thavirEnO: When will I put an end to my desires? dhurithamidu nirudhar: The asuras (demons) were always committing sins; pura sURaikArap perumALE.: their dwellings were destroyed by You like a hurricane, Oh Great One! thozhudhu vazhipadum adiya: For those devotees who bow down and worship You, kAvaRkArap perumALE.: You are their Saviour, Oh Great One! virudhu kavi vidharaNa: The Poet, who gave to this world songs of victory vinOdhakArap perumALE.: wonderfully - (that ThirugnAna Sambandhar)* is Yourself, Oh Great One! viRan maRavar siRumi: For VaLLi, the damsel of the valorous KuRavas, thiru vELaikkArap perumALE.: You are the timely protector, Oh Great One!

* The famous Saivite Poet ThirugnAna Sambandhar is none other than the reincarnation of Murugan according to ArunagirinAthar.

iyalisaiyil usidha (thiruchchendhUr)

 

Song 31 - iyalisaiyil usidha (thiruchchendhUr) iyalisaiyil uchitha vanjik ...... kayarvAgi      iravupagal manadhu chindhiththu ...... uzhalAdhE uyarkaruNai puriyum inbak ...... kadalmUzhgi      unaiyenadhuL aRiyum anbaith ...... tharuvAyE mayilthagarga lidaiya randhath ...... thinaikAval      vanajakuRa magaLai vandhiththu ...... aNaivOnE kayilaimalai anaiya sendhil ...... padhivAzhvE      karimugavan iLaiya kandha ...... perumALE. ......... Meaning ......... iyalisaiyil uchitha vanjik kayarvAgi: I became so infatuated with women who were proficient in literature and music, iravupagal manadhu chindhiththu uzhalAdhE: and my mind was always agitated thinking of them day and night. uyarkaruNai puriyum inbak kadalmUzhgi: I would like to drown myself in the ocean of eternal bliss attained as a result of Your great compassion unaiyenadhuL aRiyum anbaith tharuvAyE: and to realise You within my heart; that requisite love can only be given by You. mayilthagarga lidaiya randhath thinaikAval: That girl VaLLi was guarding the millet-field belonging to the hunters who lived in a mountainous region, full of peacocks and sheep, vanajakuRa magaLai vandhiththu aNaivOnE: and she (VaLLi) was beautiful like Lakshmi; You went and bowed before her and later embraced her! kayilaimalai anaiya sendhil padhivAzhvE: You live in ThiruchchendhUr which is as holy as Mount Kailas. karimugavan iLaiya kandha perumALE.: You are the younger brother of the elephant-faced God, VinAyagA, Oh Great One!

iyalisaiyil usidha (thiruchchendhUr)

 Song 31 - iyalisaiyil usidha (thiruchchendhUr)

iyalisaiyil uchitha vanjik ...... kayarvAgi
     iravupagal manadhu chindhiththu ...... uzhalAdhE

uyarkaruNai puriyum inbak ...... kadalmUzhgi
     unaiyenadhuL aRiyum anbaith ...... tharuvAyE

mayilthagarga lidaiya randhath ...... thinaikAval
     vanajakuRa magaLai vandhiththu ...... aNaivOnE

kayilaimalai anaiya sendhil ...... padhivAzhvE
     karimugavan iLaiya kandha ...... perumALE.

......... Meaning .........

iyalisaiyil uchitha vanjik kayarvAgi: I became so infatuated with women who were proficient in literature and music,

iravupagal manadhu chindhiththu uzhalAdhE: and my mind was always agitated thinking of them day and night.

uyarkaruNai puriyum inbak kadalmUzhgi: I would like to drown myself in the ocean of eternal bliss attained as a result of Your great compassion

unaiyenadhuL aRiyum anbaith tharuvAyE: and to realise You within my heart; that requisite love can only be given by You.

mayilthagarga lidaiya randhath thinaikAval: That girl VaLLi was guarding the millet-field belonging to the hunters who lived in a mountainous region, full of peacocks and sheep,

vanajakuRa magaLai vandhiththu aNaivOnE: and she (VaLLi) was beautiful like Lakshmi; You went and bowed before her and later embraced her!

kayilaimalai anaiya sendhil padhivAzhvE: You live in ThiruchchendhUr which is as holy as Mount Kailas.

karimugavan iLaiya kandha perumALE.: You are the younger brother of the elephant-faced God, VinAyagA, Oh Great One!

Saaveri Jathiswaram Script

trivandrum Tambura as i recvd in my 17th year as first prize Senior most grade at music competition Bombay

 The tambura or tanpura is a plucked drone instrument used to accompany instrumental or vocal performances. The four strings are played open rather than being depressed to alter the note. This example is considerably smaller than the typical tambura. A very small version is sometimes known as a tamburi.

tambura, long-necked fretless Indian lute. It has a hollow neck, measures about 40–60 inches (102–153 cm) in length, and usually has four metal strings tuned (relative pitch) c–c′–c′–g or c–c′–c′–f. Precision tuning is achieved by inserting bits of wool or silk between the strings and lower bridge and by adjusting small beads attached to the strings. In southern India the body of the tambura is made of a hollow piece of jackwood (wood from the jackfruit tree), while in the north it is fashioned from a gourd. It is held in a vertical position, and the musician plays the instrument by plucking the strings while seated behind it. The tambura supplies a drone accompaniment for both classical and folk music of South Asia, and it provides an essential tonal foundation from which a singer or instrumental soloist develops the raga (melodic, modal, and rhythmic framework for Indian music composition and improvisation). It resembles the tanbur, the Middle Eastern lute from which it derives.

Tambura diagram 10    

Tambura known for the alignment of sruthi individual music can be given by veena & violin, flute, mirudangam as accomplice for thalam are some of the musical instruments which we are going to discuss here. TAMBURA One most useful instrument for setting sruthi is tambura. It makes the music concept more presentable, audible with the oneness of sruthi. In a music concernt, it draws the attention of all the observers in Indian sruthi instruments, tambura takes the lead. The aligned sruthi of a tambura makes and brings out of beauty of the concert and make if a grand success. Naradhar muni always has tambura with him.

 Tambura is made of jackwood. It has bowl, dandi, neck, four birudai, one horse, and four strings. The bowl is hemispherical in shape and the top portion is covered with a thin plank. Over the plank, in the centre there comes a wood part horse. Long cylindrical dandi is also covered with a light plant. At one end of Tambura bowl is tightened with four strings and it passes through the wooden horse moves through neck portion and fastened to four Birudais separately. 

 The first string is aligned with manthrasthai panchamam, second with Madhya Sthai shadjamthird string with Madhya Stai Shadjamand the fourth string with mandhra sthai shadjam. As sarani & Anusarani are both in the same sruthi, there evolves seven vibrations and it makes one to synchronise with it efficiently. It makes the sound more melodic and pleasant. The Swambu swarangal, Sarani, Anusarani and the parivu sabbtha vibrations from the forth string are the specialties of Mandhra Shadjam. If Manthrasthai shadjamam sruthi, aligned manthra string is vibrated, we get tharasthai Anthra Kantharam. They are the basic (Swayambu) Swaras. The silk thread bundle (Mundu) which gives, jeevan, sweetness, for the sound & music arising from thanthi (strings) is kept in between the horse & strings and it can be moved sufficiently. It is called “GEEVALI”. 

 In general, in Tambura, for panchama thanthi, 29th Number, for Sarani Thanthi 31st Number, for Mandhra Thanthi, 26th Number strings are used. For various sruthis strings of different numbers are used. Right hand Index finger and middle finger are used for getting sruthi over the strings. In Tambura, Panchama, Sarani & Anusarani are made of alloy of Iron. Manthra Strings are made of Brass or Bronze mixed with Iron. Tambura is otherwise known as Tambura Tamburi, Tamburr. To get it decorated, the edges of Tendu & sides of bowl are embedded with flowered Ivory or flowered Deer horns. In the centre Idols of Ganesha, Lakshmi, Saraswathi are encrypted. This is called lotus work (Kamala Work). Tanjore Tamburas are known for its decorative works and sweet melody. Famous tamburas are made from mysore, Trivandrum, vijaya nagar, Rampur.

 They are known as miraj Tambura Hindustani Musicians use two tamburas for sruthi. Nowadays electronic tamburas. Digitial tamburas sruthi boxes are very famous. As these  devices are easily portable, tambura may become a piece in museum in future.

ANNAMALAI UNIVERSITY DEPARTMENT OF MUSIC GRADE CERTIFICATE PROGRAMME Syllabus CONTENTS

 

ANNAMALAI UNIVERSITY

DEPARTMENT OF MUSIC

GRADE CERTIFICATE PROGRAMME

Syllabus

CONTENTS

1. JADHISWARAM

2. THANA VARNANGAL

3. ADA THALA VARNAM

4. PANCHARATHNAM

5. KEERTHANAIKAL

6. RAGAMALIGAI

7. DEVAR NAMA

8. ASHTAPATHI

9. DEVARAM

10. THIRUPUGAZH

ANNAMALAI UNIVERSITYJadhiswaram

Composer: Tanjai Ponnaiya Pillai

Ragam: Saveri15th Mela Janyam

Thalam: RupaKam

Arohanam: s r m p d ṡ

Avarohanam:ṡ n d p m g r s

1. Ṡ ; ; ; Ṙ Ṡ || D ; P M G R || S ; ; ; Ṇ Ḍ || SR M P D Ṙ ||

Ṡrg sg rs ntpm || P d ṡ nt pm grsr || sḌ rS pM tP || nD ṙṠ ntp mpt || Ṡ

2. D ; ; ; N D || PM G R M P || D ; ; ; ṘṠ || Ġ Ṙ Ṡ D, Ṙṡ ||

D ;;; PM || GRS R M P|| Dnd pm gr mpdn|| D ṙṡ ġṙṡ dndġr||ṡ DpM grsrmP|| dnd ġ ṙ ṡ ndp mPdṡ||

3. Ṡ ; ; ; ||ṙṘ ṡnd ṡṠ ndp || dD ndp gR ḍD ndp gR ḍ sr || S ; ; ; ; ; || rS mR pM dP ||

NDṙṠ ṇdpmpd || ṡṙġrġ Ṡrṙṡ nd || pdṙṡr D ṡndpm || gR mpd ġR ṡnd ||ṙṠ ndp mgr mpd ||Ṡ

Tana Varnam 1

Ragam: Thodi (8th Mela kartha)

Composer: Pattnam Subramanya Iyar

Arohanam: S R M PD Ṡ

Avarohanam: ṡ n1 p d1 m1 g1 r1 s

Pallavi

: Era nabai indha sowga seya mera kadhu3 ra nasami

Anupallavi

: Maruni kanna Sri vengadesea sugumara nanelu Kora sasuda3

Charanam

: dh3ni madalu indha sahasa melara

Pallavi

ṡ1 , , -ṡ

n2 d-p d

n3 n dp

m4 g – m n

|

ae - -ra

- - na -

- pai - -

- - indha

|

n 5 d p – m

g 6 r ṡ r

|

g 7 mp – g

m8 p d n

||

Sowk - - ga

- - me

|

- - - ya

- - - -

||

ṡ ṙ ġ n

ṡṙ - d n

d – ġ ṙ ṡ

n d p m

|

may - - ra

- - ga -

- thu - -

ra - - -

|

d - - -

, , ṡ n -

|

d pm –g

m p d n

||

na- - -

- - sa -

|

- - - mi

- - - -

||

ANNAMALAI UNIVERSITYAnu Pallavi

nd d n

d d n – g

m - n d p

m g r s

|

ma - - -

ru - - ni

- kan - -

na - - -

|

mg m – p

d n ṡ n

|

d p d n

ṡ , - dp

||

Sri- -veng

- - ga -

|

de - - -

sa sugu

||

dn ṡr

ġ ṙ -ġ ṁ

ġ ṙ -n ġ

ṙ ṡ n d

|

ma - - -

ra – ne -

- - ne -

- - lu -

|

nṡ ṙ -d

n d – ġ ṙ

|

ṡ n d p

m p d n

||

Ko - - ra

- - sa -

|

ra – su -

- la - -

||

Mukthayi swaram

ṡ ṙ ṡ n

d n ṡ

n ṙ n – d

p m g m

|

p d n –d

n ṡ n d

|

n ṡ n - ṙ

ṡ , , ,

|

dn d – ġ

ṙ ṙ - ṁ ġ

ṙ ṡ - n ġ

ṙ ṡ n d

||

nġ ṙ - n

ṙ n –dn

|

d – ġ ṙ n

d m d n

||(era)

Saranam

d , , - n

ṙ ṡ ṡ n

n d p – m

g r s r

|

tha - - ni

ma - - -

ta - -lu

-vi ni -

|

g , , - m

, , - p d

|

n ṡ , - ṡ

n d p m

||

ind - - tha

- - sa -

|

ga sa- me

- la – raa

||

ANNAMALAI UNIVERSITYchittai swarangal

1. g , , - m

, , - g

, , r ,

ṇ , r ,

|

S , , - d

, , - N |

, - S, r

, - G , m

||(Thani)

2. d, n d

d m – gm

d , m –g

, - r s ṇ

|

S, r – g

, m –d n |

ṡ N ,-d

, m g m

||

3. m d n ṡ

, n – d n

ṡ n , - d

ṙ ṡ n d

|

d , m – g

, m n d |

m d n ṡ

d , , - n

||

d m g r

s – d m g

r – s r g

m dn -ṡ

||

ṙ ġ R ,

n –dn d |

m g r - ṇ

s r g m

|| (Tanni)

4. d n d m

g m – n d

m g r s

d m g r |

s g r ṇ

ḍ ṇ r ṇ

ḍ ṇ s r

g m d m ||

d n ṡ ṙ

n d n ṡ

ṙ ġ ṙ n

d n d m |

g r s –g

ṙ n d m

|

g r s –n

s r g m ||(Tanni)

5. S , , - n

d n S ,

, - n d n

N , , - d |

m d n d

, - ṙ ṡ n

|

d , m – g

, m d n ||

ṙ n d m

g r – n d

|

m g r – d

M G r s |

ṇ s r g

m d – s r

|

g m d – m

d n ṡ ṙ ||

ṡ ṙ ġ - n

, n – d n

ġ R , n

d n ṙ n |

, d-m d

n ṡ , d

|

d m ,- g

m d d n ||

ṡ ṙ ġ –n

ġ ṙ - n d

|

m g r - ṇ

s r g m ||

(Tanni)

ANNAMALAI UNIVERSITYTHANA VARNAM

COMPOSER:Thiruvotriyur Thyagaiyar

Ragam: Kedha3ra gowlai (28th mela janyam}

Thalam: Adhi3

Arohanamr: s r2 m1 p n1 s

Avarohanam: ṡ n1 d2 p m1 g2 r2 s

Pallavi : shamitha1 yajada3 manji samayamu vega3 rara

||

Anupallavi

:poo4mi velayu srimadha3thi3 puri nivasa! Srithyage3 ||

Charanam

:nee sadi tho3 ra ne ka3na

||

Pallavi

S 1 , , -n

d 2 p –mp

n 3 d – p t

P 4 , m g

|

Sa – mi

- - -tha

- - ya -

ji - - -

|

R5 , , -g

r 6 s-S

|

, 7 ṇ ḍ p

ṇ 8 s r,

||

ta - - -

- - -maj -

|

- - - -

si - - -

||

mg r-p

m g –r m

p –n d p

n ṡ R ,

|

sa- -ma

- - ya -

- - - -

mu - - -

|

ġ ṙ ṡ - ṡ

, n d p

|

p ,m g

r –m p n

||

Ve - - ga

- - - -

|

ra - - -

ra - - -

||

ANU PALLAVI

ṡ n d p

M , - p n

d P , - n

d p m g

||

poo - - -

mi - - -

- ve - -

- - la -

||

r, , - m

p, - n n

|

d p – n n

Ṡ , , ,

||

yu - - -

sri - ma -

|

- - tha -

thi - - -

||

ṡ n ṡ ṙ

, - ṁ ġ ṙ

ṙ ġ ṙ ṡ

ṡ n ṡ ṙ

|

pu - - ri

- n - -

va - - -

sa - - -

|

n ṡ n ġ

ṙ ṡ - n ṡ

|

n - ṡ n d

p – m p n

||

Sri - - thya

- - ke -

|

- - - -

- … - -

||

ANNAMALAI UNIVERSITYMUKTHAYI SWARAM

ṡ n d – p

n d – pd

P , m g

R , p m

|

P , , - n

d p m p

|

n ṡṙ ṡ

Ṙ , Ṙ ,

||

ṁ ġ ṙ -ġ

ṡ ṙ n ṡ

n - ġṙ ṡ

n d p - ṙ

|

Ṙ , ,- ṡ

n d p,

|

, - m g r

, m p n

||

SARANAM

N , , ,

Ṡ , , ,

n d d p

m g r m

|

Ne - - -

sa - - -

ti - - -

tho - - -

|

p , , ,

, , - n d

|

d p m g

r , m p

||

ra - - -

- - the -

|

ka - - -

na - - -

||

CHITTAI SWARANGAL

1. N , , ,

, , - Ṡ

, , - N ,

d , p ,

|

, , - m

g , r ,

|

, , - m ,

, , p ,

||(Nisa)

2. n d p m

p - ṡ n d

P , -m g

R , - g r

|

g g r – s

, ṇ ḍ p

|

ṇ sr

s

r , r ,

||

mg r r

, - p m g

r m p n

dp, - n

|

ṡ R , ṡ

n d P,

|

m g r s

, - r m p

||(Nisa)

3. d p m g

r- p m g

r –m g r

g r sg

|

r –s ṇḍ

p - ṇ s ṇ

|

sr s – r

m g r – p

||

mg r – m

p n d p

ṡ n ṡ -ṙ

ṡ -ṁ ġ ṙ

|

ṡnd –p

n d p m

|

g r – p m

g r m p

||(Nisa)

4. Ṙ , , ,

, , - n ṙ

ṡ n d p

m p n d

|

Ṡ , , ,

, , - ṙ ṡ

|

, n d p

m p n ṡ

||

n , ṡ n

d p – m ,

p m g r

r p m p

|

mn d – p

d p- p m

|

g r m m

p , , ,

||

p m g r

, r – n d

p M , p

ṡ n d p

|

ṙ ṡ n d

p- n ṡ ṙ

|

n ġ ṙ ṡ

Ṙ , Ṙ ,

||

ṙ ṁ ġ -ṙ

, ġ -ṡ ġ

ṙ -ṡ , ṙ

ṡ n d p

|

n ṡ ṙ ṡ

, , - m p |

d p , - m

ġ r m p || (Nisa)

ANNAMALAI UNIVERSITYADA THALA VARNAM

Composer: Pachimiriyam Adhiyappaiya

Ragam: Bairavi (20th mela janyam)

Thalam : Kanda Jathi ada talam

Arohanam: s g1 r2 g1 m1 p d2 n1 ṡ

Avarohanam: ṡ n1 d1 pm1 g1 r2 s

Pallavi

Pallavi :

viripo4ni nine kori - marulu konnathi3ra

Anupallavi

:sarasudow3 tha2zhinath3 varaga – Sami sri rajago3pala de3va

charnam

: siru navvu monuna

Pallavi

1S , , r

2N , D ,

3N , S ,

4R , , g

5S , R ,

|

Aa - - -

- - - -

vi – ri -

poo - - -

- - - -

|

6g r g g

7R , , ,

8g g r m

9mp d –m

10 p g r s

|

Ni - - -

- - - -

- ni - - -

- - - -

- - - -

|

ṇ sm g

r s - ṇs |

r g s r

ṇ ṇ ḍ ṇ

||

nae - - -- - -ko-

| - - - -

- - - -

||

s g r ṇ

s ṇ ḍ p *

p ḍ p ḍ

ṇ ṇ ḍ p

ḍ ṇ s r

|

re - - -

- - - -

ma - - -

ru - - -

lu - - -

|

p ḍ ṇ s

r g m p

m g r g

m n d p

m g r -ṇ

|

ko- - -

- - -in -

na - - -

thi - - -

- - - -

|

s r g m

g r –gg |

R , , ,

ṡ n d p

||

- - - -

- - - - |

ra - - -

- - - -

||

Anu Pallavi

1. m g r –s

, r ṇ ḍ *

ṡ n d p

m g r g

m n d p

|

- - - -

- - - -

sa – ra -

su - - -

dow - - -

|

m g r –p

m g r s

p ḍ ṇ s

r g - ṇ s

r g m p

|

- - - -

- - - -

tha - - -

- - shi -

na - - -

|

n n d –p

, d m p |

g r g m

p d N ,

||

thva - - - - - - - |

ra - - -

- - - -

||

B

2. ṡ , , ,

nṡnṡ ṙ

*

ṡ n d p

m g r g

sha

|

-do-

/

ka - - -

- - - -

sa – ra -

su - - -

sha

|

n n d p

, d m p |

g r g m

p d N ,

||

thva - - - - - - - |

ra - - -

- - - -

||

ANNAMALAI UNIVERSITY3. Ṡ , , ,

Ṡ , , ṙ ġ ṙ * ṡ n d p

m g r g

Sha

|

ga - - -

- - - -

sa - ra -

su - - -

Sha

|

n n d p

, d m p |

g r g m

p d N ,

||

thva - - - - - - -

|

ra - - -

- - - -

||

4. ṡndpmgrs rgmpdnṡr *

ṡ n d p

m g r g

Sha

|

ga - - - - - - - - - - - - - -

s – r

su - - -

sha

|

n n d p

, d m p |

g r g m

p d n ,

||

thva - - - - - - -

|

ra - - -

- - - -

||

p d n ṡ

ṙ ġ -ṁ ġ

ṙ ġ ṡ ṙ

n ġ ṙ ṡ

n d n ṡ

|

sa - - -

- - - mi-

- - - -

sri - - -

- - - -

|

ġ ṙ ṙ ṡ ṡ n n d

d p - m n

d p –mg

r - g rs

|

ra - - -

- - - ja

ko - - -

- - pa -

- la - -

|

ṇ s r g

m p d n | ṡ n d d

, m – P

|| , - m g r

s r ṇ d *

the - - -

- - - - |

va - - -

- - - -

|| - - - - - - - -

Mukthayi swaram

, , , ,

, , , , * g g r s

r s ṇ ṇ

ḍ ṇ s r

|

ṁ ṁ p p

ḍ ḍ ṇ ṇ

p p p –d

ḍ ḍ - ṇ ṇ

ṇ s s r

|

p ḍ ṇ s

r g m p |

d p m d

p, - n d

||

dd - dp

p m – n d

n –p d n

m p d n

ṡ ṙ n d

|

ṁ ṁ ṙ ṡ

ṙ n ġ ṙ

r g , m

p d – m p

, dnṡ

|

n ṙ , ṡ

nd - ṡ , |

, n d p

p , , m ||

g r – s

, r ṇ ḍ *

(viri)

Saranam

1. , , , ,

, , , ,

*

m , m ,

d p d m

p – gm,

|

- - - -

- - - -

si- ru-

nav - -

- - - -

|

p , , ,

p , , ,

m p n n

d p m g

m n d p

|

vu - - -

- - - -

mo- - -

- - - -

- - - -

|

m g r g

m p d –m |

pm – d,

p , -mp

||

- - - -

- - - - |

- - mu -

ma - - -

||

ANNAMALAI UNIVERSITYṡ n d p

m g r m *

m , n ,

DndPdp

m p g m

|

- - - -

- - - -

si - ru -

nav - -

- - - -

|

-do-

-do-

|

p m – d ,

p , * m p

||

-do-

-do-

|

- - mu -

na - - -

||

Chittai swarangal

1. g , , - r

,s ṇ ,

, - d , p

m , , -p

d , ṇ s

|

ṇ r, - ṇ

s r g m

g m , - n

n d d –n

n d d m

|

m p m – m

, g r g |

n n d -d

,m – m ,

||

-do-

-do-

/

g r s - ṇ

s , r g

(m , m ,)

|

-do-

-do-

/

* (si – ru)

|

2. n n d – d

, n d d

m , , - n

d p m ,

, d p g

|

g r , -g

, m p d

m p , - d

p d n d

n ṡ ṙ ṡ

|

n ġ ṙ -n

, d p d |

m p , - m

g r s r

||

-do-

-do-

/

ṇ ḍ , - ṇ

s g r g *

(m , m ,)

|

(si - ru)

-do-

-do-

/

-do-

-do-

|

p m -d ,

p , , ,

||

-do-

-do-

|

- - mu - ,

na , , ,

||

ANNAMALAI UNIVERSITY3. s , r g

s r g ,

r , , ,

ṇ , s r

ṇ s r , |

s , , - r

ṇ , ṇ ḍ

g , , r

, s – n

, - ḍ , ṇ |

p , , - ḍ

, ṇ s r |

p d ṇ s

r , , ,

||

ḍ p g r

, r - ṇs

r s , s

m g , r

p m , g |

r g , m

p d p m

nnd -d

, n -d d

p - p , m |

g r , -g

, m p t |

m p g m

p , , ,

||

ṇ s ṇ - g

r –mg –p

m –dp-n

d n p d

m p –g r |

g m p – m

p t n ṡ

n ṡ n ġ

ṙġ - nṡ

n ṙ ṡ ṙ |

n ṙ ṡ n

d p d –m |

p d n n

ṡ , - n n

||

ṡ ṡṙ ṙ

ġ ġ - ṁ ġ

ġ ṙ - ṁ ġ

r ṡ -n ġ

ṙ ṡ - nṙ |

ṡn d p

d n ṡ r

m m p p

d d n n

ṡ ġ ṙ - n |

, d - ṙṡ

n, - d n |

d-d n d

d m –m

||

g r s - ṇ

s , r g *

(si – ru)

ANNAMALAI UNIVERSITYPANJARATHNA KEERTHANAI

Composer: Thiyagarajar

Ragam: Nattai(36 Melamana salanattaiyil Janyam)

Thalam: Adhi

Arohanam: s r2gm1pn2ṡ

Avarohanam: ṡn2pm1g1m1R3S

Palalvi

1.PP pNp – pm p m : P

N N Ṡ:

n Ṡ n p m g m

||

ja ga dha na

indha ga

ra ga

//

2. P P p N p – p m P : p n

Ṡ N Ṡ , n

p n ṡ n p m g m

||

ja ga dha na

indha ga

ra ga

//

3. P P p Np – p m n p ṡ nN

ja ga dha na

Ṡ Ṡ , p n Ṡ

in dha ga

p n ṡ n p m g m

ra ga

//

//

4. P P p N p - p Ṡn Ṡ Ṙ

Ja ga dha na

; ṡ n p m R

indha

; g m p n p m

//

//

P P p N p - p Ṡ n Ṡ Ṙ

Ja ga dha na

ṙ ṡṡn n p p m

in indha

m r r s g m p

ma ga ra ga

//

//

1. P P ṡ n p m - R S s ṇ Ṇ

Ja ya ja na gee

P S: S

Pra na

g m p n p m g m

na ya ga

//

ANNAMALAI UNIVERSITY2. P P ṡ n p ṡ - n p m r s m r s

Ja ya ja na gee

Ṇ p S : S

Pra na

g m p n p m g m

na ya ga

//

3. P P ṡ n n p - p m m r r s s ṇ

Ja ya jaa na gee

P P p N p – p m g m P N

Ja ga tha na in

Ṇ P S ; S

Pra naa

Ṡ S ; n ṡ

tha ga ra

g m p n p m g m

na ya ga

Ṡ ; ; ;

ga

//

//

//

//

ANUPALLAI

1. N N Ṡ; - , n p n Ṡ ;

ga ga naa thi ba sa th

P N Ṡ ;

Ku la ja

; ṡ n N , p

//

2. N N Ṡ ; - n p n Ṡ;

Ga ga naa thi ba sa th

P p n N Ṡ

Ku la ja

; ; ṡ n N

//

ANNAMALAI UNIVERSITY3. , p ṡn Ṡ ṙṡ Ṡ - , n p n Ṡ;

ga ga na thiba sath

pp ṡS n p n

kulajara jar a

Ṡ n p m g m p n

Je chvara ra

//

4. p ṡ ṡ n ṠṙṡS ṙ ṡ- ṙṡ- ṡnpnṠ

ga ga na thiba sath

ppṡṠ n p n

kulaja jar a

ṡ n p m Ṙ;

je chva ra

//

m g p m n p ṡ n- ṡ Ṙ ṡ n p m r

suguna ga rasura se iv ya pa

s R s S ;

ivyadhaya ga

; n P m g m

Sa dha sa ga la

//

// jaga

CHARANGAL

1. ss ṇP p p - s s r s s m m r

A ma ra dha ra ga ni sa ya gu mu thagi

R s m r s S - n P p m m P

Bo ja tha thi ba yo thi va sa ha ran a

s m M ; P

pa ri po ir naa

Ṡ ṡ n n ṡ n n

Su indhara tha ra

; p m m p m m

Na ga su su rasura

ṡ n P ṙ ṡ n p

na su tha ma ya va so

vatha

//

//

//

//

,ṡ n p M np -m R p m r S

p rundha govi indhasana in tha ma

p P ṡ Ṡ n p

va ra ja ra p tha su

m r S , m g m

pa ga ra ne ga

//

//jaga

2. ṡ np M n P – m r s N r S

Ni ga ma Nee ra ja im ru tha ja poshaga

s n p R s R

ni mi sh vai ri va

s r s P m n p

ri tha sa mee ra na

//

//

ANNAMALAI UNIVERSITY ṡ n p Ṙ ṙ Ṡ - p ṡ n P m g m

ga ga dhu rang ga sath ga vigrutha ya

p p ṡ S n P

kanitha va na raa

m r s S r g m

thi pana thangri yu ga

//

//jaga

3. P n P n p m – M p M p m g

Indhra nee la mani sanniba pa ga na

G m G m r s

Chanthra

ṇ s G m P

naprame – vaa

//

//

P n p ṡ n ṙ ṡ - M ṙ ṡ n p M

Geen thra jana ga sa le sa su pra na

g m p s n p p n

keinthra sayna sama

p m r s s r g m

na vai ri sa in nu tha

//

//jaga

4. P n p m p N - p M n p m p n

Pa tha vi ji tha mow ni sa pa sa va pa ri

P, m m p M

Pa la vara man

, g m p nP p

th ra krahanalola

//

//

ṆsrS s P – p m r s N p m

Pa ra ma sa intha sit h tha jana ka jaathi

pa

ṡ Ṡ n p n ṡ r

sa ro ja pa va va ra

Ṙ, S n p m

tha ki la

//

//jaga

5. S P M R – s P m R p m

Sh ru shtishththiyathamtha kara ka mi

tha

G m p n p G

Ga ma tha pa la dha

m P m R p m

sa ma na kathra sa

//

//

ANNAMALAI UNIVERSITYR n p m R ṡ - n p m Ṙ ṙ Ṡ

See pa tha nuthapthi ma tha ha ra nu ra

p Ṡ m P r g

ka ra ka ra ji tha

m P Ṡ n p m

ka tha sa ra hi tha

//

//jaga

6. S n p R s m – r s p P m r s

Sa ijjana mana sa ip thi sudha ga ragu

g m p M p n p

suma vi ma na su ra

P ṇ s r S s

Saa ri pu ga ra ipja

//

//

P m r s n P - ṡ n P r ṡ n p

La lit ha sa ra naa va gu na sura gana

,ṁ ṙ ṡ n P r

Ma tha ha rana sa

Ṡm P m g m

Naa tha naa ju nu

tha

//

//jaga

7. S, Ṡ ṡ Ṡ - r ṡ N , ṡ ṡ n p

Om ga ra panj ja ra gee ra bu ra

p p ṡ Ṡ Ṡ n p n

harasa roja pa va

ṡ n p m R n p

ke sa vaa thi ru

//

//jaga

, m R ṡ n p m - ṙ ṡ Ṡ p ṡ

Pa vaa sa pu rip bu ja na ga indha

kakala

, m r s S p P

Tha ra ga laa tha raa

, p ṇ S r g m

Pthkrunaa karasa

//

//

r G m p n Ṡ - , ṡ n p ṡ Ṡ ṁ

ranaaga tha ja na ba la na suma nora

ṁ ṙ Ṡ ṙ N ṡ

ma na nir vi ga ra

p n m P m g m

ni ga ma sa ra tha ra

p m r s

ṇ p S – S, m r s S

Ka ra thrudhasa raj a la su ra ma tha

p N n p n ṡ ṙ -, r m p n P p

ka vi na bi la ja mow ni ikrutha sa rith ra

p m r S n P

Pa ha ra naa va nee

ṡ n p m R n p

sa in nu tha srith ya

, p m r S p m

Su ra su raa va na

m r S, m g m

ka ra ja nu tha

ANNAMALAI UNIVERSITY p P n p m n p – m M p m g mr

Pu raa na pu ru sha inthru va raa thma

ja charitha

s R s m g p m

pa raa theee na ga ra

n P m g m p n

vi raa tha raa vana

P Ṡ ṡ ṙ ṡ ṁ ṙ - ṡ Ṙ ṡ n p M

vi raa va naa nag a p ra sa ra ma no

g G m p ṡ n p

ha ra vi ik rudhathya

m Ṙ s s r g

ga raa ja sa in nu

tha

p p n p p n p p – m P n P, n

a ga nitha ku na ga na ga lela sa la

p p m M p M

vi tha la naa ru naa

n p M ṡ n p m

pa sa maa na sa ra

naa

P m g m P, -m r s p m r s

Pa ra ma hi ma th but ha su ga vi ja na

np m r s ṡ np

paru thsathanasuramu

m r s p m p s r

ni ga naavihitha kala

s P n s r S – m r s P m r s

sa ni ra ni thija ra ma na baa pa kaja

n P p ṡ n P

inrusimha va ra thya

ṙ Ṡ Ṡ n p m

ga ra jaathi nu tha

ANNAMALAI UNIVERSITYKEERTHANAI

Composer: Muthuthandavar

Ragam: Kamboji (28th Janyam)

Thalam: Rupakam

Arohanam: s r g m p d ṡ

Avarohanam: ṡ n d p m g r s

Pallavi

Arumarunthoru thanimarunthidhu

Ampalathe kanden

Anupallavi

Thiruma runthudan padum marunthu

Thillai yampalath thadum marunthu

Iruvi naigal arukku marunthu

Ellai yadiyark kirangum marunthu

-(Arumarun)

Charanam

1. Konrai thumpai anithu marunthu

Kothai methyl padarnthu marunthu

Mantru lenin tradum marunthu

Manika vasagar kanda marunthu -(Arumarun)

Indira ranavar vanavar potrum

Irudi kalthamk ketta marunthu

Chandira suriyar gana marunthu

Thane muraithuth thazhaitha marunthu – (aurmarun)

3. Thirithi thithiyen radum marunthu

Devathi moovargal gana marunthu

Karuthaith thiruthi irundhum marunthu

Kalanaik kalal uthaitha marunthu – (Arumarun)

ANNAMALAI UNIVERSITYPallavi

1.

D Ṡ

=

ṡ n D P p m

|| P d ṡ

=

d p m g r s R

||

Aru

=

ma. Runthoru || thani

=

marunthini

||

p m g r =

g r s ṇ P D

|| S;

=

; ; r g m p

||

am, pa,

lath the, kan de

=

n . . . . .

||

2.

D Ṙ, ġ =

ṙS , n d P p m || P D ṙ ṡ

=

ṡ dPmG rsR

||

Aru, ,

ma..run..thoru. thani , ,

=

ma, ru n thi thu ||

p m g r =

g r s ṇ P Ḍ

|| S;

=

; ; r g m p

||

am, pa,

leth the, kan. De

=

n . . . .

||

3.

D Ḋ, ṁ =

ġ Ṙ, Ṡ n d p m || P D ṙṡ

=

ṡ dPmG r s R ||

aru ..

ma.. run . thoru. thani. .

ma. run thi. Ni

p m g r =

g r s ṇ P Ḍ

|| S s r

=

g m p d m g p d ||

am pa.

la th the. kan. de,

=

nn…

Anupallavi

;m g =

P D Ṡ Ṙ

|| ṡ d Ṡ

=

Ṙ ġ ṁ G ġ ṙ Ṡ

||

.thi

marun thu dan pa. .

du m ma . . rundu

ṡ d Ṡ =

Ṙ. ġ ṙ Ṡ , ṡ n D || P d ṡ

=

d p m g P D

||

thil lai yam

. . . . pa . lath dha. .

du m ma. Rundhu

P D

=

Ġ, ṁ ġ Ṙ S n d || M M

p d S ṡ ṡ n d

||

Iru

vi..nai..kal.

a ruk

ku m marunthu

||

P d ṡ =

d p m g r p m g || g r S

=

r g m p n d d m

||

E zhai

ya. ti.yark ki.

rangu kum

ma. run.du… (arumaruthoru)

ANNAMALAI UNIVERSITYCharanam

1.

; p d =

Ṡ ṡ ṡ N D

|| N D

=

D p d pd Drṡ

||

,kon

raidhum, pai

a nin

tha ma. ma rundhu…

ṡ N d dṡ

n d P; P

|| p m P

=

dnD P m g M

…ko.

thai. mee thil

||pa. darn

tha.. ma ru n dhu

2.

; p d

=

r ṡ ġ ṙ ṡNd D

|| N D

=

D p d p d Dṙṡ

||

,kon

rai. thum. pai a nin

tha ma. ru n dhu. .

ṡNd dṡ=

n d P ;P

|| p m P

=

Dnd P m g M

||

. . .ko

thai. mee thil

pa. darn

tha. . ma ru in dhu

m G =

P D Ṡ Ṙ

|| ṡ d Ṡ

=

Rġṁ g ṙ Ṡ

||

mandru

le. nin.

ra . .

du ma..ru in dhu

D Ṡ

=

Ṙ , ġ r Ṡ

|| P d ṡ

=

d p m g P D

||

Ma nik

ka..va.. sa kar kan..

da. ma. rundhu

(arumarundhu)

ANNAMALAI UNIVERSITYKEERTHANAI

Composer: Arunachala Kavirayar

Ragam: Natai (36th Janyam)

Thalam: Adhi

Arohanamm: s rm m p n ṡ

Avarohanam: s n p m g mR s

Pallavi

ṡnP, M R S, g M | P ; ; ;

|

; ; g M p N

||

vi na yaga . . sa ra nam . . .

ja ya ja ya

||

ṡ n p n ṡ n p m r r S, g M | P ; ; |

ṡ n p m g M p N

||

vi. na . . . ya ga,

sara nam

. . . . . . . . .ja ya ja ya ha

ṡ r ṡ n ṡ n p m g m r r s – g m | P ; ; ṡ |

n p m . g M p n

||

vi. na . . . ya ga, sara nam . . . . . . . . .ja ya ja ya

ṡ n P ; M R S m g p m

| n ; ; ; |

; ;

; ;

||

vi. na. ya ga sara

nam

. .

. .

Anupallavi

p P m r s g m P ; ; ;

|

; ; ; p n

| Ṡ, n P ;

||

Anadha ra tchakarane . . .

. . .

. . . . .

p P m r s g m P npṡ nṠ | p n ṡ ṙ Ṡ ; | ; ; ; ;

||

Anadha ra tc ka ra gane gajamugane iyangara ne . . . .

p P m r s g m P n p ṡ n Ṡ ṙ ṡnS - p n ṡ n p m r s g m

||

Anadha rat karagane gajamugane iyangarane siva sangaran magane

p P m r s g m P npṡn Ṡ

| Ṙ ṡ n Ṡ - p n | ṡ n p m g m p n

||

Anadha rat karagane gajamugane iyangarane siva sangaran magane

1.

P m R S g m P, P n pm | P P n – P P n - P m | g m p n Ṡ Ṡ ||

Anbiladha peyan enudaiya arivu villangave thunaivaruvaye

2.

P m R S g m P, P n P m | ṁ g m p ṡ n Ṡ | ṡ n m p Ṡ Ṡ

||

Anbiladha peyan enudaiya arivu villangave thunaivaruvaye

3.

P n ṡ r Ṡ Ṡ

ṡ m Ṙ Ṡ | ; ; ; ; | ṡ n P m g m P n

||

En kula deivam nee . ye…. . . . . . . . . . . . . . . . .

4.

P n ṡ r Ṡ s ṡ m R S ṡ ṡ | ṡ r ṡ n ṡ n p n | ṡ n P m g m P n

||

En kula deivam neeyo . . . indha rama na-dagathukurul purivaye

ANNAMALAI UNIVERSITYKEERTHANAI

Composer: Anaiya

Ragam:Saveri

Thalam: Rupakam

Pallavi

varimamaa enmeethil dharmavarthneeswari

Anu Pallavi

karmam vilakum nirmalasivakarani ennaik kaka inamum

Charanam

Anjavayathu muthalayunadhu kanjamalar patham thanaiyan

Thanjamendre anjathuazhikum nejagam arirthum

Konjim sugamozhiyaintha vanjagam seivathen niyayam

Panjanathisarkuntha panchatsari kanparka inamum

Pallavi

; P D Ṡ ; ;

||

Ṡ ; ṠP D;

||

Var ma maa - -

||

en mee - - -thil-

||

;M P ; D ;

||

P

M P

||

-thar ma –sam

||

varthani – swa

||

Nm PD ṙṡṘ ;

||

Sṙ ṡnP D;

||

ri. Var ma maa. . .

en – mee - -thil -

;p m P D Ṡ

||

m P dpmgr

MP

||

-thar-ma –sam-

||

var- tha – nee- swa

||

dm P D Ṡ ;

ee- var ma maa—

ANNAMALAI UNIVERSITYAnupallavi

; ṡ r Ġ

Ṡ Ṙ Ṙ

||

Ṡ ; ṡr Ṡ npD

||

-kar –mam

vilakum

||

nir – ma – la – si – va ||

; p D ṙ Ṡ

n p D

||

P ; P p m d p D

||

-ka – ra ni

en. Ik

||

ka. ka en-na –mum

||

; ṡ ṙp ṁ ġ ṙ ġ ṙ Ṡ

||

Ṡ ; ṡ ṙ Ṡ n p D

||

-kar- mam. Vi. lak. kum

||

nir. ma- la

si-va

||

; p D ṙ Ṡ m p D

||

s r m p D ṙṡ n d p m ||

- Ka- ra ni en.ik

||

ka - - -kka in- na –mum ||

Chittaiswaram

p d Ṡ, n d p m p d m

||

gr s r g s r s n d g r ||

S ; s n d r s d p m

||

d p ṡ n d r s n d m p d ||

ṡṙġ dṡr pdṡ mpd

||

rmp sr rm md d ṡ ṙ

||

pṁġ ṙṠ ṡnDp

||

D pmGrS p ḍ s

||rm (dharma)

Charanam

; P P P P P

||

D P P pm d p D

||

- anju va yadhu

||

mu dha la yu na – thu ||

;P mp dp D;

||

p d. dPm G S R

||

-kan ja- ma- lar

||

pa – tham—tha nai yan ||

; s Rg SR;

||

S; S ṇḍ grS

||

-than –sa mender

||

anj- si dhu –thik –kum ||

;sR mM pd pd

||

M P ; ; ; ;

||

-nej. sugam a- rin

||

dhum- - - - -

; p D m P R M

||

P P pmdp DD

-konj-ci dum su ga

||

mo zhi ya - - yintha

| ; p m P D Ṡ Ṡ

||

ṡndmd D Ṡ ; Ṡ

- vanj- cha gam sei va

||

then---na niya – yam

| ; P D ṡ ṙ Ġ R

||

Ṡ Ṡ ṡ n P D ;

; pan cha na- thee -

||

sar ku kan-,

tha-

ġR Ṡ ṡn D M

||

P D Ṡ ṙ ṡ n p D

|pan- cha- tcha- r kan

||

pa- rka in –na- mum

|

“

||

P D Ṡ ṙ ṡ n d pm

|

“

||

Pa – rkka in- na –mum

ANNAMALAI UNIVERSITYKEERTHANAI

Composer: Thanjai Sivanantham

Ragam : Ananda Bairavi

Thalam: Rupakam

Pallavi

Kapathuve unadu baram

Anupallavi

Vaipadhuve unadhu arul

Vaithil vazhachidu

Charanam

Inbamenbadhai ariyadha

Ezhaiyenai mayangidamal

Nin puhazhai padidave

Nenjil urai thanjai prugathesa

Pallavi

P; pgM P;

||

MPM pmgr gm

||

Kap- pa- dhu ve.

||

u na dhu pa--- ram

||

P; ṙ ṡnd P, m

||

gmP M pmgrgm

||

Kap- pa- dhu – ve - -

||

u –na dhu pa- - - ram- ||

p dpṠ nD P;

||

kap--- pa du ve

Anupallavi

S; | Ṡ Ṡ N ;

||

Ṡ ṡn Ġ Ṙ Ṡ ||

Vai- ppa dhu ve

||

u na- dhu a rul ||

ANNAMALAI UNIVERSITYS; | ṡnṙṡ ndP

||

Mg P m p mgrm

||

Vai- ya – ga- --thil

||

va- zhach- chei - - -dhu ||

n ṡ Ṙġṙ ṡn rṡndP

||

m g pmdp M pm grgm ||

hava - - - - ya- ga---thil ||

Va- --zhac – chei-- --dhu-||

Chittaiswaram

P;, dpm grsn ||

sgr smgr spgmr

||

S;, P;, Ṡ

||

;, ṡndpm grgm

||

pD mP gM grs ||

ṇsgr gmpd pṡnṡ

||

ṁġr nṙṠ ndP d ||

P mgR sGrgm

|| (Kapadhuve)

Charanam

P ; M G R S

||

Ṇ Ṇ s mgrS;

||

In- pa menba thai

||

a ri ya - - - tha-

||

SGṘ G ; M

||

gmP Mpmgr gm

||

Ee –zhaiye – nai

||

N N Spm gr S;

||

In- pa- men - - - pa –dhai ||

a ri ya - - - -tha-

||

SGR G; M

||

gmP M p mgr gm

||

Ee –zhai ye –nai

||

ma yan kida - - - mal

||

S ; Ṡ S N;

||

Ṡṡn Ġ Ṙ Ṡ

||

Nin- pu ga zhai-

||

pa-- di da ve

||

S; Ṡ Ṡ ġ Ṙ n

||

Ṡ Ṡpṁ ġṘṠ

||

Nin- pu ga zhai- -

||

pa - - - di dave

||

N Nṙṡn d P P

||

M g Pm pmgr gm

||

Nen chilu -rai- thanjai ||

pru – ga- thee- - - sa-

||

n ṡ RġṙṠṙṡ nd P P ||

m g p m dp Mpm gr g m ||

nen-chil--u - -rai- thanjai ||

pru--- ga- thee-- - -sa- || (Kapavadhuve)

ANNAMALAI UNIVERSITYKEERTHANAI

Composer: Thiyagarajar

Ragam: Bairavai {20th Melam Nada Bairaviyil Janyam}

Thalam:Rupakam

Arohanam: sr2g 1m1pd2n 1ṡ

Avarohanam: ṡn1d1pm1g1r2s

Pallavi

1.

;r g M; R S

||

R; R G g r R

||

U pa sa ra mu

||

R; RG g r R

||

;rg M P D P

||

R; R G g r R

||

runna -ra ni

||

ma ra va ku ra-

||

2.

rg mp pmG R S

||

R; RG gr R

||

u- pa- sa – ra mu

||

R; RG gr R

||

;r g M PD P

||

mg pm dp mg R S

||

ru n na – ra ni

||

ma- ra- va ku- ra-

||

3.

rg pm- pmG RS

||

R; RG gr R

||

u-pa- sa- ramu

||

je se- va -

||

g g rs – rgmp dn ṡr

||

ṡn dp - mgdp mg r S ||

ru inna –ra – ni

||

ma- ra- vagu -ra - -

||

rg mp - pgGR S

||

R; RG gr R

||

Lee- pa- sa – ra mu

||

je se- va-

||

g g rs - rgmp dnṡṙ

||

ġṁġr ṡn dp – mg rg ||

ru inna – ra – ni

||

ma-ra va- ku- ra-

||

mp p r ṡ ndp mg rs

||

rg gm mp mpdp mgR ||

--u pa sa - - ra – mu

||

je - - se- va-

||

R; R; Rgr sn

||

S ; S; S;

||

- - - -

||

- - - - - -

||

ANNAMALAI UNIVERSITYAnupallavi

1. ; d n Ṡ ; Ṙ Ṡ

||

ṡ n ṡ n ṙ Ṡ n D P

||

Kru pa ga va la

||

na- ni- ne - - - ni

||

2. ;dn Ṡ ṙṡ Ṙġṙ Ṡ ||

ṡn ṡnṙ ṡ ṡnD P

||

-kru pa ga va-

||

na – ni - - ne – ni -

||

m p dn ṡṙġṙ ṡndp

||

mg pm dp mgR S

||

Keer – thi – ni pal-

||

ku –se in –da ga

||

-(ubasaramu)

Charanam

;pD n D P ;

||

; pp dp pmM ; ||

Va- ki da ne

||

pathi lamu ga -

||

;N N ; N N

||

;dn Ṡ, nD P

||

Vadha th ma jun

||

runa -ra ni

||

;dN ṡ N DP

||

mg pm dp mg RS

||

Sri - ka ru la gu

||

nee- tham- mu – lu-

||

; r gmp dp m grg

||

pm dp pdN DP

||

je – ri – yu n -

||

naa - - - ra ni

||

;N N ; Ṙ Ṡ

||

ṡ n ṡn ṙṠ nD P

||

ea kan tha mu

||

na – nu – ja - na ki

||

;pm dp m gRG

||

m p dp pdN D P

||

Ear – pa - di

||

yun - na – ra ni

||

Anupallavi Pol Padavum

; sri kandha

||

parulellani

||

Sri thyaga

||

rajavinudha

||

-(ubasaramu)

ANNAMALAI UNIVERSITYKEERTHANAI

Composer: Uthukkadu Venkada Subaiyar

Ragam : Suruti

Thalam: Adhi

Pallavi

Parvai ondru podume – sanga

Padumanithi irandum valiyath thandalena kallap

Anupallavi

Karmugil polvanna kathirenna mathiyenna

Karvizhik kadalinaik satre thirandu karunai mazhaipozhinthen

agam kulirum kallap (Pa)

Charanam

Annai yasodhai aruginile sendru – ivan

Vennaith thirudivanda vindai sollap ponal

Annaiyin pinne sendru anainthu kondu nindru

Solladhe endru kannal sollidum kallap (pa)

Pallvi

1. ; ; M – mmg – R,mS –RpM

P;--;,

;pr rmP

||

..par vaion- . .tru po.dhu

me.--…

.kal.la…

||

pnn- Mmmg – R, mS – RpM

mnnP, -- ;M

rpgm – rsrm

||

..par vaion- . .tru po.dhu

me.--…

.kal.la…

||

pnn- Mmmg – R, mS rPpr

rMg – mPm

P,d nd- mpM

G

||

par vaion- . .tru po.dhu

me.--… … … … … san …ga

||

rsrMp. N N, dnṠ

;n Ṡ- n d P, n

pmM g R ppm

||

…padhuma – nidhi irandum

.vali –ya . than . . .

tha…len.na

||

2. pṡs- ṡnNP-mg-R,mS-RpM

rMg, mPm

P, dnd-pmM G ||

kal. la – par . . . vaione.ru . . . podhu

me… … …

… … -san –ga ||

rs - rPm – NN, dnṠ

S, nṠ nd P. n

pmm – Rppm ||

…padhumanithi irandum

.va li ya. Than -

tha… … len. na ||

ANNAMALAI UNIVERSITY 3. pṡṡ ṡnNP - mg – R, mS – RpM

m.ngpdṡ ndP

; ; ; ;

||

Kal. la – par vaione. rupodhu

me… …

…

||

Anupallavi

Ṡ, nD – P, n – MM

; m P, ṡṡn

ṡṠ ṡ. . Ṡ

…karmugil-po. lan, na

, ka thi ra en na,

mathi yan, na

Ṡ, nD – P, n – MM

; m P, ṡṡn

ṡṠ ṡ. . Ṡ

…karmugil-po. lan, na

, ka thi ra en na,

mathi yan, na

3. nṡ-rṁR - MṡND – P n MM

; m p ṡṡn

ṡ Ṡ Ṡ Ṡ

…karmugil-po. lan, na

, ka thi ra en na,

mathi yan, na

nnnn-nnnd-NṠ ṡ Ṡ ṡ

pṡṡ n d p P

prrM-ppp p ṡ ṡ ||

karuvizhi kadalinai satre – thirandhu

Karunaimazhai po

then angan kulirumka il, la ||

Charanam

1. nD - P ; - P

; m P nng

p m M ; M g R

. .an naiya so – dhai

.aru ki ni

le . . . sen.dru

mS – r m m M – MM – mgr

mS – R m P

mp ṡ n d P P

. . vennaithi – rudi – van. Tha vindai sol

lap po . . . naal.

2. ; ;pṡ nD P;- P P

;mP n n d

pmM; Mgr

. .an.naiya …so…dhai

.aru kini.

Le… …cendru

mS - rmmM – MM – mgR

mS-R m P

P, mp -ṠndP

. . vennaithi – rudi – van. Tha

vindai sol

lap po . . . naal.

ANNAMALAI UNIVERSITY 1. ..Nṙṡnd P – p P n – M P

;m P ṡ n D

N. S. Ṡ

..an. nai. Yin – pinne sendru

;anaindhu kon

du, nin, dru

2. ṡn ṡ ṙ. ṡ,ndP; -pPn – M P

;m P ṡ n d

N; ṡ, Ṡ

..an. nai. Yin – pinne sendru

;anaindhu kon

du, nin, dru

3. nṡṙ. ṁRṀr. ṡND – pPnMP

;mPṠ n d

N, Ṡ, Ṡ

..an. nai. Yin – pinne sendru

;anaindhu kon

du, nin, dru

N, N, N-N N – p n S

; , ṙṡnd P

; ;Prm pnn ||

Sol la. thea endru – kan. nal

..il –sol. Lidum

. . kalla…(parvai)

N . N. N – N N – nppn

ṡṙṡ - N. ṡ n d P:

; ;-Prm pnn ||

Sol la. thea endru – kan. nal

..il –sol. Lidum

. . kalla…(parvai)

________________________________________________________________________

KEERTHANAI

Composer: Gopalakrishna Bharathi

Ragam: Piyak {29th RAGA JANYAM}

Thalam: Adhi

Arohanam: s g2 m1 p n2 d2 n2 Ṡ

Avarohanam : ṡ n2 d2 p m2 g2 m1 G2 r2 S

Pallavi

Adunj chidamparamo iyan kooth

Thadunj chidamparamo

Charanam

1. Adunj Chidambaram anbar kalikave

Nadunj Chidambaram namasivayap porul

2. Aaru mariyamal ambala vaananar

Siradi yarparkach sevadi thukiye

3. Bala krishnanpotrum panimathich sadaiyinaar

Thalamath thalampodath thaththaith thom endru

ANNAMALAI UNIVERSITYPallavi

; - Ṡ, n D P ; - G M

| G ; ; ;

| N D Ṡ Ṡ

.- aa. dunj chi tham - ba ra

mo. . .

| i. ya en koth

n Ṡ n D P ; - G M | G ; ; ;

| m m g r S S ||

.-tha. Dunj chi tham – bara mo . . .

i. . . yan koth

ṇ S g M P ; - G M

| G ; ; ;

| N D S ; ;

||

. – tha. Dunj chi tham – ba ara mo . . . i . ya en

Anupallavi

;- N, d P N ; N N

| ; - Ṡ , ṡ S | Ṡ ; Ṡ Ṡ

||

.-aa. dunj chi tha m ba ram

.- a en par ka li k ka ve

; - N,n N Ṡ ; Ṡ R

| Ṡ N D P

| g m P p d N ||

. –na . dunj chi tha m pa ram | na mach si va . . yap po. rul

Ṡ. . n D P ; G M | G ; ; ;| N D Ṡ ;

.-aa. dunj chi da m para mo… i. ya en

_________________________________________________________________________________

KEERTHANAI

Composer: Mayuram Vichvanadha Sasthiri

Ragam: Hemavathi (58th Melam)

Thalam: Rupakam

Arohanam: s r2g1m2pd2n1 ṡ

Avarohanam: ṡ n1 d2 p m2 g1 r2 s

;d N d P P P

|| pmG G G R S ||

Sivanukinaiya

se…ye sevvel

;sRg M; P

|| D ; ; nṡ nd nd ||

Sivanukinaiya

se…ye sevvel

;sRm M; P

|| D ; ; nṡ nd nd ||

Silampane nee va . . va. . va

ANNAMALAI UNIVERSITY2. pm p d N D PPP

|| dpmrGgrR S ||

..sivanukiniya se..ye sevvel

3. pm p d N D PPP

|| dpmrGfrR S ||

..sivanuknaiya

se..ye sevvel

;sRgM ; P

||

dnṠ ; ṡ ṡ ndn ṡ ||

Silambane nee va

…va . .va

4. pm p d N D P P P ||m p Dpdnd pmgrRS || ;sRgM ; P

|| dnṠ ; ṡ ṡ ndn ṡ

..sivanuknaiya

se.. . . . .ye sevvel Silambane nee va …va . .va

Anupallavi

1. ; dD nṠ Ṡ ṡn

||

Ṡ ; ; ; ṙṡ n d

||

Kuvalayath il kon

da . . . dum . .

2. p m nD nṠṠṡn

||

Ṙ, n Ṡ, n ṙ ṡ n d

||

Kuvalayath il kon

da . . . dum . .

p m n D nṠ Ṡ ṡ n ||

Ṡ; Ṡ Ṡ , ṡṠġ ṙ

||

. .kuvalayath . thilkon

da. dum see ir ik ka thi ir||

ṙ ṡ nD nṠ Ṡ nṡ

||

Ṙ; Ġpṁġ ṘṠ

||

. . kuvalathil kondadum

seer. Karthir

Ṙ ; Ṙ ; ġrṡn

||

Ṡ ; ; n ṡ ṙ ġ ṙ ṡ ṙ

||

Ka magan . .

||

tha . . . . . . . .

||

Charanam

1. P P P pmgrS

||

rgrgsR, srgm

||

Nath. Prastha . . ramum

nee . . . ye . . .

2. pdndP pmgrS

||

rgrsR, grsṇ

||

nath. Prastha. ramum

nee…ye..nangu

3. PDdnṠRn

||

Ṡ; Ṡ ; n dpm

||

Podha. ongaramum

nee.ye. aa. thma

4. PD dnṠ Ṇ

||

Ṡ; Ṡġṙ ṙṡ nd

||

Podha. ongaramum

nee. ye. . . aa

5. PDdn Ṡ Ṙ Ṙ

||

ṘĠpṁĠ ṘṠ

||

Podha . ongaramum

nee..ye..viswa

6. ṡn ṙ ṡ ṡṡndpmP

||

pd pdN dn Ṡ nṡr ṡndpm ||

gee.tha. lang garamum nee. . . .ye . . . . .aa. thma

7. ṡnṙṡṡṡ ndpmP

||

pd pdN dnṠ nṡṙṡ ṡndpm||

gee.tha. lang garamum nee. . . .ye . . . . .aa. thma

8. ṡnṙṡṡṡ ndpmP

||

pd pdN dndnṠ nṡṙṡ nd || pm

gee.tha. lang garamum nee. . . .ye . . . . .aa. thma(Sivanukinai)

ANNAMALAI UNIVERSITYRAGAMALIGAI

Composer:Tharangapadi Panchanadha Iyer

Thalam: Adhi

Pallavi

Arapimanam vaitharipparennai Anandha bairavi

Anu pallavi

Paril unaiyallal parama kalyani

Yarilthinil solven hamsathvani sivagamsundari

Charanam 1

Sandhamum nan sarangapani deviyin

Saraname kadhiyendru samaja kamini

Sindhanai seiya jaganmo ha narupini

Sithamirang kinalenna sri lalithampa

Charanam 2

Thapangal theerume un dharpar magimai solla

Tharama ennalamma parama baavani bairavi

Kaapatra venumennai karunapurithanaya nee

Kadaikannal paramma kamalamanohari

Arabi

; s ṇ ḍ s R R m g R M

|

P ; D P

|

p p m g r s R

||

-aa – ra pi ma – namvaith

|

tha – tha rip

|

pa - - - ren –

nai

;s ṇ ḍ sRs r m g r s r m

|

p d ṡ n D P

|

d p m g r s R

||

-aa – ra pi ma – namvaith

|

tha – tha rip

|

pa - - - ren – nai

ANNAMALAI UNIVERSITYAnandha Bairavi

;s Ṇ s G R m g p m g r

|

r g r S ;

|

; ; ; ;

||

-aa – nan – tha bai - - - ra -

vi - - - -

|

- - - -

||

Anupallavi

Kalyani

; , Ṡ ṡ ṡ n P

p n d p m

|

G mP d P

|

D, N, Ṡ

||

-Pa ril u nai- yal – lal -

|

- pa ra magal |

ya - - ni

||

; Ṡ ṡ ṡ n dnṙṡṡnD, ppm

|

sha

|

sha

||

-pa ril u –nai- - - - - yallal

|

sha

|

sha

||

Hamsathwani

; , Ṡ ṡ ṡ n P p n d p m

|

G mP d P

|

D, N, Ṡ

||

-pa ril u –nai - yal – lal-

|

- pa ra magal |

ya - - ni

||

;c Ṡ ṡ ṡ n dnṙṡṡnD, ppm

|

sha

|

sha

||

-pa ril u – nai - - - - yallal

|

sha

|

sha

||

Hamsathwani

; , N ṙ ġ p ġ r ṡ n P Ṙ

|

; Ṡ Ṡ n p

|

n p G r N g

||

-yari da –thi – nil – solven

|

ham sa thwani |

si va ga ma sund||

Ṙ, N ṙ ġ p ġ r ṡ n p ġ Ṙ

|

sha

|

sha

||

ri, yari da – thi – nil – solven

|

sha

|

sha

||

Chittai swaram

Hamsathwani

R g g p p n n Ṡ n ṡ n ġ R

|

ṡ Ṙ ṡ ṙ ṡ n p

|

g P g p g r s

||

ANNAMALAI UNIVERSITYKalyani

R s ṇ Ḍ ṇ s r G m p m D

|

n ṡ ṙ Ṡ ndn

|

ṡ N d p m g r

||

Anandha Bairavi

S ṇ s G r G M P g m p d p |

ṙṠ ndp dp

|

,mgr pmgr

||

Arabi

n s R, m g r P, m g r M

|

g r d d p m p d |

Ṡ n D P M

||

gr-(Arabimanam)

Charanam – 1

Saranga

;S r S P ; ; ;

|

; ; ; ;

|

p; m R g m R ||

--sa in dha dha mum

|

- - - -

|

- - - nan.

||

;, S r S P : P

|

; m P d P

|

m d p m R g m ||

- -san dha dha mum – nan-

|

-sa – ranga

|

pa – ni – devi ||

R, SrS P; pmpd pmM

|

;p D N ṡ

|

ndpm R g m

||

yin-sandha dha mum- nan - - -- |

-sa – ra nga

|

pa- ni – devi

||

Sama

R ḍ S r M P pm D D

|

; Ṡ, d P

|

P, m m g R

||

yin sa ran a me ga thi- endru

|

-sa – ma ja

|

ka - - mi – ni

||

ḍ S r M P p m D D

|

;D ṙ ṡ ṡ d P

|

m p d m p m m g||

-sa ra name ka thi – endru

|

,sa - - - ma ja |

ka- - - -mi ni - ||

ANNAMALAI UNIVERSITYMohanam

R, G p D Ṡ Ṡ Ṡ Ṡ

|

; , ṙ ġ ṙ Ṡ

|

ṡ d ṙ ṡ d p D

||

---sindha nai sei ya ja kan

|

--mo-ha na

|

ru- - - bi-ni

||

;, Gpd Ṡ Ṡ ṡṙ ṡṙ Ġ

|

Ṙ rġp ġ ṙ Ṡ

|

ṡdṙṡ dp Dṙṡ

||

--sindhanai seiya ja – gan - -

|

mo - - ha – na |

ru- - - pi – ni- - ||

Lalitha

D sR g M D dm dnṠ

|

; ṡ ġ ṙ ṡ N

|

dnṡn dm G

||

-sithamirang kina- len na

|

-sri – la li

|

thaam- - - - -ba ||

Chittaiswaram

Lalitha

M d

g m d s g m d n s g m n

|

D, ṡnD ṙ

| ṡnd ġṙṡnd ||

Mohanam

P d g p d ṡ ṙġ ṡṙ dṡ p d ġ

|

Ṙ, ṡṙġr d

| ṡ ṙ ṡ pdṡd ||

Sama

pdṡdpM pdmgr srg s

|

R, ḍḍ ss r

| rmm pd dpm ||

Saranga

pdnṡ Ṙṡ, Dpm rgmrs

|

Rs Pm nd

|, pm rgm rs

||

,s-Arabimanam

ANNAMALAI UNIVERSITYCharanam – 2

Dharbar

;dnpP pmR rm srS

|

;nsR, p

| R, m R, m srS||

- -tha- pangal thee—ru –me –un

|

-dhar – bar ma | hi-mai- sol- la ||

;n s ggrg mpdn ṡrġṁ

|

;m p d np pd

| dpmr rmrm srS ||

-dha- pangal thee ru- me un

|

-dhar - bhar – ma | hi--- mai--- sol-la||

Bairavi

;nsG, r gmP

dnṡD

|

;Sṙ NṠ PdMp | gM pm grS

||

-tha ra ma- ennaa-- lam – ma

|

-pa-ra-ma- pa | sha

||

;n s ggrg mpdn ṡrġṁ

|

ġṙṠṙ Nṡ PdMp | sha

||

-dha ra ma en- laa--- lam ma

|

- - pa-ra-ma

| sha

||

Poorvi kalyani

;SSn ṇḍ Sr grG

|

;g mP pm

| dm mg gr gmpm

||

-kappatrave-ve-venumen-nai

|

karunapu-

| ri- tha- na- ya - - -

||

Kamala manohari

gr gM p N Ṡ; ġṡĠ

|

;ġṁ ġṡ Ṡ

| nṡ nd P pmG

||

nee- kadaikannal pa- ramma |

-kamala- ma

|no---ha ri - -

||

Chitaiswaram

Kamalamanohari

Gmp nṡġṠ, ndp mgpm

|

G, sgmpn

| Ṡnd pgms

||

ANNAMALAI UNIVERSITYPoorvi kalyani

ṇ Ḍ srgrG mpdpṠ n

|

D, ġ ṙ npm

| g npm grgr

||

Bairavi

ṇS grg mpd mpdnṡṙ

|

Ṡ, P, ġṙ

| ṡnd pmgrs

||

Dharbar

rmpDp mpdnṡ pdnṡṙ

|

Ġ Ġ ṙ ṡ N

| N dp gG

||

rs (Aarabimanam)

DHEVAR NAMA

Composer: Purandharadasar

Ragam: Jonpuri

Thalam: Adhi

PALLAVI

Rama mandhra jabi so he – maguja

Anupallavi

Aa mandra emanthra jabisega daluvetta

Soma sekara thanna bamekepalidha manthra

(Ramanthrava)

Charanam

Sagala vedhak kalike saara vedippa manthra

Mukthi markaga idhe moola manthra

Patta rasagi onna patta thoruva mandhira

Suuga nithi purandhara vittalana maga mandhra

(Ramamanthrava)

ANNAMALAI UNIVERSITYASHTAPATHI

Composer: Jeyadevar

Ragam: Panthuvarali{51th melakartha}

Thalam : Adhi

Arohanam: sr1g 2m2pd1n 2ṡ

Avarohanam: ṡn2 d1 pm2 g2 r1s

; P D P P ; D dpM

|

;pD nṡn

| d nṡ n D P

||

Sa in than a sar chi da . . . |

nee..la ga . .

| le - - pa ra

||

;mP d P mp G R S

|

S R G M

| pmn dpM;

||

bee ..tha vas a. na va na |

ma - - - -

| - - - lee - -

||

;d M p D Ṡ, N Ṡ

|

; nṡ ṙ Ṡ

| npdm gmpd ||

Kee. lee sa lan- ma ni |

kun. Da

| man..di dha ||

;nṠ ṙ ṠṡnD n Ṡ

|

ṡnġṙ ṡnd n

| ndpm gmpd ||

Kan.da yu ga..shmitha |

sa- - - - - - - -

|lee----------

||nṡ

; ṡ N d P pmG R S

| ;sR g M

| GR S, r

||

ha ri rig a muk.. tha va | thu . ni ga

| re. - - vi

||

Ṡ; Ṙ Ṡ ṡnD N Ṡ

| ;n Ṡ n D

| pmG gmpd

||

la si ni vi. la sa thi

| ke - - li pa

| re . . . . .

|| n ṡ

Sri jaya deva pani thamitha athputha

Kesava keli rahashyam

Prundha vana vibine saridham vidha

Nodhu subaniya sashyam

Hariniga padi mudikka vendum.

ANNAMALAI UNIVERSITYTHEVARAM

Composer: Appar

Ragam: Navaroj {29th Melakartha}

Thalam: Adhi

Arohanam: pḍṇ sr g m p

Avarohanam: p m r s ṇḍ p

; ; ; g mgR

S R

| S; S S

| S; s ṇrs

||

. . .ku t ra . . . yi na

| vaa ru vi

| lak ka . . . .

||

s ṇḍn, p p p Ḍ N S S | S; R S

|;sR g M

||

leer ko.du.mai . . pala |sei tha na

| .na . na ri

||

G ; ; G M P, d P

| M ; ; p m

| G; n G

||

yen Et r…ra, a dik

| ke ira

| vum pa ga

||

R ; ; s s R; R R

| R; S R

|; , G m P

|| m g R S

lum pi ri ya dhu va

nag gu van

| ep pozhu

|| dhu…m

Thotrathen vayitrin agampadiyen

Kudarodu thudakki mudakida

Aatren ariyen adhigai kedila

Veerattanath durai ammane.

_______________________________________________________

Sthalam: ThiruAlavai

THEVARAM

composer: Thirugnanasambandar

Pan: Puraneermai

Ragam: bOpalam

Thalam: Adhi

Mangayar karasi valavarkona pavai

Vari valaik kaimmada mani

Paganyar selvi pandi madevi

Pani seidhu nalthorum paravap

Pongazhaluruven bodha naya ganal

Vedhamum porulgalum aruli

Angayarkanni thannodum amarntha

Alavayavadum idhuve

ANNAMALAI UNIVERSITYSthalam: Thiru Avinankudi

THIRUPUGAZH

Composer: Arunagirinadhar

Ragam: chakaravakam

Thalam: Kanta Jaathi Jampai

Abagara nindhai pattuzhalathe

Ariyadha vanjarai kuriyathe

Upadesa mandhirap porulale

Unai nan ninaintharult peruveno

Ibamamugann thank kilaiyone

Imavan madanthai uthami, bala

Jebamalai thandha sar gurunadha

Thiruvavinan kudi perumale

_______________________________________________________

THIRUPUGAZH

Composer: Arunagirinadhar

Ragam: Bahesri

Thalam: sadhushra Jadhi jamba thalam

Variyar karugkan mada madhar

Magavaasai thonda madhuvagi

Iru podhu naindhu meliyathe

Iru thalin anbu tharuvale

Paribalam sei tharul vone

Parameswaran than arul bala

Hari kesavan than marugone

Alaivai amarntha permale

. . .

ANNAMALAI UNIVERSITY