MMP 9

 https://www.youtube.com/watch?v=sAvBVJ9INIs

MMP 9 LESSON

I shall meditate upon Goddess Sri Adishakthi who dwells in the gem decorated island surrounded by marvelous Kadamba woods, in the middle of  Amrithabdhi/ocean of nectar which is crowded with huge waves,  there is a grand dais made of large pillars decked in diamonds and precious stones, she has majestic throne made of Chinthamani located in the sanctum of it.   I shall meditate upon Goddess Sri Adishakthi who dwells in the sacred Srichakra which has the brilliance of Chandra, Arkka/Lord Surya and Agni, she has the luster of Lord Adithya in the early hour of dawn, she is wielded in Pasham, Angusham, bow and arrow, she is pleasant, she is attired in majestic silk garments, her marvelous crown is decorated with crescent moon, she has beautiful smile on her face.  I shall meditate upon Goddess Sri Adishakthi who is the source of all the deities, she is the symbol of all the auspiciousness, she is seated on the gem studded throne, I shall offer scented water along with vermilion, sandal paste and with various fragrances to wash your lotus feet, I shall humbly offer Padhyam, Arkhyam and Achamaneeyam to please you, Oh! Karunyamritha Varidhe ,  kindly accept the same.   I shall meditate upon Goddess Sri Adishakthi, who is the sole objective of Yogis, she has wide beautiful eyes and she is the protector of the Universe, I shall humbly offer scented water mixed with vermilion, sandal paste, camphor and various rich fragrances, cow’s milk, tender coconut water and sacred water after recitation of various hymns to please you Oh! Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi,who is the essence of Hreemkara,  I shall humbly offer marvelous garments decorated with various gems and precious yellow metal and Yajjasoothra made of precious pearl garland in golden thread to please you, Oh! Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi, who has the gait of swan, I shall humbly offer precious ornaments and garlands made of precious yellow metal, golden bangles, marvelous ear rings,  Choodamani and crescent moon, nose pin, arm lets, waist belt, anklets, rings etc… to please you, Oh!  Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi, I shall humbly offer various fragrances, sandal paste, vermilion, camphor etc… to apply all over your body,  decorate your forehead with vermilion, Gorochanam and Kasthuri on your neck areas, highly scented and purified charcoal for the eyes,  Oh! Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi, I shall humbly offer garlands made of  fresh alluring flowers of Kalharam, Uthpalam, Mallika, Maruvakam, golden lotus flower, Jathi, Chambakam, Mandhara, Kethaki, Jasmine, etc.. Oh! Varade, kindly accept the same.  I shall meditate upon Goddess Sri Adishakthi who please Lord Shiva/enemy of Lord Manmatha, with her amorous sport and attractive features like beautiful long curly hair locks, I shall humbly offer Gulgulu and various rich fragrances to make your Leelagriham/creeper home more attractive to please you, Oh! Devi,   kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi, I shall humbly offer ghee lamps to place all over the gem decorated palace and the attractive golden idols positioned in it to please you,  Oh! Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi who is the essence of Hreemkaram, I shall humbly offer Dhivyannam/ rice mixed with Ghee, Dhal, Jaggery, Curd, honey, sugar, milk etc… in marvelous  precious yellow metal vessels, I shall humbly offer Mashapoopasahasram/snacks made of Urud Dhal in a precious stone vessel made of  Ruby/Manikyam,  Oh! Ambe, kindly accept the same.   I shall meditate upon Goddess Sri Adishakthi, I shall humbly offer superior qualities of betel nut, camphor, Poogaphalam, Choornam as Thamboolam to multiply the fragrances to your lotus face, Oh! Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi, I shall humbly offer Neeranjanam/camphor which is reverentially carried by the young maidens in pearl decorated vessels, beautifully dancing to the tunes of percussions and various divine musical instruments.  Oh! Devi kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi who is served by Goddess Sri Mahalakshmi with majestic umbrella, Goddess Indrani and Rathidevi with marvelous fans on their hands, Goddess Saraswathi playing divine musical instrument Veena, all the female celestials are beautifully dancing to the tunes to please you, Oh! Ambe, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi who is the symbol of Hreemkara and worshiped by Hreemkara hymns, her body represents Upanishads, she is beyond description, therefore Oh! Devi kindly accepts all these verse as sacred chants, all our movements as Pradhakshinam, Shayanam as Namaskara to please you.  Oh! Girisuthe, Kindly accepts the same.

Whoever worship Goddess Sri Adishakthi/Girisutha on daily basis in the evening hours with the above sacred hymns/Sri Manthraksharamala, would be blessed with the eternal presence of Goddess Sri Adishakthi in their hearts, Goddess Sri Saraswathi would be blessed with her eternal presence on their tongue, Goddess Sri Mahalakshmi who is Jaganmangala Swaroopini would be blessed with her eternal presence in their homes.

The above sacred chants are the marvelous anklets for the Girivaraputhri/ Goddess Sri Parvathi which spread supreme luster to the whole Universe and purify the same,  Mathruka Pushpamala is an auspicious  stream of nectar like Shivapadham which entice the honey bees like intellectuals. 

gananatha gitam TAMIZH @5G VEENA VOCAL CLASS

 https://youtu.be/F6DNazIj5yk

GANANATHA TAMIZH GEETAM

Ragam: Thodi (8th melakartha) Talam: Adi (2 kalai) Composer: Shyama Shastry

 https://www.youtube.com/watch?v=ix_VnTnqt9g&list=PL4doz3WwRARAc1fGGqofGg4OHmHvC_6ip&index=3&t=7s&pp=sAQB

Rave Himagiri Kumari

 

Ragam: Thodi (8^th melakartha)

Talam: Adi (2 kalai)

Composer: Shyama Shastry

s ramachandran sir bombay

 

Pallavi:

Rave Himagiri Kumari Kanchi Kamakshi Varadaa

Manavi vinavamma Shubhamimmaa Maayamma

 

Swara Sahityas

 

1.      Natajana Paripaalini Vanuchu Nammitini Sadaa Brova

2.      Madamatta Mahishadaanava mardhani  Vetadirchave Duramuganu

3.      Kaamapaalini Neevee Gatiyani Koriti Koniyaaditi Veediti

4.      Kaamithartha Phaladaayakiyaneti Birudu Mahilo Neeke Tagu

5.      Kamalamukhi Daragala Ghananilakacha Bharaa Mruga vilochana Maniradana gajagamana madiloo Ninnu Sada Dalachu Koni Nee Dhyanamee talli

6.      Syamakrishnanutaa Vinu Naachintanu Veeveega Deercchi Abhayamiyyave Kalyani Kanchi Kaamakshi Nee Paadamee Dikku

 

Simhanandana thala Thillana Gowri NayAka Gana Shubha DAyaka

we learn about the very rare Simhanandana thala Thillana . This unique gem composed by Maha Vaidyanatha Iyer is set in Ragam Kanada and praises Goddess Parvathy's nayaka , Lord Shiva who is the destroyer of death himself. Illustration : Geethanjali About The Raga : Kanada Arohanam : S R2 P G2 M1 D2 N2 S Avarohanam : S N2 P M1 P G2 M1 R2 S Janya of 22nd Mela : Kharaharapriya About The Thalam : Simhanandana Thalam Simhanandana Thalam is the longest thalam in Indian Music . It has 18 Angas and 128 Kriyas or beats. It comprises of the rarely used angas like : Guru, Plutam and Kakapadam. This thillana has two Avartams (cycles) of Simhanandana Thala ; the first avartam for sahityam and the second for the jathi syllables. This thalam is the 37th of the Ashtothara Shata (108) thalas. The Angas are: Guru(8), Guru(8) , Laghu(4), Plutam(12), Laghu(4), Guru(8), Dhrutam(2) , Dhrutam(2), Guru(8), Guru(8), Laghu(4), Plutam(12), Laghu(4), Plutam(12), Guru(8), Laghu(4), Laghu(4), Kakapadam(16) Lyrics : Gowri NayAka Gana Shubha DAyaka

Lyrics : Gowri NayAka Gana Shubha DAyakaKamalA KAnta DAyaka KAla KAla Shoola kara Gangadhara pura hara GajacharmaAmbara KAla Kandhira Sundara Mandira Gayaka KEsara Bhoosura Nara Vara stutha giri KArmuka KAla Kanaka Sabha Nataraja mAmava Dheem Tana Dhirana Tana Dhirana Tana dhirana tana tana dhirana Udanitanam tanam dhinna Dru Dru tani tanomtanam ta Dhitlam dhirana tana dhirana tani tom tana tana dhirana dhitlam tlam tadani udani dhit thillana diri diri thillillAna tom tari kitataka jem thillillAna tom tari kitataka je thillilAna  

tom tari kitataka 

Gowri NayAkasimhanandana tala demo

ஶுப ஜன்ம தினோத்ஸவ: ஹே தேஶ

 ஶுப ஜன்ம தினோத்ஸவ:  ஹே தேஶ

ஶுப ஜன்ம தினோத்ஸவ:  பாரத

ஶுப ஜன்ம தினோத்ஸவ: ஹே தேஶ

ஶுப ஜன்ம தினோத்ஸவ: பாரத

தேஶோயம் மம  தேஶோயம்  தேஶோயம்  ஜன்ம தேஶோயம்

தேஶோயம் மாத்று தேஶோயம்   தேஶோயம்  ப்ரிய   பாரதம்

ஶுப ஜன்ம தினோத்ஸவ:  ஹே தேஶ

ஶுப ஜன்ம தினோத்ஸவ:  பாரத

ஶுப ஜன்ம தினோத்ஸவ: ஹே தேஶ

ஶுப ஜன்ம தினோத்ஸவ: பாரத

தேஶோயம் மம  தேஶோயம்  தேஶோயம்  ஜன்ம தேஶோயம்

தேஶோயம் மாத்று தேஶோயம்   தேஶோயம்  ப்ரிய   பாரதம்

நீண்ட நீண்ட காலம்  நீடிவாழ வேண்டும்  நீடு வாழ வேண்டும்

வானம் தீண்டும் தூரம் நீ  வளர்ந்து வாழ வேண்டும்

எட்டுதிக்கும்எட்டுத்திக்கும் எட்ட வேண்டும் எடுத்துக்காட்டு ஆக வேண்டும்

உலகம் பார்க்க உனது பெயரை நிலவு தாளில் எழுதவேண்டும்

 வளர்ந்து வாழ வேண்டும்

நீடு வாழ வேண்டும்

alamelumanga http://annamayya-u.blogspot.com/2009/04/&target=twitter

 bhairavi alamaelumaMganee vabhinavaroopamu

http://annamayya-u.blogspot.com/2009/04/&target=twitter

jalajaakshu kannulaku chavulichchaevamma

garuDaachalaadheeSu ghanavakshamunanuMDi
paramaanaMda saMbhiratavai
neratanamulu joopi niraMtaramunaathuni
harushiMpaga jaesi tigadamma

SaSikiraNamulaku chaluvalachoopulu
viSadamugaa meeda vedajalluchu
rasikata peMpuna karagiMchi eppuDu nee
vaSamujaesukoMTi vallabhunOyamma

raTTaDi SreevaeMkaTaraayaniki neevu
paTTapuraaNivai paraguchu
vaTTimaakuligiriMchu valapumaaTalavibhu
jaTTigoni vuramunasatamaitivamma

Monday, 26 December 2016

Alamelumanga Nee Abhinava Roopamu Keerthana Lyrics

alamaelumamganee vabhinavaroopamu
jalajaakshu kannulaku chavulichchaevamma

garudaachalaadheesu ghanavakshamunanumdi
paramaanamda sambhiratavai
neratanamulu joopi niramtaramunaathuni
harushimpaga jaesi tigadamma

sasikiranamulaku chaluvalachoopulu
visadamugaa meeda vedajalluchu
rasikata pempuna karagimchi eppudu nee
vasamujaesukomti vallabhunoyamma

rattadi sreevaemkataraayaniki neevu
pattapuraanivai paraguchu
vattimaakuligirimchu valapumaatalav

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bhairavi geetam

 Sri Ramachandra

Ragam: Bhairavi

Talam:  Chathurasra Jathi Dhruva Talam (I₄ O I₄ I₄ )  

 

Arohanam : S G₂R₂ G₂M₂ PD₂ N₂S                                                                         Avarohanam: S N₂D₁ PM₁ G₂ R₂ S

 

Sahityam:

Shree Raamachandra Asritha Paarijaatha Samastha

Kalyaana Gunabhi Raama Seetha Mukha Amboruha

Sanchareeka Nirantaram Mangala Maata Notu

 

Meaning: (Adapted From: Perfecting Carnatic Music, Level 1 by Chitraveena Ravikiran)

Shree Raamachandra is like the Paarijaatha (wish-fulfilling) tree to all ("samastha") his devotees ("asritha"). He pleases one and all with his divine ("kalyaana") qualities ("guna"). He is like the bee ("sanchareeka") that flies over the lotus ("amboruha") that compared to the face ("mukha") of Sita. May He grant ("maata notu") benediction (i.e. bless us) ["mangala"]  forever ("nirantaram").

 

Geetham:

 

Shree Raamachandra is like the Paarijaatha (wish-fulfilling) tree to all ("samastha") his devotees ("asritha").

 

G       R       G              M      |       P           ,         |       M          G               R          G       |       M          P        M    ,          ||

Shree -        Raa           -         |          ma             -          |         chan          -                   draa  -       |          Sri     tha          Paa    -       ||

 

P        D₂      N              N       |       D₁               P      |          M      N               D₁      P      |          M      G     R          S        ||

-         ri        jaa             -         |       -            tha    |          Sa      ma             -         -       |          -         -       -          stha  ||

 

He pleases one and all with his divine ("kalyaana") qualities ("guna").

 

S        R      S                P        |       M                    P      |          G       R               G       M    |          G       G     R          S        ||

Kal    -         -                 ya      |       -            na      |          Gu     na              -         bhi  |          raa     -       -          ma     ||

 

He is like the bee ("sanchareeka") that flies over the lotus ("amboruha") that compared to the face ("mukha") of Sita.

 

R       R       G               G       |       M                    M    |          G       G               R       G     |          M      P      M          M      ||

See    -         tha            -         |          Mu       kha          |         Am  -            -         -       |          bo     -       ru          ha      ||

 

P        D₂      D₂              N       |       N           S       |       P          D₂              N          S       |       R          G       R     S          ||

San   -         -                 -         |       -         cha    |         ree   -            -         -       |          -         -       -          ka      ||

 

 

May He grant ("maata notu") benediction (i.e. bless us) ["mangala"]  forever ("nirantaram").

 

N       R       S               G       |       R           S       |       N          N                 D₁      M    |          P        D₂    N          S       ||

Ni      ran    -                 tha    |          ram    -       |          Man  -                 ga      la     |          Ma    -       -          ta       ||

 

 

P        D₁      P               S       |       N           S       |       P          D₁              M          P        |       G          ,         R     S          ||

No     -         -                 tu      |       -            -         |       -          -                 -          -         |       -          -         -       -          ||

low sthayi prannav lesson L 2 violin -Ganga Ramachandran@geetanjaligloba...

natta kurini

 <iframe src="https://drive.google.com/file/d/1d7pTlAC39aAWdES63uKtMf-2PDLQ-o5W/preview" width="640" height="480" allow="autoplay"></iframe>

natakurini brinda ekkalathilum

 https://sonichits.com/video/Brinda/Chalamela_-_Nattakurinji

nattakurinji pad a varnam poorvangam + uttarangam swaras

VARNAM 11 Ragam: Nattakkurinchi Talam: Adi (s m1 g3 m n2 d2 n p d n s : S n d m g m p g r2 s) Pallavi : || m , g , s , , s n d n p d , n , | s , , , , , n d n s n d n s r g || cha…la..…me… la … ………... …… je …… se……. va……yya….. || m g s r g m n d m g m n d p d n | S n d R S n d m g s n d n s r g || cha…….. kka…. ni………… Ma… ram……. ga…… yya A:Pa: || s , n d n p d n S n d m p g r s m g m p g m n d n p d n S , ; || ka… la….. ka…. la…. Mu……… ni………… pa…. da..mu…le… || n S R G M G S R S n S n d p d n S , n d m p g r s n , d n s r g|| ga……… thi……. .ya…… ni ……na.mmi….yu……. nda… ga… Chi: Swa : || m m g s n d n s r r s n d p d n | s n d m n d n p d n s r n s r g || || m m g srgm ndmgm ndns | RGM S , , Snd m , m g s r g || Charanam: || n , d , n , , S n d n p d , n , | S , ,, ,, n R S n d S n d m , || n…nnu….bro……va …… ni ku….. bha….. ra…. Ma Cha:Swa:1 || d, ,, ,, n, ,, d, ,, m, | g, ,, ,, s, ,, r, s, n, || d, ,, ,, m, ,, n, d, n, | s, ,, ,, n, s, r, g, m, || (Nannubbro…) Cha:Swa:2 || n , d p d n d , m g , m p g r s | n , d n s r s , rgm ndmgm || (Nannubbro…) Cha:Swa:3 || n,, S,, nRSn dnS dnp | d,, m,, rgmg snrsnd || n ,, s ,, rgmgm ndnpd | n,, S,, RGMGSn Sndm || (Nannubbro…) Cha:Swa:4 || S, ,, ,, RGMG Sn RSnd | n, ,, ,, pdn Snd mpgr || s , ,, ,, ndns ndns rg | m, ,, ,, rgmp mg mndn || || S, RS ndn, Sndp d,pm | g,mpgm n,d mndn pdn || SRGMGS nRSn dndpdn| Sdp gmpgr snd nsrgm || ( Nannubbro…)  

M – G – Sa - - n Dn Dn Dn P PnD Dsn 

Sa - - -Sa – n D Ni Sa n D Ni Sa Re Ga 

M G Sa Re Ga m ni D M G m ni D P D n 

S n D P D n D m G S ni D Ni Sa Re G 

Sa - - ni D ni P D Ni Sa ni D M P G R 

Sa m G m P – G m Ni D ni P D ni S – 

Ni S Re Ga M G S R S ni S ni D P D n 

S - Ni D M M – G S Ni D ni - Sa Re G 

M m G S Ni D ni S R R S n D P D n 

S N D m N D n P D N S R Ni S R G 

M m g S R G m n D m g m Ni D ni S 

R G m S - - S N D M – m G S R G 



MN –D – Ni - - S 

ni D ni P D n S 

– - S 

- ni R S ni D S N Ni D m 

D - - - 

- - -Ni - - D 

– – m 

G - - - 

- Sa -Ni D - m 

– ni – 

Ni – Sa – - -ni -Sa – Ri – G – m – 

(mni Da ni - --) 

Mn D P D ni D – M G – m P G R S 

N – D ni S R S R 

G m n D M G m 

(mni D ni - - ) 

Ni – - S -- N R S N D n S D n P 

D - - m -- R G M G S n R S n D 

Ni - - S - - R G M G m ni D n P D 

Ni -- S -- R G M G S n S n D m 

(mn D – ni - - ) 

S - - - 

- Re G M G S N R S N D 

N - - - 

-P D Ni S ni D R M P G R 

S - - - 

-Ni D NI S NI D NI S R G 

M - - - 

- R G M P m G M N D N 

S - - - 

- R G M G S N S n D m 

(Mn D – ni - - ) 



LYRICS – MEANING – TRANSLITERATION – LANGUAGE IS 

TELUGU, COMPOSER – MULAIVITTU RANGASWAMY 

NATTUVANAR. 

calamEla jEsEvayya (varNa). rAgA: nATakuranji. Adi tALA. 

Composer: Mulaivittu Rangasami Nattuvanar. 

P: calamEla jEsEvayya cakkani mA rangayya_A: kAla kalamu nI 

pAdamulE gatiyani nammmiyuNDaga_ (muktAyisvara 

sAhitya)_kari moraliDa vini uramuna veDali makarini dunimi 

karivaraduDa nI birudu _dharanu velasi surulu pogaDa kaligina 

patita pAvanuDa nA manavikonu_C: nannu brOva nIku 

bhAramA_ 1: idE bAgani yUrakAnu nIvunna nanu nE 

vIDacEdAna_ 2: nIdu smaraNa gAka vErE eruganu nIraja 

nayana danuja mada haraNa_ 3: anDaANDa mulaku nadipati 

vani niNDa moraliDaga vinivinaka yuNDa_ sariya guNa 

madanajana kuNDa varamosagu nanu dinamu_ 4: A draupadiki 

valuva sabhalO dora karuNa osagina mahA daya gala_ ninu 

pogaDanu nA taramaguna siri velayu rangapurini ElinapaDi 

nAkala_ nandacina palu naDatulu numadi telupa valadu 

valadu valadu caraNu murahari 

calamEla jEsEvayya (varNa). rAgA: nATakuranji. Adi tALA. 

Composer: Mulaivittu Rangasami Nattuvanar. 

P: calamEla jEsEvayya cakkani mA rangayya 

Gist: O beautiful Rangayya, why are you spiteful? 

A: kAla kalamu nI pAdamulE gatiyani nammmiyuNDaga_ kala kAlamu 

nI pAdamulE gatiyani nammmiyuNDaga 

Gist: Always, I believed your feet to be my destination._ 

_(muktAyisvara sAhitya) 

kari moraliDa vini uramuna (rayamuna?) veDali makarini dunimikarivaraduDa nI birudu dharanu velasi surulu pogaDa kaligina patitapAvanuDa nA manavikonu 

Gist: Hearing the elephant cry out, You went fast, killed the 

crocodile, got the title 'protector of the elephant', extolled by 

celestial beings as protector of the fallen, please hear my prayer. 

C: nannu brOva nIku bhAramA 

gist: Is it heavy (difficult) for you to protect me? 

1: idE bAgani yUrakAnu nIvunna, nanu (ninu) nE vIDacEdAna 



(viDacEdAninA) 

Gist: If you stay put thinking that this is ok, I am not one to 

leave 

you.

 2: nIdu smaraNa gAka vErE eruganu nIraja nayana danuja madaharaNa 

Gist: O lotuseyed, killer of demons, I know nothing else except 

your thoughts.

 3: anDaANDa mulaku nadipati vani niNDa moraliDaga vinivinakayuNDa sariya guNa madanajana kuNDa varamosagu nanu dinamu 

anDaANDa mulanu nadipedi vadavani moraliDaga, vinIvinakayuNDuTa sariyA, guNa madanajana kuNDa, varamosaga nanu dinamu(calamEla...) 

Gist: I prayed to you thinking you are the Maintainer of the 

universe. Is it proper for you to stay without properly hearing 

me? 

O father of Cupid! Why are you (refusing) to give me the boon?

 4: A draupadiki valuva sabhalO dora karuNa (n)osagina mahAdaya gala_ ninu pogaDanu nA taramaguna, siri velayu rangapurini 

ElinapaDinA kala_ nandacina palu naDatulu numadi telupa valadu valadu valaducaraNu murahari 

Gist: Is it possible for me to praise you, who, with great 

compasion, gave clothes to Draupadi in the congregation ( of 

Kauravas) ? Please donot disclose my behaviour in the dream 

during 

your reign of Rangapuri, Please protect me. 

The last half is not very clear. 

--Rigapada 

Lyrics:

P: calamEla jEsEvayya cakkani mA rangayya A: kAla kalamu nI pAdamulE gatiyani nammmiyuNDaga (muktAyisvara sAhitya) kari moraliDa vini uramuna veDali makarini dunimi karivaraduDa nI birudu dharanu velasi surulu pogaDa kaligina patita pAvanuDa nA manavikonu C: nannu brOva nIku bhAramA 1: idE bAgani yUrakAnu nIvunna nanu nE vIDacEdAna 2: nIdu smaraNa gAka vErE eruganu nIraja nayana danuja mada haraNa 3: anDaANDa mulaku nadipati vani niNDa moraliDaga vinivinaka yuNDa sariya guNa madanajana kuNDa varamosagu nanu dinamu 4: A draupadiki valuva sabhalO dora karuNa osagina mahA daya gala ninu pogaDanu nA taramaguna siri velayu rangapurini ElinapaDi nAkala nandacina palu naDatulu numadi telupa valadu valadu valadu caraNu murahari

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Rave Himagiri Kumari Ragam: Thodi (8th melakartha) Talam: Adi (2 kalai) Composer: Shyama Shastry

 http://www.shivkumar.org/music/ravehimagiri.htm#:~:text=Rave%20Himagiri%20Kumari,feet%20(%E2%80%9CNee%20Paadame%E2%80%9D).%5D

Rave Himagiri Kumari

 

Ragam: Thodi (8^th melakartha)

Talam: Adi (2 kalai)

Composer: Shyama Shastry

Version: Semmangudi Srinivasa Iyer

 

Pallavi:

Rave Himagiri Kumari Kanchi Kamakshi Varadaa

Manavi vinavamma Shubhamimmaa Maayamma

 

Swara Sahityas

 

1.      Natajana Paripaalini Vanuchu Nammitini Sadaa Brova

2.      Madamatta Mahishadaanava mardhani  Vetadirchave Duramuganu

3.      Kaamapaalini Neevee Gatiyani Koriti Koniyaaditi Veediti

4.      Kaamithartha Phaladaayakiyaneti Birudu Mahilo Neeke Tagu

5.      Kamalamukhi Daragala Ghananilakacha Bharaa Mruga vilochana Maniradana gajagamana madiloo Ninnu Sada Dalachu Koni Nee Dhyanamee talli

6.      Syamakrishnanutaa Vinu Naachintanu Veeveega Deercchi Abhayamiyyave Kalyani Kanchi Kaamakshi Nee Paadamee Dikku

 

 

Meaning: (TK Govinda Rao’s book)

 

Please come, oh the daughter of the slow clad mountains, Kaamaakshi of Kaanchi!, the bestower of boons, listen to my prayers and grant me auspiciousness. Oh my mother !

The saviour of those who surrender to you. I place my implicit faith in you to protect me always.

You who subdued the arrogant demon Mahisha, please dispel my agony at once.

The protector of Cupid, you are my sole refuge. I beseech you, praise you ardently,  entreat you to protect me.

The title accorded to you, as one who confers the fruits of the desired boons befits you.

You, the lotus faced one with a beautiful blue neck, whose dark tresses are adorned with flowers, are having eyes like that of a doe. Your teeth are like pearls and your gait is majestic like that of an elephant. Mother, I always reflect upon you in mind!

Oh the one, worshipped by Syamakrishna, pray listen, dispel my fears and confer on fearlessness. Oh the auspicious one! The Kamakshi of Kanchi, I have no place to go, but to surrender at your feet.

 

 

Pallavi:

 

D ; ; ;      ; ;  N ;                ; ; ;   N                G R S - N            |  D M  ;  - D    ;  ;   D N  |  S   sn D- N   ;  S  -   D N   ||

Raa              ve              Hi  magiri   Ku        ma -        ri              Kan-    chi Ka-    ma-  kshi Va ra

 

S ; ; ;       ; ; ; ;                ; ; ; ;         N  D N – S                |   R G ;   R   -        S    rn  S ; |  ; S -    G ;     ; gr R  S    ||

daa                                        Ma na vi  Vi              na va               mma               Shu bhami  mmaa Maa     yam  ma

 

[Please come(“raave”), oh the daughter (“kumari”) of the slow clad (“hima”) mountains (“giri”), Kaamaakshi of Kaanchi!, the bestower (“daa”) of boons (“vara”), listen (“vini”) to my prayers (“manavi”) and grant (“I” or “Iyyave”)  me auspiciousness (“shubham”). Oh my (“maa”) mother (“amma”)! ]

 

 

Swara Sahityas:

 

 

1. D N  S  R    G R G  ;    ; ; ;  G M -  G R S  |      R ; ; ;              ; ; R S                |  N - S   D ;          ;  S ; N    ||

   Na tha ja na  Pa ri paa             li  ni   Va nu chu  Nam        mi ti          ni Sa daa             Bro va

 

[The saviour (“paripaalini”) of those who surrender (“nathajana”) to you. I place my implicit (“anuchu”)  faith in you (“nammithi”)  to protect me (“brova”)  always (“sadaa”).]

 

 

2. M  G R  ;    S  - R  S   N  - D ; ; ;  N S  - R ;    |  S  N - S    R    S ; ; ;                 |  G , R ,  S             G  R  S  N ||

  Ma da ma     tta Ma hi sha   Daa    na va Mar     dha ni Ve ta  dir            cha ve Du               ra mu ga nu

 

[ You who subdued (“mardhani”) the arrogant (“madamatta”) demon (“Daanava”) Mahisha, please dispel (“Vetadirchave”) my agony (“duramu”) at once. ]

 

 

3.  G ;   M   P      ;  ;  G M  -  N ;  D M -  G R S N    |  G ;  R S ;  ;  R  G |  S ;  S R    -                N ;  N S  ||

    Kaa ma paa           li ni     Nee  vee-     Ga ti ya ni   Ko  ri ti               Ko ni   yaa di ti                Vee  di ti

 

[ The protector (“paalini”) of Cupid (“Kaama”), you (“neeve”) are my sole refuge (“gatiyani”). I beseech you (“koriti”), praise you ardently(“Koniyaaditi”), entreat you (“veediti”) to protect me. ]

 

4. G ;   M   D      ;  M - G    M     D ; ;  - N   D M   G ;     |  ;  D M G                R  ;  ;  M    |  G R N ;   ;   G R S  ||

    Kaa  mi  thar      tha  Pha la     daa      ya  ki ya   Ve            di ti  Vi     ni        Ma     hi lo Nee    ke Tagu

 

[The title accorded to you, as one who confers (“daayaki”) the fruits (“phala”) of the desired (“kaamithartha”)  boons befits you. Listen (“vini”)  to my entreaties (“Vediti”), O,  the one who has no equal (neeketagu”)in the worlds (“Mahilo”)]

 

5. G M  N D     M – G M D      M  - G  D  M    ;   G  R  S  |  P , M , G R -  M , G , |   R S – R S  R G M  ; ||

   Ka ma la mu  khi  Da ra ga     la    Gha na ni       la  ka cha Bha raa Mru ga Vi  lo   cha na Ma ni ra da na

 

G  R  G  M     D  ;   M  D     N  ;  D  N                S  D ;  D        |  N D - G R             N  ;  ;   D  | ; ;  M  ,  G , R ,  S ,  ||

Ga ja  ga ma    na     Ma di     lo  Ni nnu       Sa da    Da       lachu  Ko ni  Nee   Dhya   na     mee Tal  lli

 

[You, the lotus (“Kamala”) faced (“mukhi”) one with a beautiful blue neck (“Gala”), whose dark (“Ghana”) tresses are adorned with flowers, are having eyes (“Lochana”) like (“vi”) that of a doe (“Mruga”). Your teeth (“rada”) are like pearls (“Mani”) and your gait (“Gamanaa”) is majestic like that of an elephant(“Gaja”). Mother, I always (“Sadaa”) reflect  (“dalachu”) and meditate (“Dhyaaname”) upon you in my mind! ]

 

6.  D ;  D – N      ;  D  - N S  –  N D    N  ;  -   G ;    R  N   |  S ;  ;  S  ;  N  D ;    |  ;  N    S  N    D – P D M ||

    Sya   ma  kri      shna nutaa  Vinu    Naa      Chin tanu     Vee    vee   ga Dee        rccha bhaya  mi  I yya ve

 

;  ;  P ;         ;  D  ;  ;              N  ;  ;  S                ;  R G  ;     |   ;   M  ;  D                N  ;  ;  P |  ;  D M ;      ;  G R S ||

    Kal            ya                   ni       Kan          chi Kaa                          maa   kshi  Nee   Paa    da mee       Di - kku

 

[Oh the one, worshipped (“nuta”) by Syamakrishna, pray listen(“vinu”), quickly (“Vega”) dispel (“Deerchi”) my fears (“Chintanu”) and confer (“Iyaave”) on fearlessness (“abhaya”). Oh the auspicious one (“Kalyaani”)! The Kamakshi of Kanchi, I have no place to go, but to surrender (“Dikku”) at your feet (“Nee Paadame”).]