न चोरहार्यं न च राजहार्यं न भ्रातृभाज्यनम् न च भारकारि ।
व्यये कृते वर्धत एव नित्यम् विद्याधनं सर्वधनप्रधानं ॥
na chorahaaryaM na cha raajahaaryaMna bhraatR^ibhaajyaMna cha bhaarakaari |
vyaye kR^ute vardhata eva nityam vidyaadhanaM sarvadhanapradhaanaM ||
lesson 1 @5G on Parukkanchery-Durga-Temple https://geetanjaliglobalgurukulam.blogspot.com/2022/08/niraja-nayane-vasanta-rupaka-evrb-gr-phd.htmlhttp://parukkancherybhagavathy.com/
pallavi
nīraja| nayanerāja||rāje|śvari māmava||
anupallavi
vārija|bhavapuraharādi||vāridā|bha nuta carite
vāgadhī|śa nāradādi||vandita |pada paṅkajayuge {yugaLE
caraNAm
śyāmaḷā|bhra samaśobhita||komaḷāṃ|gisumanohari||
kāmarā|jahrudayābuja||lola ma|dhukarī,,||
somaśa|kaladharaśrīkari||sundare|śi bhuvaneśvari
hemaśi|kharanagavihāriṇi||īśvarive|nkaṭaramaṇa śaṃkari||
chittaswara
sa, , ma ga ma dha dha ni ni dha dha |ma dha ni sa ×ri ×ni dha ni dha ma ga ri|
sa ma ga ma dha ma ga ma dha ni sa ×ri|× sa ×ri ×ga ×sa ×ri ×sa ×ni sa ×ni dha dha ni|
sa ×ri ×sa ×sa,× ni dha ni dha dha, ma |ga ma ga ga, ri sa ma ga ma dha ni|
sa,× , ni dha ni dha, , ma ga ma | ga, , ri sa ni Ösa ×ni dha ma ga ri||
the makuta arrangement and the prastara progression conform to the anga vidhana execution of rupaka tala,without destroying the prosody requirements.
the metrical balance also maintained.the accents on the first beat of druta and the first beat of the laghu in th 2+4 rupaka tala
The prosodic requirement of yati and antya praasa are met with
pg 56 song 36
sa,
, ma ga ma dha dha ni ni dha dha |ma dha ni sa ×ri ×ni dha ni dha ma ga ri|
sa
ma ga ma dha ma ga ma dha ni sa ×ri|× sa ×ri ×ga ×sa ×ri ×sa ×ni sa ×ni dha dha
ni|
sa
×ri ×sa ×sa,× ni dha ni dha dha, ma |ga ma ga ga, ri sama ga ma dha ni|
sa,×
, ni dha ni dha, , ma ga ma | ga, , ri sa ni Ösa ×ni dha ma ga ri||
the makuta arrangement and the prastara progression
conform to the anga vidhana execution of rupaka tala,without destroying the
prosody requirements.
the metrical balance also maintained.the accents on
the first beat of druta and the first beat of the laghuin th 2+4 rupaka tala
The prosodic requirement of yatiand
antya praasa are met with
pg 56 song 36
4.1.1 A study of the structure of the kr̥ti as adopted by E³³app¡¿a¯ VenÅki¿ar¡ma Bh¡gavatar, keeping in view the similarities and dissimilarities in the sections or aṅga sof the kr̥ti s by other composers.
vith dr sarasvati lo ka ya m r ma h lakm rga bhairavi ta cpu pallavi 1. r n s , , , | s, g ,r , g , || p m p , , , | m, p , d , n , || s , , , , , | s , n , d ,d , || m , p , m , | p m g , r , s , ||
lo ka ya m r ma h la km
2. r s n , s , | m,pm g ,r, g , || m p d , p , | m, p , d , n ,|| s r g r s ,|n, d ,p , , , || m g r m p ,d p m p | p m g , r g r s || lo ka ya m r ma h la km
3. s , r s n s | s s m, p m g ,r , || r g m p d , |p , , , d , n , || s r g r m p | g r s n d , p , || p m n n d p | p m g , r , s , || lo ka ya m r ma h la km 4. s r r s n s | s s m,pm m,pm gr|| r g m o d o | m p dn s , r s|| s , m,pm g r | s , n d, p , || p p s n d p | p m g , r ,s ,|| lo ka ya m r ma h la km 1. r , r, |g , m ,p , p , , , || g m p, m , | pm g , r , s, || r , r s n | s , , , ,, || p , , , m , | p m g , r , s , || a khi l e va ri ja na ni de vi 2. m g r , g , m , p , d , p , || g m m,pm m , | mg p m ggr ,|| r, r s n , s| p , g r s n d p || pp s n d p | m m m p m g r s || a khi l e va ri ja na ni de vi anupallavi 1.p , d, p , |d, n , nd p , | d , p , , , | d , p , d, m , || p , , , , , | p , , , p , , , || d , p , ,,| d, p , d , m , || n l a ka ve i ni ra ja ni 2.p , d , p , | d ,rs n , , , || d r s n d , | pd n d d p m ,|| p , ,, , , | n d , p m , , , || m g r, g , | m p d , p , m , || n l a ka ve i ni ra ja ni 3.p d p , d | n s r , g r s n d , || p d n d p m | p , p , d , p , || p d n , ,, | d , , , n , , , || r s n , ,, | s , , , s , r , || n l a ka ve i ni ra ja ni 4.g , r , s ,| r s s n n , , , || n s r, g r s r | r s n , d , p , || p , p , d , |n , , , s r , || g , r , ,, | g r s , s , , , || n l a ka ve i ni ra ja ni 1.s n s , r , | r , , , g , r , || r , s , r , | r s s n s , s , || p , , , r , | s r n , d , p , || s n d ,p ,| p m g , r ,s , || ni khila ma gaa d na kal paka ni ka a ga ka ka vk a aihi?? 2. n , g, r , | s , r , g , r , || g g r s r , , , | m g g r r s s , || s r g , r , | r s s n n d p , || s , , , p ,| p m g , r , s , || ni khila ma gaa d na kal paka ni ka a ga ka ka vk a aihi?? car¡ 1.d , p , , , | m , ,, ,, ,, || m , , ,, , | m , g , r , s , || g r g , , , | p , m , p, , ,| p , d , m , | p , , , p , p , || ka ma le! ka ja da ya te ka:i 2.p m p n d p | d p m , m , , , || g m p , m , | p m g, r , s , || g , r, g , |m ,p m p , , , || m , n , d , | p , , , p , p , || ka ma le! ka ja da ya te ka:i p , d, p , | m , , , , | m , p , m , | p m g , r , s , || m , g r, g , | m, p m p , || p , p , d , | r s n , d , p , || ka na k ba ri! ka a k di bh a i d, p , m , | n , d , n , , , || n s r s , | r s s n n d p , || p , p , d , | s,r s n , d , || p , r , s , | r g r , s , , , || ka ma n ya ta ra ka a mr du bh i i s n s , , , | r , g , r , || r s , r , | r s , n s , s , || p , g r | s , n, d , p ,|| s , n, d , p ,| p m g , r ,s , || kha ga r j di r ja gamana v ka a ra ma a v mini g g r s nd | ns r g r , , , || m , g , r , | r s s n r , s , || m , g , r , | s , n , d , p , || p p d m p ,| m n d p m g r s || kha ga r j di r ja gamana v ka a ra ma a v mini
I bow down to Sri Hari, who is the killer of Narakasura, who is the lion-man (Narasimha) and who is Narayana.
Anupallavi
O! The Lord of humans, kinnaras, gods, demons, snakes, birds and the movable and immovable!
Caranam
O! The One whose feet are like the infant Sun and the lotus, with the lustre of the rays of precious gems, the One whose eyes resembling the lotus is full of mercy (for the devotees), one who grants the wishes of those who supplicate in front of Him, who strikes terror in the hearts of enemies, One whose pace is lovely as the gait of the elephant, to that Venkataramana (I bow down in supplication).
