सुस्वागतं विद्याधनं सर्वधनप्रधानं Dr.Ganga R MUSICIAN,TEACHER,RESEARCH SCHOLAR

न चोरहार्यं न च राजहार्यं न भ्रातृभाज्यनम् न च भारकारि । व्यये कृते वर्धत एव नित्यम् विद्याधनं सर्वधनप्रधानं ॥ na chorahaaryaM na cha raajahaaryaMna bhraatR^ibhaajyaMna cha bhaarakaari | vyaye kR^ute vardhata eva nityam vidyaadhanaM sarvadhanapradhaanaM ||

ENQUIRY geetanjaliglobalgurukulam

Tuesday, September 13, 2022

bhairavi geetamSri RamachandraChathurasra Jathi Dhruva Talam (I4 O I4 I4 )

https://docs.google.com/document/d/14qBnSy22LNaIG5IfWjykkg3bqOJZYzrgdOLjnTqZXJk/edit?usp=sharing 

Sri Ramachandra

Ragam: Bhairavi

Talam:  Chathurasra Jathi Dhruva Talam (I4 O I4 I4 )  

 

Arohanam : S G2R2 G2M2 PD2 N2S                                                                         Avarohanam: S N2D1 PM1 G2 R2 S

 

Sahityam:

Shree Raamachandra Asritha Paarijaatha Samastha

Kalyaana Gunabhi Raama Seeth

Mukha Amboruha

Sanchareeka Nirantaram Mangala Maata Notu

 

Meaning:

Shree Raamachandra is like the Paarijaatha (wish-fulfilling) tree to all ("samastha") his devotees ("asritha"). He pleases one and all with his divine ("kalyaana") qualities ("guna"). He is like the bee ("sanchareeka") that flies over the lotus ("amboruha") that compared to the face ("mukha") of Sita. May He grant ("maata notu") benediction (i.e. bless us) ["mangala"]  forever ("nirantaram").

G       R       G              M      |       P           ,         |       M          G               R          G       |       M          P        M    ,          ||

Shree -        Raa           -        |     ma             -      |         chan          -               draa  -       |          Sri     tha   /       Paa    -       ||

 

P        D2      N              N       |       D1               P      |          M      N               D1      P      |          M      G     R          S        ||

-         ri        jaa             -         |       -            tha    |          Sa      ma             -         -       |          -         -       -          stha  ||

S        R      S                P        |       M                    P      |          G       R               G       M    |          G       G     R          S        ||

Kal    -         -                 ya      |       -            na      |          Gu     na              -         bhi  |          raa     -       -          ma     ||

 

He is like the bee ("sanchareeka") that flies over the lotus ("amboruha") that compared to the face ("mukha") of Sita

 

S        R      S                P        |       M                    P      |          G       R               G       M    |          G       G     R          S        ||

Kal    -         -                 ya      |       -            na      |          Gu     na              -         bhi  |          raa     -       -          ma     ||

 

He is like the bee ("sanchareeka") that flies over the lotus ("amboruha") that compared to the face ("mukha

R       R       G               G       |       M                    M    |          G       G               R       G     |          M      P      M          M      ||

See    -         tha            -       /  |          Mu       kha      /  |      Am  -            -         -       |          bo     -       ru          ha      ||

 

P        D2      D2              N       |       N           S       |       P          D2              N          S       |       R          G       R     S          ||

San   -         -                 -         |       -         cha    |         ree   -            -         -       |          -         -       -          ka      ||

N       R       S               G       |       R           S       |       N          N                 D1      M    |          P        D2    N          S       ||

Ni      ran    -                 tha    |          ram    -      / |          Man  -                 ga      la     |          Ma    -       -          ta       ||

 

 

           

P        D1      P               S       |       N           S       |       P          D1              M          P        |       G          ,         R     S          ||

No     -         -                 tu      |       -            -         |       -          -                 -          -         |       -          -         -       -          ||

 


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Saturday, August 27, 2022

Syllabus school musical

 https://1drv.ms/b/s!AhxfsBx5oVSYhQL48L47Qha1xmSW

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Lesson plan xi xii

Music lesson plan xi xii music school Syllabus Cbse  

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Class xi xii music school Syllabus senior secondary

Class xi xii music school Syllabus senior secondary  

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 27, 2022 No comments:
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Class -5 primary syllabus

 SYLLABUS

CLASS – I

a) Major competencies

Singing: It develops interest and sensibility for listening and singing songs and

sounds of Musical instruments in the local environment. Patriotic songs and National

Anthem.

Dance: Expresses himself/herself through action and movements.

Action songs : Actions with their beautiful expression, gestures and mimicry action

words etc.

Display : Exhibition and stage performance co-operation sharing his or her ideas.

Display, exhibits and performs activities at home, in the school and community.

CONTENT/TOPIC

SPLIT-UP SYLLABUS

CLASS – I

APRIL Start with school readiness rhymes, action songs and bal geet.

JULY Prayer, slokas, rhymes based on climate or festivals etc

AUGUST Prayer and National Anthem

SEPTEMBER Makes a rhythmic beat with an empty can / pot.

Listen to certain types of local / folk music in class

OCTOBER Festival songs or rhymes

Responds to a given rhythm by body movements

NOVEMBER Revision and evaluation individually

DECEMBER Mimics voices and actions of animals and birds.Enacts on

Rhymes and poems from the text books

JANUARY Patriotic songs like Hind Desh ke ………….

FEBRAURY Observes, listens and responds to his or her own and other class

mates and display Art Expression

 . SYLLABUS 

CLASS – I 

a) Major competencies 

Singing: It develops interest and sensibility for listening and singing songs and 

sounds of Musical instruments in the local environment. Patriotic songs and National 

Anthem. 

Dance: Expresses himself/herself through action and movements. 

Action songs : Actions with their beautiful expression, gestures and mimicry action 

words etc. 

Display : Exhibition and stage performance co-operation sharing his or her ideas. 

Display, exhibits and performs activities at home, in the school and community. 

CONTENT/TOPIC 

SPLIT-UP SYLLABUS 

CLASS – I 

APRIL Start with school readiness rhymes, action songs and bal geet. 

JULY Prayer, slokas, rhymes based on climate or festivals etc

AUGUST Prayer and National Anthem

SEPTEMBER Makes a rhythmic beat with an empty can / pot. 

Listen to certain types of local / folk music in class

OCTOBER Festival songs or rhymes 

Responds to a given rhythm by body movements 

NOVEMBER Revision and evaluation individually

DECEMBER Mimics voices and actions of animals and birds.Enacts on 

Rhymes and poems from the text books 

JANUARY Patriotic songs like Hind Desh ke …………. 

FEBRAURY Observes, listens and responds to his or her own and other class 

mates and display Art Expression

 

 CLASS – II 

Major Competencies:- 

Develops interest and sensibility for listening to and singing songs and sounds of 

Musical instruments in the local environment. 

Sings patriotic songs and National Anthem. 

Action – Expresses himself through action and rhythmic movements. 

Drama – Expresses dramatically his/her though and emotions by gestures, mimicry 

action, words etc. 

Display – Exhibition and stage performance co-operation shares his/her ideas displays 

and performs activities at home, in the school and community. 

CONTENT/TOPIC 

SPLIT-UP SYLLABUS 

 

APRIL Revision of Prayer, Rhymes and preparation of Annual Day

JULY Sings in chorus / individually any song/rhymes

AUGUST Sings in small groups, National Anthem in company with the class 

teacher.

SEPTEMBER Marching song and makes a rhythmic beat with an empty can / pot. 

Listens to certain types of local / folk music in class.

OCTOBER Identify two/three local instruments. 

Text book songs can be tuned and in action

NOVEMBER Revision and evaluation individually. 

DECEMBER Follows the gesture / step movement in small groups. 

Responds to a given rhythm by body movement. 

Action song 

JANUARY Inspirational Song like Honge Kamayab etc and Mimics voices and 

actions of animals and birds 

FEBRUARY Revision and Evaluation, observes, listens and response to his / her 

own and other class mates. 

CLASS – III

Major Competencies – Sings patriotic songs and National Anthem.

Develops interest and sensibility for listening to and singing songs and sounds of

musical instruments in local environment.

Values - Inculcating values like patriotism, sharing, co-operation.

Dance - Expresses himself / herself through action and rhythm movements.

 Participants in popular folk dance

Drama - Expresses grammatically his/her thoughts and emotions by gestures,

mimicry action, words etc.

Display – Exhibition and Stage performance, co-operates, shares his/her ideas display

 and exhibits/performs activities at home, in the school and community.

APRIL Pasting the pictures of instruments in the notebook,.

Sings in chorus, local folk songs, bhajan with some instruments.

Preparation of Annual Day celebration

JULY Patriotic songs with action.

Listen to certain songs and local instrumental tunes popular in the

locality.

AUGUST Identify some musical instruments and sounds

Flag song and preparation of Independence day.

SEPTEMBER Basics of Music, Alankars (Sarli Varse)

Performs simple movements of local dance

OCTOBER Mimics typical voices of different types of hawkers

Enacts role in a drama from a story in text book / local folk /

mythology

NOVEMBER Revision and evaluation individually and preparation of CMP

Programme.

DECEMBER Song pf a Text book tuned by teacher

JANUARY Marching song with action

FEBRUARY Revision and evaluation individually. Appreciation and discussion

with the teaching, any performance in school or community. 


CLASS – IV

Major competencies – Singing patriotic song, folk song, National Anthem and

Bhajans.

Develops interest and sensibility for listening to and singing songs and sounds of

musical instruments in the local environments.

Values – Inculcating the values like – spiritually, patriotism, sharing and caring ,

co-ordination

Skills

Dance – Expresses himself/herself through action and rhythmic movements.

 Participates in popular programmes.

Drama – Expresses dramatically his / her thoughts and emotions by gestures, mimicry,

action and words etc.

Display – Stage performance, co-operates, shares ideas, and performs activities at

home, in the school and community.

APRIL Bhajan or devotional songs and preparation of Annual Day

celebration.

Sings individually or in group National Anthem with a beat of Music

in the background.

JULY Flag song and vidyalaya song. Identify songs through listening

through varieties of tunes.

AUGUST Patriotic / other language song

Participates in the folk dance in the community

SEPTEMBER Basic of Music Alankars (05) / Sarli varsi (05)

Mimics expressions showing fun, anger, sadness

Plays a role of any person

OCTOBER Text book songs or enact a drama.

NOVEMBER Preparation of CM P (Bal Utsav) and revision and evaluation

individually.

DECEMBER Inspirational songs / community song

JANUARY Co-operates in arranging display in class room, school compound and

in the stage making activities in school function

FEBRUARY Revision and evaluation individually. Appreciates and discusses with

the teacher any exhibition / performance / stage activity / musical

instruments played in the school or outside 

CLASS – V

Major competencies - Learns the basics of Music

Develop interest and sensibility for listening to and singing songs and sounds of

musical instruments in local environment.

Sings patriotic songs and marching songs, flag songs and other language songs and

bhajan

Values – Spiritually, patriotism, caring and sharing, national integration and

 Co-ordination

Skill

Dance - Expresses himself/herself through action and rhythmic movements.

 Participates in folk dances.

Drama – Expresses dramatically his / her thoughts and emotions by gestures, mimicry,

action and words etc.

Display – Stage performance, co-operates, shares ideas, performs activities at home, in

the school and community.

APRIL Devotional song and preparation of annual day. Sing individually

any song of his/her own choice in the class.

JULY Flag song and patriotic song

Sings patriotic song with background music.

AUGUST Prepare any dance in a group and preparation of Independence day

celebration

SEPTEMBER Alankars (10)/ Sarlivarse (10)

Telling stories of any famous musician

OCTOBER Prepare a skit based on Text book / Moral values mythology

NOVEMBER Community song

Revision and preparation of CMP (Bal Utsav)

DECEMBER Inspirational / other language songs. Develop a script in a group or

any imaginative situation and enact.

JANUARY Decorates classrooms and compounds and some contribution either

alpana decoration, display on special occasion like Republic day

celebration.

FEBRUARY Revision and evaluation individually.

 

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Tuesday, August 23, 2022

kodi parakkutu lesson @5G Video20220823 020004 Meeting Recording kodi

https://youtu.be/XKMo-dhB6do


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Monday, August 22, 2022

விருத்தம்_ഗുരു https://youtu.be/KqhoiLdUb48

 


hindolamviruttam Sloka

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Saturday, August 20, 2022

 ¡ lo ka ya m¡® ¾r§  ma h¡ lak½m§  rga  bhairavi                  ta cpu

pallavi

1. r nÖ   s , , ,   | s, g ,r ,  g , || p m p , , , | m, p , d , n , || s× , ,  ,  ,  ,  | s× , n , d  ,×d  , || m , p , m , | p m g , r , s , ||

      ¡                   lo                                    ka      ya         m¡®            ¾r§            ma    h¡              la          k½m§

2. r s  nÖ ,  s ,  | m,pm  g ,r, g , || m p d , p , | m, p , d , n ,|| s ×r × g× r× s× ,|n, d ,p , , , ||m g r m p ,d p  m p | p m g , r g r s ||

    ¡                   lo                                    ka      ya         m¡®            ¾r§            ma    h¡              la          k½m§

3. s , r s nÖ s   | s s m, p m g ,r , || r g m p d , |p , , , d , n , || s× r× g×× r× m p | g× r× s× n d , p , || p m  n n d p | p m g , r , s , ||

   ¡                   lo                                    ka      ya         m¡®            ¾r§            ma    h¡              la          k½m§

4. s r r s nÖ s   | s s m,pm m,pm gr|| r g m o d o | m p dn s× , r× s×|| s× , m,pmg r | s , n d, p , || p p s× n d p | p m g , r ,s ,||

   ¡                   lo                                    ka      ya         m¡®            ¾r§            ma    h¡              la          k½m§

1. r , r, |g , m ,p , p , , , || g m p, m , | pm g , r , s, || r , r s nÖ  | s , , ,  ,,  || p , , , m , | p m g ,  r , s , ||

  a    khi    l¡³               ¢e                ¾va      ri       ja   na       ni             de              vi

2. m g r , g , m , p , d , p , || g m m,pm  m , | mg p m ggr ,|| r, r s nÖ , s| p , g× r× s× n d p || pp s× n d p | m m  m p m g r s ||

a    khi    l¡³               ¢e                ¾va      ri       ja   na       ni             de              vi

 

 

 

 

¡ lo ka ya m¡® ¾r§  ma h¡ lak½m§  rga  bhairavi                  ta cpu

pallavi

1. r nÖ   s , , ,   | s, g ,r ,  g , || p m p , , , | m, p , d , n , || s× , ,  ,  ,  ,  | s× , n , d  ,×d  , || m , p , m , | p m g , r , s , ||

      ¡                   lo                                    ka      ya         m¡®            ¾r§            ma    h¡              la          k½m§

2. r s  nÖ ,  s ,  | m,pm  g ,r, g , || m p d , p , | m, p , d , n ,|| s ×r × g× r× s× ,|n, d ,p , , , ||m g r m p ,d p  m p | p m g , r g r s ||

    ¡                   lo                                    ka      ya         m¡®            ¾r§            ma    h¡              la          k½m§

3. s , r s nÖ s   | s s m, p m g ,r , || r g m p d , |p , , , d , n , || s× r× g×× r× m p | g× r× s× n d , p , || p m  n n d p | p m g , r , s , ||

   ¡                   lo                                    ka      ya         m¡®            ¾r§            ma    h¡              la          k½m§

4. s r r s nÖ s   | s s m,pm m,pm gr|| r g m o d o | m p dn s× , r× s×|| s× , m,pmg r | s , n d, p , || p p s× n d p | p m g , r ,s ,||

   ¡                   lo                                    ka      ya         m¡®   



         ¾r§            ma    h¡              la          k½m§






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¡lokayam¡¯ ¾r§ mah¡lak½m§   r¡ga¯    bhairavi                          t¡©a c¡pu

pallavi

1. r n   s , , ,   | s, g ,r ,  g , || p m p , , , | m, p , d , n , || s , ,  ,  ,  ,  | s , n , d  ,d  , || m , p , m , | p m g , r , s , ||

   ¡                   lo                        ka            ya                  m¡¯               ¾r§          ma         h¡               la          k½m§


Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 20, 2022 No comments:
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¡ lo ka ya m¡¯ ¾r§ ma h¡ lak½m§ rga bhairavi t¡la c¡pu

 

¡ lo ka ya m¡¯ ¾r§  ma h¡ lak½m§  rga   bhairavi                          ta cpu

pallavi

1. r nÖ   s , , ,   | s, g ,r ,  g , || p m p , , , | m, p , d , n , || s× , ,  ,  ,  ,  | s× , n , d  ,×d  , || m , p , m , | p m g , r , s , ||

      ¡                   lo                                    ka      ya         m¡¯            ¾r§            ma    h¡              la          k½m§

2. r s  nÖ ,  s ,  | m,pm  g ,r, g , || m p d , p , | m, p , d , n ,|| s ×r × g× r× s× ,|n, d ,p , , , ||         m g r m p ,d p  m p | p m g , r g r s ||

    ¡                   lo                                    ka      ya         m¡¯            ¾r§            ma    h¡              la          k½m§

3. s , r s nÖ s   | s s m, p m g ,r , || r g m p d , |p , , , d , n , || s× r× g×× r× m p | g× r× s× n d , p , || p m  n n d p | p m g , r , s , ||

   ¡                   lo                                    ka      ya         m¡¯            ¾r§            ma    h¡              la          k½m§

4. s r r s nÖ s   | s s m,pm m,pm gr|| r g m o d o | m p dn s× , r× s×|| s× , m,pm g r | s , n d, p , || p p s× n d p | p m g , r ,s ,||

   ¡                   lo                                    ka      ya         m¡¯            ¾r§            ma    h¡              la          k½m§

1. r , r, |g , m ,p , p , , , || g m p, m , | pm g , r , s, || r , r s nÖ  | s , , ,  ,,  || p , , , m , | p m g ,  r , s , ||

  a    khi    l¡³               ¢e                ¾va      ri       ja   na       ni             de              vi

2. m g r , g , m , p , d , p , || g m m,pm  m , | mg p m ggr ,|| r, r s nÖ , s| p , g× r× s× n d p || pp s× n d p | m m  m p m g r s ||

a    khi    l¡³               ¢e                ¾va      ri       ja   na       ni             de              vi

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 20, 2022 No comments:
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Thursday, August 18, 2022

Sing to sync


 

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 18, 2022 No comments:
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Bhashanga upanga



 

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 18, 2022 No comments:
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Krishna bhajan gopala naamaavali


 

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 18, 2022 No comments:
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Monday, August 15, 2022

Chandi homam

Chandi homam  

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 15, 2022 No comments:
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Sunday, August 14, 2022

Kodi parakkudu Azadi ka Amrt mahotsav song 2



 

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 14, 2022 No comments:
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Labels: patriotic

Saturday, August 13, 2022

Graha bheda sivaranjani

 https://youtu.be/OSD24samycc


https://youtu.be/OSD24samycc

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sunadavinodini Video 20220813 133329 Meeting Recording

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 13, 2022 No comments:
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Transpose and tonic shifting




https://www.youtube.com/watch?v=OgYIT-wQ1K4

https://www.youtube.com/watch?v=3ExnUhhcBIw

https://www.youtube.com/watch?v=XXujYZ9iLm0

https://www.youtube.com/watch?v=ShWwQEAf4oY




"Modal shift of tonic, also known as Graha Bhedam" refers to a technique in Carnatic music where the central pitch (tonic note) of a raga is shifted to a different note, essentially creating a new raga while maintaining the same relative positions of the other notes, allowing for a variation in mood and musical character; "Mohanam" is a specific raga often used to demonstrate this technique due to its melodic flexibility. 
Key points about Graha Bhedam:
  • Meaning:
    "Graha" means "base" or "foundation" and "Bhedam" means "shift," so "Graha Bhedam" literally translates to "shifting the base note." 
  • How it works:
    By moving the tonic note up or down within the raga, the musician creates a new melodic character while maintaining the same basic scale structure. 
  • Improvisational element:
    This technique is often used in live performances as a way to add variety and depth to a raga by Subtly changing the mood through the shift in tonic. 


All the four notes ri, ga, pa, dha
All the four notes ri, ga, pa, dha admit graha bhEdam (modal shift of tonic). The ri, ga, pa, dha mUrccanas of mOhanam result in rAgams madhyamAvati, hindOLam, shuddha sAvEri and udayaravicandrika, respectively. This raga was known as Mullai Pann in ancient times. Mohanam is basically a Veera rasa pradhana raga.

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 13, 2022 No comments:
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Azadi ka Amrt mahotsav Subha janma dinotsavam he Bharat




 https://youtu.be/qFbJGwoBUhA


 Chk and learn full song version from utube cPatriotic theme  Song 1 

02072022

 

शुभ जन्म दिनॊत्सव:  हॆ दॆश शुभ जन्म दिनॊत्सव:  भारत

शुभ जन्म दिनॊत्सव: हॆ दॆश शुभ जन्म दिनॊत्सव: भारत

 

दॆशॊयम् मम  दॆशॊयम्  दॆशॊयम्  जन्म दॆशॊयम्

दॆशॊयम् मातृ दॆशॊयम्   दॆशॊयम्  प्रिय   भारतम्

 

ஶுப ஜன்ம தினோத்ஸவ:  ஹே தேஶ

ஶுப ஜன்ம தினோத்ஸவ:  பாரத

ஶுப ஜன்ம தினோத்ஸவ: ஹே தேஶ

ஶுப ஜன்ம தினோத்ஸவ: பாரத

 

தேஶோயம் மம  தேஶோயம்  தேஶோயம்  ஜன்ம தேஶோயம்

தேஶோயம் மாத்று தேஶோயம்   தேஶோயம்  ப்ரிய   பாரதம்

 

 

நீண்ட நீண்ட காலம்  நீடு வாழ வேண்டும்

வானம் தீண்டும் தூரம் நீ வளர்ன்து வாழ வேண்டும்

 

 

எட்டுத்திக்கும் எட்ட வேண்டும் எடுத்துக்காட்டு ஆக வேண்டும்

உலகம் பார்க்க உனது பெயரை நிலவு தாளில் எழுதவேண்டும்

 

 

 

 

 

 

 


Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at August 13, 2022 No comments:
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