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Saturday, December 19, 2020

Dr.Ganga Raamachandran: PALAKKAD RAMA BAGAVATAR AUDIO

Dr.Ganga Raamachandran: PALAKKAD RAMA BAGAVATAR AUDIO: https://doc-14-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/uo4fsniuhkvsp8vhqag62ht7n3kd6i52/1608391725000/1...
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PALAKKAD RAMA BAGAVATAR AUDIO

https://doc-14-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/uo4fsniuhkvsp8vhqag62ht7n3kd6i52/1608391725000/12166318678417048272/12166318678417048272/1SwmajwffsWrnd1rKhG58sL77e7me5y7G?e=download&authuser=0 https://doc-08-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/35t00m8afvnckd2442m06h9gqvts7tvv/1608391725000/12166318678417048272/12166318678417048272/1-OdA7o42YMgx-tASBeSBcYkysgheYMGr?e=download&authuser=0 https://doc-08-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/ul9hs2hcf78ed1hme8q79tudm8597jjc/1608391725000/12166318678417048272/12166318678417048272/1lk8meoO6xuhEL0vTNoECLA4FroqJtLrt?e=download&authuser=0 https://doc-10-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/a4aevqm6nkrmevfl1ovvpiq3dji503bp/1608391725000/12166318678417048272/12166318678417048272/1Hqsxa7j5f_R3pMSpfACFYQFrdBhW1oTx?e=download&authuser=0 https://doc-0s-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/jdjsl78df9g6ibun19ludn5ghoujo1q6/1608391725000/12166318678417048272/12166318678417048272/1GEdB0biR3LYFCqDFxaQGuUs_mBkWjbt3?e=download&authuser=0 https://doc-04-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/8d36pohc8hqld39hup7074vma8tvmmgd/1608391725000/12166318678417048272/12166318678417048272/1-x72LnTGCS0gAWy5rP6hhtPFXpaYO-T1?e=download&authuser=0 https://doc-00-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/bngeuddo32vdhdgia2t78r7crtli4605/1608391725000/12166318678417048272/12166318678417048272/1TCNITmZMoZIq9wH3Rn9rKwIoXftgT1Lr?e=download&authuser=0 https://doc-0g-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/jtunfeq9rgo9jvr7q6n29fbvviibs78u/1608391725000/12166318678417048272/12166318678417048272/1P4jkdJozF9Pkr5fbHz-1seeSnA6M9TpH?e=download&authuser=0 https://doc-08-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/567oo5pq7vv7pmnno1a3t6felt0qmdku/1608391725000/12166318678417048272/12166318678417048272/1vOmsGzQKuijN1hEekpskhMfWbvWOz2-d?e=download&authuser=0 https://doc-14-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/1p83cfvgc72hp95a0svpeso2o470h4db/1608391725000/12166318678417048272/12166318678417048272/1X_t8oZJxvS70EGbEGfLKZXnYW8pPPy6y?e=download&authuser=0
https://doc-14-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/1p83cfvgc72hp95a0svpeso2o470h4db/1608391725000/12166318678417048272/12166318678417048272/1X_t8oZJxvS70EGbEGfLKZXnYW8pPPy6y?e=download&authuser=0
https://doc-00-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/32jihgekbarte4qfu2cclrsh0ol389f8/1608391725000/12166318678417048272/12166318678417048272/1IkuMR8EUM04Wf6vd-Vf2QEnGiTgmUJ0F?e=download&authuser=0
https://doc-0k-3g-docs.googleusercontent.com/docs/securesc/pc55ng48mfvecsr0jn0qi7j5p548pjvv/qip5a0aka31a8pcd57e559b6ggj7c689/1608391725000/12166318678417048272/12166318678417048272/1KUULFKPrVPB3xWLKujPZyx2keAJO5i8w?e=download&authuser=0
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Dr.Ganga Raamachandran: PDKD KRIS NAVARATRI MANDAPAM

Dr.Ganga Raamachandran: PDKD KRIS NAVARATRI MANDAPAM: https://mail.google.com/mail?extsrc=sync&client=docs&plid=ACUX6DM1MqdWakV_pCMq79UWkgKYbqWZcEj4Eu0
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PDKD KRIS concerts

https://mail.google.com/mail?extsrc=sync&client=docs&plid=ACUX6DM1MqdWakV_pCMq79UWkgKYbqWZcEj4Eu0 https://drive.google.com/file/d/1TR-idSolEIR_m4jehIIK6QyCcM57DldJ/view
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Influence Of Trinity On 20th Century Composers.ppt embeded

https://docs.google.com/presentation/d/e/2PACX-1vRgBZZRZadxu0rF3Fp-gEvbZnmxq0p1m85bfLC4gfeDDbXqsuGvFGff-n8LXc1Ipabagf85SEyHfkjMnPwbEpM/pub?start=false&loop=false&delayms=3000
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Patnam subramaniya iyer bio

https://www.facebook.com/photo?fbid=10223079206439421&set=pcb.10213433154934162
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Asaveri varna tamasincha Adi patnam subramanya iyer

Asaaveri varna sr,m1pd1,S. Sn2,Spd1,m1(Pmm)pmg2,r1(g2rr)s Palavi P,d(pd),p(pmp),rmrmpdmp |mggrs,grsndpdsrm . . . . . . Taa-ma- sin cha--ka--------thala-jala--nura-- Pd(pd)mpm rg(mgm)rs mrpmdpd RS, mpnd,pm ggrsrm Dha ya---- je---------- si------nan-ne--lu--koO rA----- Srm,rmp, pdpd, mpmr, rmpmr,grr,gss,sns, srm,,,,,rmp,,,,mpd,S,,,,SRNSp(Sp)d(dndp)rmpmpmr(mr),rmpmr,grr,,spds Anupalavi s,s,d(sd)pd mpmrggrrs | rm rp mdpd| m(mpm)pdR,(dR)S,, ama/rE------------ndrA------ dhi- vi nu ta------------sree---- m(mpm)pd(pd)S,S,d(Sd)SRM(RM),R G(MGMG),RS p,d(dnd)RSR(RS)N(nSn)S pd(pd)m(pm)g(mgm)rsrm A-----------------------dhi ven ka---------------tE---------------------------------swa ------------------------ra-- Chittaswaram Sing this soft P,d(dnd)mp rg(mgmg),rs g(sg)rsp(sp),d / srmm, g(grg)rsrm(mpm)pd pmp,// dpd(pd)m, pdSR M,G(GMG),RSR(SR) . . . . G(pG)RSn(SnSn),S(SnS)p, d(dnd)m, g(mgm)rsrm Charanam m,m,p,,,dpdmpdS, / RSRnspd md(md)pm ggrsr // Manase E--mi--- ni-- ku------rAA --------yA- Chitai swaram 1.M, ,, ,,p,d,m,p,m, / g,,r,,s,|,p,d,s,r||mana 2.p,dmpmg,rs, -rnspd |rs,- rmpdS,p,mgrsr||mana 3. Pdmpmggrsrnd-pdsr| mp-dRSR nSpdpmgrsr||mana 4. s,,S,S RSR-n,Sp,dp / m,,p,nd,/ pdmpm / grs // dsrm,-pdmpdS,-RG,R / SGRS,R n,S pdmgrsr||mana
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entani nE (padavarNa). rAgA: khamAs. t/Eka tALA. Composer: Subbarama Dikshitar

entani nE (padavarNa). rAgA: khamAs. t/Eka tALA. Composer: Subbarama Dikshitar P: entani nE delupudurA ElAgu tALudurA A: mantukekku vIravasanta tyAgarAjadAsA (svara sAhitya) sAra guNa balimi ganula nIraja sumasharamula apAramuga tami migulaga mAruDu barape shrtajana surapAla ika tALanura bAla calamela kAmAntaka mAnita ramAkAnta vinumA brahmAdinuta C: tApamadhika mAyanurA dayayuncuTaku samayamidIrA (svara sAhitya) rArAdA nI dAna I rArApElA sadA viraha tApamadirA rE pagalu yI vAdErA lEma bOdhana vinavErA (svara sAhitya) 1: nE niraparAdhirA sarAgamuna brOcuTakunu 2: nI suguNamulu vini dAnE nI sAmIpyamunu jEri valapu mIri I dArini nE kOri tOri 3 kOpamElarA kaugilIrA kOrina varamulIrA (svara sAhitya) 1: durAgatamu tagadurA marava valadurA vintaga yinta 2: sAmrAjya phalada vinOdakrtapAda mahitavEda karuNa rAda piluvarAda paluka rAda narEndra shrIda shrIpuramuna velayu mA shrI tyAgarAjasvAmi (svara sAhitya) 1: svAntamuna galugu pantamu isumanta tagadantakAntaka 2: sAra sAramulerigina doravani dalaciti sumA, nArula balkulu mulukuluga varala nalasitirA kalayaniditagadura ika nalukamAna ghanamagu umAkAnta goliciti vEmAruniTu
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kamalamanohari varnam´Varnam composed by WALAJAPET VENKAT RAMANA BHAGAVATAR- A DISCIPLE OF TYAGARAJA Ragam – KamalaManohari Talam – Adi

Kamala Manohari Varnam: ´Varnam composed by WALAJAPET VENKAT RAMANA BHAGAVATAR- A DISCIPLE OF TYAGARAJA Ragam – KamalaManohari Talam – Adi Arohanam - s g m p n s Avarohanam – s n d p m g s ņsg, , , mp mm – pm -gg mg | s, ņs gs- mm | gs -pp mmgs || Sree Ra ..... ma Chan dra.. Naa ….. ....... dhu n, sg m-pnd -ps- nd pmgm | ps, n dp- dp |, mg-p mmgs || Chin… tha la- dhee…….Rchi ... bro……… … vu a) p mgm p,- mp mmgs ņsgs | mgs-p mg- nd | pm-gm pnns || Pa… raa .va … ra kan … ya …....dhee …….. ….sha b) sndp mgm-pm mgs - nsgs | mgs-p mg- nd | pm-gm pnns || Pa raa.. va … ra kan…. ya .dhee ......sa pnsg ,s -mm gg sn - sgsn | pns -m gs -mp | nndd -pmgs || pa..ra . maa ...tma sri…. ra… ma… pu ri……... sha Chittaswaram n, , s – nsgs -gmpm gs-gm | p, m-d pm-nd | p-snd pmgs || nsgs, , m,m gm p, m- nd | p,-nd pmgs | nsgm p, ,, || ssgm p, gm pnn,- mpns | g ,s- m, mgs | ndpm pnns || mpns -gmpn s-gs, , -mgs | s, , n dp-p, | ,m-gm pmgs || Charanam s, ,n dp- mp mgsn s, pm | g , ; ;s, | ; gm p m pn || NammiNaa….. da nai .. yaa … sri .. raa -- ma ninnu 1) s,, n, , d,, p, m,gsn | s,, g,, s, | , g, m, p, n || 2}sndp, – ndp pmg-p mgsn | smgs, – dpm | gs, ndp – nn|| 3) s,- psnd pmg,– dpmg sn| s,gs s,-mg | s,-pm gmpn || 4) s,, ndp mgs,,- nspmg | s,, ndp nn | s,, pnsmg || 5) s,↺g – sndpm g, mg sns,| gsmg s,-pm | gs-ns gmpn || p,np sn p, nsgg sn-ss | mmg s, ndp | m g,s gmpn || 6) sns g,g - sg s,nd pm-gm | pgmp,p-mp | m,g- sgmpn || dp,m- gmpn, dpmpn-sm| gs, ndp- mm | ,g–sm gmpn || 7) ŝ nŝ p n-mp n- ŝ ndp mg- sg | sn-sg s-pmg | sn-sm gmpn || sņ-sg m-pnp -ŝ n-ŝ gŝ n -mg | ŝ n ġ - ŝgŝ np | ŝ ndp- mp-pn || https://youtu.be/H4UDtSSxWWA
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Pannagendra sayana ppb RAGA: GAULA TALA: ADI double kalai COMPOSER: PALAKKAD PARAMESWARA BHAGAVATAR

https://docs.google.com/document/d/1x46cXXWP9Po15fYAlF9h7_yljXQEQQRfB30FaJg_7nc/edit RAGA: GAULA (upanga -JANYA OF 15TH MELA MAYAMALAVA GAULA) SR1MPN3S SN3PM1R1G2M1R1S Shadja, Suddha Rishabam,Antara Gandhara,Suddha Madhyama, panchama, Kakali Nishada - dhaivata varjya- Arohanam:Krama,audava Avarohanam:Shadava,vakra TALA: ADI double kalai COMPOSER: PALAKKAD PARAMESWARA BHAGAVATAR PALLAVI P, , M PN PN PM G, MR RS | SR S-S NP N S | RR PM RSRM || Pan na…………. gEn…dra… | sa.. ya na… | sri…………… पन्,, न------ गॆन् ,- द्र-- श -- य - - न - श्री - - - - - - -॥ pan,, na------ gen ,- dra-- śa -- ya - - na - śrī - - - - - - -|| പന്,, ന‍‍‍‍‍‍ ഗേന് ,‍ ദ്ര‍‍ ശ ‍‍ യ ‍ ‍ ന ‍ ശ്രീ ‍ ‍ ‍ ‍ ‍ ‍ ‍|| PMP NMP- N S R S, N - PNSR S, NP NSNP|,M GM RSRM || {RMP,,} Pad.. ma…. Na… bha…. De…. va.. mam…. pa…… hi- पद्म -- म - - ना - - भ ,- दॆ- - - वा- मा - - - म् पा - - - -हि padma -- ma - - nā - - bha ,- de- - - vā- mā - - - m pā - - - -hi പദ്മ ‍‍ മ ‍ ‍ ന്ആ ‍ ‍ ഭ ,‍ ദേ‍ ‍ ‍ വാ‍ മാ ‍ ‍ ‍ മ് പാ ‍ ‍ ‍ ‍ഹി {RMP,,}ending sangati for varnam ANUPALLAVI NSN PMP NN - PPM GMR RS | R,MRRS RMPN PNS, , , || San.nu……ta… su… ja--na. | ni………. Ka. | ra……….|| सन् --- नु --- त --सु----- ज----- न - नि---- क -- र-- san --- nu--- ta --- su----- ja----- na -ni---- ka -- ra-- സന് --- നു--- ത --- സു----- ജ----- ന -നി---- ക -- ര-- PNS RNS RGM RMR- SNPN | S ,NP NSNP|,M GMR SRM || Sam. Ra.. ksha… na… sri……..| bhu… mi...... va…. ra….. || सम् - - र - - क्ष - - ण - - श्री - - - ।भू----मि - - व - - र - - sam - - ra - - kṣa - - ṇa - - śrī - - - |bhū----mi - - va - - ra - - സമ് - - ര - - ക്ഷ - - ണ - - ശ്രീ - - - |ഭൂ----മി - - വ - - ര - - MUKTAYI SWARAM P,MG ,M-RM RPMN PM-GM | R , ,-S NPN , | S-PNS RSRM || PMPN PMP-R MRPM- GMRS - | RMRS NPNS - | RRPM - RSRM || NPNM P-RMP NMPN SRSN - | SMRS NP-MP | NSRS- MRSN || NSRG , M-RM RS , N - PNSR | SNPM -GG ,M | RSN , , -SRM || ending srs snp p,n,s,,,with pallavi sahitya CHARANAM S ,NP M-NPP MG,M RRSN | R , R , SSRR | MMPP NPSN || sya…… na ndu……ra….. | pu….. ra….. | va…… sa Chiitai SWARAM S , ,N , , P , - M , , G ,,M ,| R,,S ,,R, | , , M , , P ,N || ( Sya ) 2. MPNP ,MNP MG ,M RMRS | MRSN , PNS | R-PNS RMPN || (Sya) . 3. P , , P , MPN P, MG , M RM | R , , R ,,MR | SN ,P NSRM || . . . . PMPN MPNS R -NRS NPNS | PNSM PNS-R | MPN-S RMPN || (Sya ) . 4. S , , R RSS-S NNPP MG,M|R , , M RSN-P | NSR-S RMPN || SRNS PNP-R SNPM GMRS | RMRS -NPNS | R-SRM PMNP || NPNM , M-PM PG , M -RMM, - | MRMR SN-SR | MP-MP NSR , || NSRG M-GMR- MRSN PNSR |SNPM G , MR | SN , S RMPN || (Sya )
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sAdhU sujana Varnam ppb Ragam: ArabhI Talam: Adi Composer: Parameswara Bhagavathar


audio arabhi varna

sAdhU sujana Varnam 

Ragam:  ArabhI  Talam: Adi Composer: Parameswara Bhagavathar

Arohanam: S R M P D S  Avarohanam: S N D P M G R S

Pallavi

S, N DD P    M P D N D P   M G R R|S R S SND   SS|R R   M,, M P D|| 

-sA-  dhU -- /  su --   ja --      na --- /    | va --   ra-- /sa --| --     mU-ha- --||

-M P D S , R- D R S N -D DP -  M P D |R S ,N D P -D P| M G R -S R M P D||

sam --ra-       ksha ---   Na --   / shau --| rE ----          pA -| la --  -    ya-mA -m

                                      Stop here SND,S,,,           Stop here:dpmgr dsrmp,,,,

Anu Pallavi

-P, , D P M P D M, , G  R S, R |M G R  D D P R, |M M P P D D Sa ,||

bhU -tA ----------kA ---  ra -----| sva--  ------       rU| ------  --         pa||


-D ,DS, R-    SR   M G R R S N D R  |S, ,N     D D P    D |P ,M G R M P D|

bhO -gI ndra /sha -ya   ---  na ---  --- | shrI --  bhU --    mi | -  va --   ra --||


Mukthayi Swarams

-S D P M P -R M P D -M P D P -M G R|S Ri ,S N D P, |D S D S R M P D||

-M P M G R S Da ,D P M P Ri ,M P|M P D S Da, -P M|G R -S R M P, ,||

D P D M , P- R M R Pa ,M- D M P D|S N D R , S N D|P M P D S, , ,||

D S R S , R -S R M G R R -S N D R|S, N D D P P, |M G R -S R M P D||

 

Charanam

P,D,   PSND PMGR RSRM| P,,  S ND- GR| SND-ND DP M||

||pa da  pan   ka--ja-  bhak   tim mE     de-------     hi---------I

Stoping sangathi: S ND- GR SND S,,,,,,,,,

swaraksharam

Chittai Swaram

1. P,,, ,,M, G,R, ,,S,|N,D, ,,S,|,,,, R,M,||


2. MPDP ,MGR SRSP ,NDP| DSRP  ,,DS|RSP, ,SRM||

 

   

3. P,DP MGR-P MGRS -R SND| P,DS PDS,|  NDS,-RSRM ||

    P,DP MPD,D RMPD,PM| P,DS MPDS| R,MPD SRM||


 4. S,,S NDR, ,-SND- PMPD|S-PDM P-RMR|PM-DP MGRS||

   R,,S NDP, ,  DSD SR-SR|PMDP -DDPM| GR- DS RMP,||

   S,SN DP,P MGRR ,SN D| P,-DS RD-,S|RMPR ,-MP D||

   PDSRMGRR/  S,NDPMPD  |  SDPDP, /MG|   RSND,/SRM||


                  ---------------------------------------------------------------------









https://docs.google.com/document/d/1bFPObSnFsn7goUYC8hmyy23qON6Ki_40VxwjtnQ5ry8/edit?usp=sharingsAdhU sujana Varnam Ragam: ArabhI Talam: Adi Composer: Parameswara Bhagavathar Arohanam: S R M P D S Avarohanam: S N D P M G R S Pallavi S, N DD P M P D N D P M G R R|S R S SND SS|R R M,, M P D|| -sA- dhU -- / su -- ja -- na --- / | va -- ra-- /sa --| -- mU-ha- --|| -M P D S , R- D R S N -D DP - M P D |R S ,N D P -D P| M G R -S R M P D|| sam --ra- ksha --- Na -- / shau --| rE ---- pA -| la -- - ya-mA -m Stop here SND,S,,, Stop here:dpmgr dsrmp,,,, Anu Pallavi -P, , D P M P D M, , G R S, R |M G R D D P R, |M M P P D D Sa ,|| bhU -tA ----------kA --- ra -----| sva-- ------ rU| ------ -- pa|| -D ,DS, R- SR M G R R S N D R |S, ,N D D P D |P ,M G R M P D| bhO -gI ndra /sha -ya --- na --- --- | shrI -- bhU -- mi | - va -- ra --|| Mukthayi Swarams -S D P M P -R M P D -M P D P -M G R|S Ri ,S N D P, |D S D S R M P D|| -M P M G R S Da ,D P M P Ri ,M P|M P D S Da, -P M|G R -S R M P, ,|| D P D M , P- R M R Pa ,M- D M P D|S N D R , S N D|P M P D S, , ,|| D S R S , R -S R M G R R -S N D R|S, N D D P P, |M G R -S R M P D|| Charanam P,D, PSND PMGR RSRM| P,, S ND- GR| SND-ND DP M|| ||pa da pan ka--ja- bhak tim mE de------- hi---------I Stoping sangathi: S ND- GR SND S,,,,,,,,, swaraksharam Chittai Swaram 1. P,,, ,,M, G,R, ,,S,|N,D, ,,S,|,,,, R,M,|| 2. MPDP ,MGR SRSP ,NDP| DSRP ,,DS|RSP, ,SRM|| 3. P,DP MGR-P MGRS -R SND| P,DS PDS,| NDS,-RSRM || P,DP MPD,D RMPD,PM| P,DS MPDS| R,MPD SRM|| 4. S,,S NDR, ,-SND- PMPD|S-PDM P-RMR|PM-DP MGRS|| R,,S NDP, , DSD SR-SR|PMDP -DDPM| GR- DS RMP,|| S,SN DP,P MGRR ,SN D| P,-DS RD-,S|RMPR ,-MP D|| PDSRMGRR/ S,NDPMPD | SDPDP, /MG| RSND,/SRM||
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model question papers for various levels






http://annamalaiuniversity.ac.in/dde/questdisp.php?cc=801&tname=dec12

Those who can't read tamizh can read in hindi fonts. Chk link



http://www.annamalaiuniversity.ac.in/dde/questdisp.php?cc=826&tname=may15





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Thursday, April 9, 2020

DrGanga Raamachandran Influence Of Trinity On20th CenturyComposers Ennap...

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PALLAVI ENNAGANURAMA-veena lesson-geetanjali global gurukulam

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Sunday, November 17, 2019

SHLOKAM followed by Kanjadalayatha Lochana - Ragam Nadhanamakriya - Puth...

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Saturday, November 9, 2019

anname arabhi varna

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Thursday, October 17, 2019

Sarali Varisai: Ragam: Mayamalava Gowla

Sarali Varisai:
Ragam: Mayamalava Gowla

1) S R G M P D N S | S N D P M G R S ||

2) S R S R S R G M | S R G M P D N S ||
    S N S N S N D P | S N D P M G R S ||

3) S R G S R G S R | S R G M P D N S ||
    S N D S N D S N | S N D P M G R S ||

4) S R G M S R G M | S R G M P D N S ||
    S N D P S N D P | S N D P M G R S ||

5) S R G M P , S R | S R G M P D N S ||
    S N D P M , S N | S N D P M G R S ||

6) S R G M P D S R | S R G M P D N S ||
    S N D P M G S N | S N D P M G R S ||

7) S R G M P D N , | S R G M P D N S ||
    S N D P M G R , | S N D P M G R S ||

8) S R G M P M G R | S R G M P D N S ||
    S N D P M P D N | S N D P M G R S ||

9) S R G M P M D P | S R G M P D N S ||
    S N D P M P G M | S N D P M G R S ||

10) S R G M P , G M | P , , , P , , , ||
      G M P D N D P M | G M P G M G R S||

11) S , N D N , D P | D , P M P , P , ||
      G M P D N D P M | G M P G M G R S ||

12) S S N D N N D P | D D P M P , P , ||
      G M P D N D P M | G M P G M G R S ||

13) S R G R G , G M | P M P , D P D , ||
      M P D P D N D P | M P D P M G R S ||

14) S R G M P , P , | D D P , M M P , ||
      D N S , S N D P | S N D P M G R S |

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Janta Varisai Ragam: MayamalavaGowla

Janta Varisai


Ragam: Mayamalava Gowla


GEETANJALI GLOBAL GURUKULAM

DR GANGA RAMACHANDRAN

 

1) S S R R G G M M | P P D D N N S S ||

    S S N N D D P P | M M G G R R S S ||

 

2) S S R R G G M M | R R G G M M P P ||

    G G M M P P D D | M M P P D D N N ||

    P P D D N N S S | S S N N D D P P ||

    N N D D P P M M | D D P P M M G G ||

    P P M M G G R R | M M G G R R S S ||

 

3) S S R R G G R R | S S R R G G M M ||

    R R G G M M G G | R R G G M M P P ||

    G G M M P P M M | G G M M P P D D ||

    M M P P D D P P | M M P P D D N N ||

    P P D D N N D D | P P D D N N S S ||

    S S N N D D N N | S S N N D D P P ||

    N N D D P P D D | N N D D P P M M ||

    D D P P M M P P | D D P P M M G G ||

    P P M M G G M M | P P M M G G R R ||

    M M G G R R G G | M M G G R R S S ||

 

4) S S R- S S R- S R | S S R R G G M M ||

    R R G- R R G- R G | R R G G M M P P ||

    G G M- G G M- G M | G G M M P P D D ||

    M M P- M M P- MP | M M P P D D N N ||

    P P D- P P D- P D| P P D D N N S S ||

    S S N- S S N- S N | S S N N D D P P ||

    N N D- N N D- N D | N N D D P P M M ||

    D D P- D D P- D P | D D P P M M G G ||

    P P M- P P M- P M | P P M M G G R R ||

    M M G- M M G- M G | M M G G R R S S ||

 

5) S S R R G- S R G | S S R R G G M M ||

    R R G G M- R G M | R R G G M M P P ||

    G G M M P- G M P | G G M M P P D D ||

    M M P P D- M P D | M M P P D D N N ||

    P P D D N- P D N | P P D D N N S S ||

    S S N N D- S N D | S S N N D D P P ||

    N N D D P- N D P | N N D D P P M M ||

    D D P P M- D P M | D D P P M M G G ||

    P P M M G- P M G | P P M M G G R R ||

    M M G G R- M G R | M M G G R R S S ||

 

6) S S , R R , G G | S S R R G G M M ||

    R R , G G , M M | R R G G M M P P ||

    G G , M M , P P | G G M M P P D D ||

    M M , P P , D D | M M P P D D N N ||

    P P , D D , N N | P P D D N N S S ||

    S S , N N , D D | S S N N D D P P ||

    N N , D D , P P | N N D D P P M M ||

    D D , P P , M M | D D P P M M G G ||

    P P , M M , G G | P P M M G G R R ||

    M M , G G , R R | M M G G R R S S ||

 

7) S , S R , R G G | S S R R G G M M ||

    R , R G , G M M | R R G G M M P P ||

    G , G M , M P P | G G M M P P D D ||

    M , M P , P D D | M M P P D D N N ||

    P , P D , D N N | P P D D N N S S ||

    S , S N , N D D | S S N N D D P P ||

    N , N D , D P P | N N D D P P M M ||

    D , D P , P M M | D D P P M M G G ||

    P , P M , M G G | P P M M G G R R ||

    M , M G , G R R | M M G G R R S S ||

 

8) S S S R R R G G | S S R R G G M M ||

    R R R G G G M M | R R G G M M P P ||

    G G G M M M P P | G G M M P P D D ||

    M M M P P P D D | M M P P D D N N ||

    P P P D D D N N | P P D D N N S S ||

    S S S N N N D D | S S N N D D P P ||

    N N N D D D P P | N N D D P P M M ||

    D D D P P P M M | D D P P M M G G ||

    P P P M M M G G | P P M M G G R R ||

    M M M G G G R R | M M G G R R S S ||

 

9) S , R G , -S R G | S S R R G G M M ||

    R , G M , -R G M | R R G G M M P P ||

    G , M P , -G M P | G G M M P P D D ||

    M , M P , -P D D | M M P P D D N N ||

    P , P D , -D N N | P P D D N N S S ||

    S , N D , -S N D | S S N N D D P P ||

    N , N D , -D P P | N N D D P P M M ||

    D , D P , -P M M | D D P P M M G G ||

    P , P M , -M G G | P P M M G G R R ||

    M , M G , -G R R | M M G G R R S S ||

 

10) S R , G , -S R G | S S R R G G M M || 

      R G , M , -R G M | R R G G M M P P ||

      G M , P , -G M P | G G M M P P D D ||

      M P , D , -M P D | M M P P D D N N ||

      P D , N , -P D N | P P D D N N S S ||

      S N , D , -S N D | S S N N D D P P ||

      N D , P , -N D P | N N D D P P M M ||

      D P , M , -D P M | D D P P M M G G ||

      P M , G , -P M G | P P M M G G R R ||

      M G , R , -M G R | M M G G R R S S ||

 

11) S , R , G -S R G | S S R R G G M M ||

      R , G , M -R G M | R R G G M M P P ||

      G , M , P -G M P | G G M M P P D D ||

      M , P , D -M P D | M M P P D D N N ||

      P , D , N -P D N | P P D D N N S S ||

      S , N , D -S N D | S S N N D D P P ||

      N , D , P -N D P | N N D D P P M M ||

      D , P , M -D P M | D D P P M M G G ||

      P , M , G -P M G | P P M M G G R R ||

      M , G , R -M G R | M M G G R R S S ||

 

12) S S M M G G R R | S S R R G G M M ||

      R R P P M M G G | R R G G M M P P ||

      G G D D P P M M | G G M M P P D D ||

      M M N N D D P P | M M P P D D N N ||

      P P S S N N D D | P P D D N N S S ||

      S S P P D D N N | S S N N D D P P ||

      N N M M P P D D | N N D D P P M M ||

      D D G G M M P P | D D P P M M G G ||

      P P R R G G M M | P P M M G G R R ||

      M M S S R R G G | M M G G R R S S ||te your own unique website with customizable templates.

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Saturday, September 7, 2019

BajarE mAnasa rAmaM-navroj-Bhadrachala Ramadasu -great composers

Composer: Kancherla Gopanna (కంచెర్ల గోపన్న) popularly known as Bhadrachala Ramadasu (భద్రాచల రామదాసు), (c1620 – 1680CE) was born in an affluent Niyogi Brahmin family to Linganna Murthy and Kamamba in Nelakondapalli village of Khammamett Taluk, Warangal Division of (erstwhile Hyderabad State) northern Andhra Pradesh.More...
Raagam: Navaroju
Pallavi
|| BajarE mAnasa rAmaM | BajarE mAnasa rAmaM ||
Anupallavi
|| karadhRutaSara kOdaMDaM | karituMDAyuta Buja daDaM ||
Charanams
|| dASarathI narasiMhaM | dASarathI surasiMhaM |
kausalyA bahu BAgyaM rAmaM | maithilyAlOcana yOgyaM ||
|| avanata jalajaBavEMdraM | agaNita guNagaNa sAMdraM |
mAyAmAnuSha dEhaM muni- | mAnasa rucikara vEShaM ||
|| SyAma sajaladhara SyAmaM | sAMbaSivanuta nAmaM |
BadrAcala nivAsaM paripAlita SrIrAma dAsaM ||
.
https://pedia.desibantu.com/bajare-manasa-ramam/
29 dhIra shankarAbharaNam janya
Arohana : P D2 N3 S R2 G3 M1 P
Avarohana : M1 G1 R3 S N2 D2 P
Taalam: Triputa
Language: Telugu (తెలుగు)
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kapi narayani -film song-kadalaasu vanji eri

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kapi narayani-Emira-rama Bhadrajala Ramadas krithi by dr. balamuralikrishna

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Emira-rama Bhadrajala Ramadas krithi by dr. balamuralikrishna

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Friday, September 6, 2019

Bombay S Ramachandran

Bombay S. Ramachandran

  • Issue 199
  • Published By Sruti

  • ₹70.00

 
Special Feature
 
Special Feature
Senior musicians are often found criticising other musicians for incorrect renderings of raga-s. Likewise, critics and scholars frequently fault some  musicians for performing a raga improperly. The discerning listener often feels bewildered. Every objection raised cannot be valid; nor can every objection be invalid. Some efforts towards developing a rational viewpoint on the subject of raga authenticity are, therefore, in order. Let us make a beginning. As a backdrop to this debate, we must appreciate the socio-economic context in which music practice evolved upto the 19th century. The major seats of musicianship were the courts of the feudal aristocracy, which patronised great musicians. These principalities were isolated from each other by primitive modes of transportation, as well as means of communication. This was an era without radio, without telephony, and without mass-distributed pre-recorded music. Very few musicians knew what precisely others, just a couple of hundred miles away, were singing.
 
Special Feature
 
Special Feature
Manodharma, especially in raga alapana, hinges to a large extent on a sequence of musical concepts that have been tried and tested through the ages. The standard format of alapana currently in vogue stipulates gradual progression to the tara sthayi and back, introduction of fast passages at certain junctures and so on, within which manodharma must be contained. Students of Carnatic music are aware of these aspects. What then constitutes manodharma in raga alapana? Improvisation seems to lie more in the juxtaposition and arrangement of the phrases, the deft touches, modulation and bhava that the artist imbues them with, and the tone and timbre of his voice which inevitably moulds his style. It presupposes talent, erudition, hard work, and an innate sense of propriety.
 
Main Feature
 
Main Feature
The keys to learning in the gurukula system certainly seem to have been patience and alertness. Ramachandran continues: Chitoorar was also a great laya vidwan. In fact he would sing even the sarali varisai in khanda nadai (pulse of five beats). However, he would not explain what he was doing. Not daring to ask him I would just try and imitate. While such methods of teaching-learning ensured there would be no laxity on the part of the students, a fallout of it was that the student never really gained a complete understanding of the subject. In addition, it also created an unfulfilled longing in the mind of the trainee. 
 
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