सुस्वागतं विद्याधनं सर्वधनप्रधानं Dr.Ganga R MUSICIAN,TEACHER,RESEARCH SCHOLAR

न चोरहार्यं न च राजहार्यं न भ्रातृभाज्यनम् न च भारकारि । व्यये कृते वर्धत एव नित्यम् विद्याधनं सर्वधनप्रधानं ॥ na chorahaaryaM na cha raajahaaryaMna bhraatR^ibhaajyaMna cha bhaarakaari | vyaye kR^ute vardhata eva nityam vidyaadhanaM sarvadhanapradhaanaM ||

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Monday, July 25, 2022

neela raagam Thiru Arunagirinathar's Thiruppugazh - 545 neelamayil sErum - pERainagar

Neela raga rare tiruppugazh 




Neela mayil neela raaga full tiruppugazh lesson

Tiruppugazh neela mayil தானதன தான தந்த தானதன தான தந்த தானதன தான தந்த ...... தனதான ......... பாடல் ......... n,dmg d,m g,m, m,d nd n,S n,S நீலமயில் சேரு மந்தி மாலை நிக ராகி யந்த G,GMG S,n n,d, gmdnS, காரமிக வேநி றைந்த ...... குழலாலும் n,S m d m,d g,m, m,g ss n,n s,s, நீடுமதி ரேக இன்ப மாகியச லாப சந்த்ர n,sggm g,md,d, mdn,S, னேர்தருமு கார விந்த ...... மதனாலும் 
 ஆலினிக ரான வுந்தி யாலுமட வார்கள் தங்கள் ஆசைவலை வீசு கெண்டை ...... விழியாலும் ஆடியக டாமி சைந்த வார்முலைக ளாலு மந்த னாகிமயல் நானு ழன்று ...... திரிவேனோ கோலவுரு வாயெ ழுந்து பாரதனை யேயி டந்து கூவிடு முராரி விண்டு ...... திருமார்பன் கூடமுறை நீடு செம்பொன் மாமதலை யூடெ ழுந்த கோபவரி நார சிங்கன் ...... மருகோனே பீலிமயில் மீது றைந்து சூரர்தமை யேசெ யங்கொள் பேர்பெரிய வேல்கொள் செங்கை ...... முருகோனே பேடைமட ஓதி மங்கள் கூடிவிளை யாடு கின்ற பேறைநகர் வாழ வந்த ...... பெருமாளே. ......... சொல் விளக்கம் ......... நீல மயில் சேரும் அந்தி மாலை நிகராகி அந்தகார மிகவே நிறைந்த குழலாலும் ... நீல நிறமான மயில்கள் சேர்ந்து விளையாடும் மாலைப் பொழுதுக்கு ஒப்பதாகி, பேரிருள் மிக்கு நிறைந்துள்ள கூந்தலாலும், நீடும் அதிரேக(ம்) இன்பமாகிய ச(ல்)லாப சந்த்ரன் நேர் தரு(ம்) முக அரவிந்தம் அதனாலும் ... நீடித்துள்ள மிக்க இன்பம் தருவதாகி இன்பமாய்ப் பேசத் தக்க, சந்திரனுக்கு ஒப்பான முகத் தாமரையாலும், ஆலின் நிகரான உந்தியாலும் மடவார்கள் தங்கள் ஆசை வலை வீசு கெண்டை விழியாலும் ... ஆலிலைக்கு ஒப்பான வயிற்றாலும், பெண்களின் மோக வலையை வீசுகின்ற கெண்டை மீன் போன்ற கண்களாலும், ஆடிய கடாம் இசைந்த வார் முலைகளாலும் அந்தனாகி ... கடைந்து எடுத்த குடம் போன்ற, கச்சு அணிந்த மார்பகங்களினாலும் கண்கள் மங்கி அறிவும் மயங்கியவனாகி, மயல் நானும் உழன்று திரிவேனோ ... காம மயக்கத்தில் நானும் கலங்கித் திரிவேனோ? கோல உருவாய் எழுந்து பார் அதனையே இடந்து கூவிடும் முராரி விண்டு திரு மார்பன் ... பன்றியின்* உருவோடு அவதரித்து, மண்ணைத் தோண்டிச் சென்று பூமியை மீட்டு வந்தவனும், முரன் என்னும் அசுரனுக்குப் பகைவனுமான முராரியாகிய திருமால், லக்ஷ்மியை மார்பில் வைத்தவன், கூடம் உறை நீடு செம்பொன் மா மதலை ஊடு எழுந்த கோப அரி நார சிங்கன் மருகோனே ... கூடத்தில் இருந்த பெரிய செம் பொன்னாலாகிய உயர்ந்த தூணில் தோன்றி எழுந்த, கோபம் நிறைந்த, நரசிங்க மூர்த்தியின் மருகனே, பீலி மயில் மீது உறைந்து சூரர் தமையே செயம் கொள் பேர் பெரிய வேல் கொள் செம் கை முருகோனே ... தோகை நிறைந்த மயில் மீது வீற்றிருந்து, சூரர்களை வென்ற, புகழ் மிக்க வேலாயுதத்தை ஏந்திய திருக்கையை உடைய முருகனே, பேடை மட ஓதிமங்கள் கூடி விளையாடுகின்ற ... இளம் பெண் அன்னங்கள் ஒன்று சேர்ந்து விளையாடும் பேறை நகர் வாழ வந்த பெருமாளே. ... பேறை நகர்** என்னும் ஊரில் வீற்றிருக்கும் பெருமாளே. * இரணியாக்ஷன் என்னும் அசுரன் பூமியைப் பாய் போலச் சுருட்டி எடுத்துக் கொண்டு பாதளத்தில் ஒளிந்து கொண்டான். திருமால் வராக அவதாரம் கொண்டு அவனை அழித்துப் பூமியை மேலே கொணர்ந்தார். ** பேறைநகர் செங்கல்பட்டு மாவட்டத்தில் தொழுப்பேடு என்ற தலத்தின் அருகே உள்ளது. 'wikisource' reference links for this song இப்பாடலுக்கான 'விக்கிமூலம்' இணையப் பக்கங்கள் pg 1.797 pg 1.798 pg 1.799 pg 1.800 WIKI_urai Song number: 327-1 goto wiki alpha list (Please note: Kaumaram.com is NOT responsible for accuracy and contents of external links) மன்னிக்கவும், இப்பாடலுக்கு ஒலிப்பதிவுகள் இல்லை Sorry, no audio recordings for this song Song 545 - neelamayil sErum (pERainagar) neelamayil sEru manthi mAlai nika rAki yantha kAramika vEni Raintha ...... kuzhalAlum needumathi rEka inpa mAkiyasa lApa chanthra nErtharumu kAra vintha ...... mathanAlum Alinika rAna vunthi yAlumada vArkaL thangaL Asaivalai veesu keNdai ...... vizhiyAlum Adiyaka dAmi saintha vArmulaika LAlu mandha nAkimayal nAnu zhanRu ...... thirivEnO kOlavuru vAye zhunthu pArathanai yEyi danthu kUvidu murAri viNdu ...... thirumArpan kUdamuRai needu sempon mAmathalai yUde zhuntha kOpavari nAra singan ...... marukOnE peelimayil meethu Rainthu cUrarthamai yEse yangoL pErperiya vElkoL sengai ...... murukOnE pEdaimada Othi mangaL kUdiviLai yAdu kinRa pERainakr vAzha vantha ...... perumALE. ......... Meaning ......... neela mayil sErum anthi mAlai nikarAki anthakAra mikavE niRaintha kuzhalAlum: By the pitch dark hair whose darkness is comparable to the evening when blue peacocks gather together to play around, needum athirEka(m) inpamAkiya sa(l)lApa chanthran nEr tharu(m) muka aravintham athanAlum: by the moon-like lotus face which induces exchange of sweet talk, the pleasure of which is long lasting, Alin nikarAna unthiyAlum madavArkaL thangaL Asai valai veesu keNdai vizhiyAlum: by the slim belly that resembles the banyan leaf, by the kendai-fish-like eyes of the women spreading the net of passion, Adiya kadAm isaintha vAr mulaikaLAlum andhanAki: and by the tight-fitting blouses that cover their bosom resembling the freshly moulded pots, I was blinded, losing my balance; mayal nAnum uzhanRu thirivEnO: am I to roam about aimlessly, struck by such delusory lust? kOla uruvAy ezhunthu pAr athanaiyE idanthu kUvidum murAri viNdu thiru mArpan: He took the incarnation in the form of a boar*, dug deep into the mud and rescued the earth; He is the enemy of the demon Muran and assumed the name MurAri; He is Lord VishNu holding the Goddess Lakshmi on His chest; kUdam uRai needu sempon mA mathalai Udu ezhuntha kOpa ari nAra singan marukOnE: He emerged from the tall pillar of reddish gold in the middle of the hall in the ferocious form of half-man and half-lion (Narasimham); You are the nephew of that VishNu! peeli mayil meethu uRainthu cUrar thamaiyE seyam koL pEr periya vEl koL sem kai murukOnE: Mounted elegantly on the peacock with a beautiful plume, You conquered the demon SUran and his clan with the famous spear held in Your hallowed hand, Oh MurugA! pEdai mada OthimangaL kUdi viLaiyAdukinRa pERai nakar vAzha vantha perumALE.: All the young female swans gather and play together in this place, PERainagar**, which is Your abode, Oh Great One! * The demon, HiraNyAkshan, rolled the earth as a mat and hid it under the nether world, PAthALam; Lord VishNu assumed the form of a great boar (VarAha avathAram), dug right down to the PAthALam, killed HiraNyAkshan and rescued the earth. ** PERainakar is located near ThozhuppEdu in Chengalpattu District. தமிழில் PDF அமைப்பு ஆலய வரிசை அகரவரிசை எண்வரிசை தேடல் in PDF venue list alphabetical numerical search with mp3 audio previous page next page Thiru Arunagirinathar's Thiruppugazh - 545 neelamayil sErum - pERainagar ... www.kaumaram.com ... The website for Lord Murugan and His Devotees
Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at July 25, 2022 No comments:
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Location: Chengalpattu, Tamil Nadu, India

raag neela

https://www.youtube.com/watch?v=y920fpi2k8M https://www.youtube.com/watch?v=P-sYRimoSVA
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raga janasammodini

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raag parvati

parpati 45 shubhapantuvarALi janya Aa: S G2 M2 P N3 S Av: S N3 P M2 G2 S Songs: https://www.youtube.com/watch?v=PEwcXkO-Hw8 https://www.youtube.com/clip/UgkxLN3Fmg3nkQRgjZrMam8LTuleOq5Xr8Fy Film songs:parpati 45 shubhapantuvarALi janya Aa: S G2 M2 P N3 S Av: S N3 P M2 G2 S Songs: Film songs:parpati 45 shubhapantuvarALi janya Aa: S G2 M2 P N3 S Av: S N3 P M2 G2 S Songs: Film songs:
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Sunday, July 24, 2022

http://venkataramanabhagavadar.org/LIFE_And_Contribtion_of_SriVRB.pdf

http://venkataramanabhagavadar.org/LIFE_And_Contribtion_of_SriVRB.pdf http://venkataramanabhagavadar.org/LIFE_And_Contribtion_of_SriVRB-2.pdf
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Video 20220723 132702 Meeting Recording srIranjani ANULOMA-PRATILOMA les...

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Video 20220723 132702 Meeting Recording srIranjani ANULOMA-PRATILOMA les...

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Raga:Madyamathavathi Bhagyada laxmi baaramma

 

Raga:Madyamathavathi composer:shree Purandaradasa Adi tala/Eka Tala ||S.sr N.s R.pm R.R. |S...rm| P.pm R.S.|| ||M.mm M.rs R.mm P. P.| |P.pp pnpm |P. nn S.S.|| ||R.rr rmrs S.sn pnS | |S.ss snpm |P pm R.S.|| P||Bhagyada laxmi baaramma nammamma nee sau||Bhagyada|| c.1) Hejjeya melond hejjeya nikkuta gejje kalgala dhwaniya toruta sajjana sadhu poojeya velege majjige olagina benneyante |Bhagyada || c.2)kanaka vristiya kareyuta baare manake mathiya siddiya tore dinakara koti tejadi holeyuva janaka rayana Kumari bega|Bhagyada|| c.3)Attittagaladi bhaktara maneyalli nitya mahotsava nitya sumangala sathyake toruva sadhu sajjanara chittake holeyuva puttali gombe||Bhagyada c.4)Sankhye illada bhagyava kottu kankana kaiyya tiruvuta baare kunkumaankite pankaja lochane venkata ramanana binkada rani||Bhagyada c.5)Sakkare tuppada kaluve harisi shukravarada poojeya velege akkare ulla Alagiri rangana chokka Purandara vittalana rani||Bhagyada sr ns pn mp nnpm R.S .

DrGanga Raamachandran 

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Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at July 24, 2022 No comments:
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Video 20220723 133221 Meeting Recording carana pAlaya srIranjani wvrb

pAlayamAn srI gOpAla raagam: shree ranjani 22 kharaharapriya janya Aa: S R2 G2 M1 D2 N2 S Av: S N2 D2 M1 G2 R2 S taaLam: aadi Composer: Walajapet Venkatramana Bhaagavatar Language: Sanskrit pallavi pAlayamAm shrI gOpAlabAla anupallavi shIla hiraNmaya cEla kucEla pAla caraNam 1 suranuti pAtra sundara gAtra parama pavitra bhavya caritra pAra rahita samsAra mahAbdhi tAra kalmaSa nivAra parAtpara caraNam 2 vArija nAbhA krUra varada shruti sAra yashOda kumAra ghrNAkara rAmacandrapura vara shrI vEnkaTaramaNa bhAgavata hrdaya vihAra Lyrics from Walajapet Venkatramana Bhagavatar's compositions (1991) and contributed by Sri. OS Subramanian and Sri.Lakshman Ragde. பாலய மாம் ஸ்ரீ ராகம்: ஸ்ரீரஞ்சனி தாளம்: ஆதி பல்லவி பாலய மாம் ஸ்ரீகோ3பால பா3ல (பா) அனுபல்லவி ஸீல ஹி ரண்மய சேல குசேல பால (பா) சரணம் 1 ஸுர னுதி பாத்ர ஸுந்த3ர கா3த்ர பரம பவித்ர ப4வ்ய சரித்ர (பா) பார ரஹித ஸம் ஸார மஹாப்3தி4 தார கல் மஷ நிவார பராத்பர (பா) சரணம் 2 வாரிஜ நாபா4 க்ரூரவரத3 ஸ்ருதி ஸார யஸோத குமார க்4ருணாகர (பா) ராமசந்த்ரபுர வரஸ்ரீ வேங்கட ரமண பாகவத ஹ்ருத3ய விஹார (பா) Tamil version typed and proof checked by Kuduva S Krishnamoorthy and Thangamani Krishnamoorthy
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neravallesson pAlaya srIranjani ...Video 20220723 130614 Meeting Recording

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Video 20220723 130855 Meeting Recording CpAlaya srIranjani Adi wvrb

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Video 20220723 130319 Meeting Recording AP PAlaya srIranjaniAdi wvrb

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Video 20220723 125556 Meeting Recording P pAlaya srIranjani Adi Wvrb les...


https://venkataramanabhagavadar.org/History.html
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pAlaya ks srIranjani Adi wvrb LESSON@5G

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Video 20220723 124408 Meeting Recording pAlaya swara Alapana sRIranjani ...

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Friday, July 22, 2022

podcast lesn

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Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at July 22, 2022 No comments:
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Tuesday, July 12, 2022

MMP 9

 https://www.youtube.com/watch?v=sAvBVJ9INIs

MMP 9 LESSON
I shall meditate upon Goddess Sri Adishakthi who dwells in the gem decorated island surrounded by marvelous Kadamba woods, in the middle of  Amrithabdhi/ocean of nectar which is crowded with huge waves,  there is a grand dais made of large pillars decked in diamonds and precious stones, she has majestic throne made of Chinthamani located in the sanctum of it.   I shall meditate upon Goddess Sri Adishakthi who dwells in the sacred Srichakra which has the brilliance of Chandra, Arkka/Lord Surya and Agni, she has the luster of Lord Adithya in the early hour of dawn, she is wielded in Pasham, Angusham, bow and arrow, she is pleasant, she is attired in majestic silk garments, her marvelous crown is decorated with crescent moon, she has beautiful smile on her face.  I shall meditate upon Goddess Sri Adishakthi who is the source of all the deities, she is the symbol of all the auspiciousness, she is seated on the gem studded throne, I shall offer scented water along with vermilion, sandal paste and with various fragrances to wash your lotus feet, I shall humbly offer Padhyam, Arkhyam and Achamaneeyam to please you, Oh! Karunyamritha Varidhe ,  kindly accept the same.   I shall meditate upon Goddess Sri Adishakthi, who is the sole objective of Yogis, she has wide beautiful eyes and she is the protector of the Universe, I shall humbly offer scented water mixed with vermilion, sandal paste, camphor and various rich fragrances, cow’s milk, tender coconut water and sacred water after recitation of various hymns to please you Oh! Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi,who is the essence of Hreemkara,  I shall humbly offer marvelous garments decorated with various gems and precious yellow metal and Yajjasoothra made of precious pearl garland in golden thread to please you, Oh! Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi, who has the gait of swan, I shall humbly offer precious ornaments and garlands made of precious yellow metal, golden bangles, marvelous ear rings,  Choodamani and crescent moon, nose pin, arm lets, waist belt, anklets, rings etc… to please you, Oh!  Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi, I shall humbly offer various fragrances, sandal paste, vermilion, camphor etc… to apply all over your body,  decorate your forehead with vermilion, Gorochanam and Kasthuri on your neck areas, highly scented and purified charcoal for the eyes,  Oh! Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi, I shall humbly offer garlands made of  fresh alluring flowers of Kalharam, Uthpalam, Mallika, Maruvakam, golden lotus flower, Jathi, Chambakam, Mandhara, Kethaki, Jasmine, etc.. Oh! Varade, kindly accept the same.  I shall meditate upon Goddess Sri Adishakthi who please Lord Shiva/enemy of Lord Manmatha, with her amorous sport and attractive features like beautiful long curly hair locks, I shall humbly offer Gulgulu and various rich fragrances to make your Leelagriham/creeper home more attractive to please you, Oh! Devi,   kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi, I shall humbly offer ghee lamps to place all over the gem decorated palace and the attractive golden idols positioned in it to please you,  Oh! Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi who is the essence of Hreemkaram, I shall humbly offer Dhivyannam/ rice mixed with Ghee, Dhal, Jaggery, Curd, honey, sugar, milk etc… in marvelous  precious yellow metal vessels, I shall humbly offer Mashapoopasahasram/snacks made of Urud Dhal in a precious stone vessel made of  Ruby/Manikyam,  Oh! Ambe, kindly accept the same.   I shall meditate upon Goddess Sri Adishakthi, I shall humbly offer superior qualities of betel nut, camphor, Poogaphalam, Choornam as Thamboolam to multiply the fragrances to your lotus face, Oh! Devi, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi, I shall humbly offer Neeranjanam/camphor which is reverentially carried by the young maidens in pearl decorated vessels, beautifully dancing to the tunes of percussions and various divine musical instruments.  Oh! Devi kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi who is served by Goddess Sri Mahalakshmi with majestic umbrella, Goddess Indrani and Rathidevi with marvelous fans on their hands, Goddess Saraswathi playing divine musical instrument Veena, all the female celestials are beautifully dancing to the tunes to please you, Oh! Ambe, kindly accepts the same.  I shall meditate upon Goddess Sri Adishakthi who is the symbol of Hreemkara and worshiped by Hreemkara hymns, her body represents Upanishads, she is beyond description, therefore Oh! Devi kindly accepts all these verse as sacred chants, all our movements as Pradhakshinam, Shayanam as Namaskara to please you.  Oh! Girisuthe, Kindly accepts the same.

Whoever worship Goddess Sri Adishakthi/Girisutha on daily basis in the evening hours with the above sacred hymns/Sri Manthraksharamala, would be blessed with the eternal presence of Goddess Sri Adishakthi in their hearts, Goddess Sri Saraswathi would be blessed with her eternal presence on their tongue, Goddess Sri Mahalakshmi who is Jaganmangala Swaroopini would be blessed with her eternal presence in their homes.
The above sacred chants are the marvelous anklets for the Girivaraputhri/ Goddess Sri Parvathi which spread supreme luster to the whole Universe and purify the same,  Mathruka Pushpamala is an auspicious  stream of nectar like Shivapadham which entice the honey bees like intellectuals. 

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at July 12, 2022 No comments:
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Labels: geetanjali lessons lvl 8, Slokas

gananatha gitam TAMIZH @5G VEENA VOCAL CLASS

 https://youtu.be/F6DNazIj5yk

GANANATHA TAMIZH GEETAM




Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at July 12, 2022 No comments:
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Thursday, July 7, 2022

Ragam: Thodi (8th melakartha) Talam: Adi (2 kalai) Composer: Shyama Shastry

 https://www.youtube.com/watch?v=ix_VnTnqt9g&list=PL4doz3WwRARAc1fGGqofGg4OHmHvC_6ip&index=3&t=7s&pp=sAQB

Rave Himagiri Kumari

 

Ragam: Thodi (8th melakartha)

Talam: Adi (2 kalai)

Composer: Shyama Shastry

s ramachandran sir bombay

 

Pallavi:

Rave Himagiri Kumari Kanchi Kamakshi Varadaa

Manavi vinavamma Shubhamimmaa Maayamma

 

Swara Sahityas

 

1.      Natajana Paripaalini Vanuchu Nammitini Sadaa Brova

2.      Madamatta Mahishadaanava mardhani  Vetadirchave Duramuganu

3.      Kaamapaalini Neevee Gatiyani Koriti Koniyaaditi Veediti

4.      Kaamithartha Phaladaayakiyaneti Birudu Mahilo Neeke Tagu

5.      Kamalamukhi Daragala Ghananilakacha Bharaa Mruga vilochana Maniradana gajagamana madiloo Ninnu Sada Dalachu Koni Nee Dhyanamee talli

6.      Syamakrishnanutaa Vinu Naachintanu Veeveega Deercchi Abhayamiyyave Kalyani Kanchi Kaamakshi Nee Paadamee Dikku





Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at July 07, 2022 No comments:
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Labels: geetanjali lessons lvl 8

Monday, July 4, 2022

 


Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at July 04, 2022 No comments:
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Simhanandana thala Thillana Gowri NayAka Gana Shubha DAyaka

we learn about the very rare Simhanandana thala Thillana . This unique gem composed by Maha Vaidyanatha Iyer is set in Ragam Kanada and praises Goddess Parvathy's nayaka , Lord Shiva who is the destroyer of death himself. Illustration : Geethanjali About The Raga : Kanada Arohanam : S R2 P G2 M1 D2 N2 S Avarohanam : S N2 P M1 P G2 M1 R2 S Janya of 22nd Mela : Kharaharapriya About The Thalam : Simhanandana Thalam Simhanandana Thalam is the longest thalam in Indian Music . It has 18 Angas and 128 Kriyas or beats. It comprises of the rarely used angas like : Guru, Plutam and Kakapadam. This thillana has two Avartams (cycles) of Simhanandana Thala ; the first avartam for sahityam and the second for the jathi syllables. This thalam is the 37th of the Ashtothara Shata (108) thalas. The Angas are: Guru(8), Guru(8) , Laghu(4), Plutam(12), Laghu(4), Guru(8), Dhrutam(2) , Dhrutam(2), Guru(8), Guru(8), Laghu(4), Plutam(12), Laghu(4), Plutam(12), Guru(8), Laghu(4), Laghu(4), Kakapadam(16) Lyrics : Gowri NayAka Gana Shubha DAyaka

Lyrics : Gowri NayAka Gana Shubha DAyakaKamalA KAnta DAyaka KAla KAla Shoola kara Gangadhara pura hara GajacharmaAmbara KAla Kandhira Sundara Mandira Gayaka KEsara Bhoosura Nara Vara stutha giri KArmuka KAla Kanaka Sabha Nataraja mAmava Dheem Tana Dhirana Tana Dhirana Tana dhirana tana tana dhirana Udanitanam tanam dhinna Dru Dru tani tanomtanam ta Dhitlam dhirana tana dhirana tani tom tana tana dhirana dhitlam tlam tadani udani dhit thillana diri diri thillillAna tom tari kitataka jem thillillAna tom tari kitataka je thillilAna  

tom tari kitataka 

Gowri NayAkasimhanandana tala demo


Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at July 04, 2022 No comments:
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Labels: rare tillana

ஶுப ஜன்ம தினோத்ஸவ: ஹே தேஶ

 ஶுப ஜன்ம தினோத்ஸவ:  ஹே தேஶ

ஶுப ஜன்ம தினோத்ஸவ:  பாரத

ஶுப ஜன்ம தினோத்ஸவ: ஹே தேஶ

ஶுப ஜன்ம தினோத்ஸவ: பாரத


தேஶோயம் மம  தேஶோயம்  தேஶோயம்  ஜன்ம தேஶோயம்

தேஶோயம் மாத்று தேஶோயம்   தேஶோயம்  ப்ரிய   பாரதம்


ஶுப ஜன்ம தினோத்ஸவ:  ஹே தேஶ

ஶுப ஜன்ம தினோத்ஸவ:  பாரத

ஶுப ஜன்ம தினோத்ஸவ: ஹே தேஶ

ஶுப ஜன்ம தினோத்ஸவ: பாரத


தேஶோயம் மம  தேஶோயம்  தேஶோயம்  ஜன்ம தேஶோயம்

தேஶோயம் மாத்று தேஶோயம்   தேஶோயம்  ப்ரிய   பாரதம்


நீண்ட நீண்ட காலம்  நீடிவாழ வேண்டும்  நீடு வாழ வேண்டும்

வானம் தீண்டும் தூரம் நீ  வளர்ந்து வாழ வேண்டும்


எட்டுதிக்கும்எட்டுத்திக்கும் எட்ட வேண்டும் எடுத்துக்காட்டு ஆக வேண்டும்

உலகம் பார்க்க உனது பெயரை நிலவு தாளில் எழுதவேண்டும்

 வளர்ந்து வாழ வேண்டும்

நீடு வாழ வேண்டும்


Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at July 04, 2022 No comments:
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Labels: patriotic

Thursday, June 30, 2022

alamelumanga http://annamayya-u.blogspot.com/2009/04/&target=twitter

 bhairavi alamaelumaMganee vabhinavaroopamu

http://annamayya-u.blogspot.com/2009/04/&target=twitter

jalajaakshu kannulaku chavulichchaevamma

garuDaachalaadheeSu ghanavakshamunanuMDi
paramaanaMda saMbhiratavai
neratanamulu joopi niraMtaramunaathuni
harushiMpaga jaesi tigadamma

SaSikiraNamulaku chaluvalachoopulu
viSadamugaa meeda vedajalluchu
rasikata peMpuna karagiMchi eppuDu nee
vaSamujaesukoMTi vallabhunOyamma

raTTaDi SreevaeMkaTaraayaniki neevu
paTTapuraaNivai paraguchu
vaTTimaakuligiriMchu valapumaaTalavibhu
jaTTigoni vuramunasatamaitivamma


Monday, 26 December 2016

Alamelumanga Nee Abhinava Roopamu Keerthana Lyrics

alamaelumamganee vabhinavaroopamu
jalajaakshu kannulaku chavulichchaevamma

garudaachalaadheesu ghanavakshamunanumdi
paramaanamda sambhiratavai
neratanamulu joopi niramtaramunaathuni
harushimpaga jaesi tigadamma

sasikiranamulaku chaluvalachoopulu
visadamugaa meeda vedajalluchu
rasikata pempuna karagimchi eppudu nee
vasamujaesukomti vallabhunoyamma

rattadi sreevaemkataraayaniki neevu
pattapuraanivai paraguchu
vattimaakuligirimchu valapumaatalav

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Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at June 30, 2022 No comments:
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bhairavi geetam

 Sri Ramachandra

Ragam: Bhairavi

Talam:  Chathurasra Jathi Dhruva Talam (I4 O I4 I4 )  

 

Arohanam : S G2R2 G2M2 PD2 N2S                                                                         Avarohanam: S N2D1 PM1 G2 R2 S

 

Sahityam:

Shree Raamachandra Asritha Paarijaatha Samastha

Kalyaana Gunabhi Raama Seetha Mukha Amboruha

Sanchareeka Nirantaram Mangala Maata Notu

 

Meaning: (Adapted From: Perfecting Carnatic Music, Level 1 by Chitraveena Ravikiran)

Shree Raamachandra is like the Paarijaatha (wish-fulfilling) tree to all ("samastha") his devotees ("asritha"). He pleases one and all with his divine ("kalyaana") qualities ("guna"). He is like the bee ("sanchareeka") that flies over the lotus ("amboruha") that compared to the face ("mukha") of Sita. May He grant ("maata notu") benediction (i.e. bless us) ["mangala"]  forever ("nirantaram").

 

Geetham:

 

Shree Raamachandra is like the Paarijaatha (wish-fulfilling) tree to all ("samastha") his devotees ("asritha").

 

G       R       G              M      |       P           ,         |       M          G               R          G       |       M          P        M    ,          ||

Shree -        Raa           -         |          ma             -          |         chan          -                   draa  -       |          Sri     tha          Paa    -       ||

 

P        D2      N              N       |       D1               P      |          M      N               D1      P      |          M      G     R          S        ||

-         ri        jaa             -         |       -            tha    |          Sa      ma             -         -       |          -         -       -          stha  ||

 

He pleases one and all with his divine ("kalyaana") qualities ("guna").

 

S        R      S                P        |       M                    P      |          G       R               G       M    |          G       G     R          S        ||

Kal    -         -                 ya      |       -            na      |          Gu     na              -         bhi  |          raa     -       -          ma     ||

 

He is like the bee ("sanchareeka") that flies over the lotus ("amboruha") that compared to the face ("mukha") of Sita.

 

R       R       G               G       |       M                    M    |          G       G               R       G     |          M      P      M          M      ||

See    -         tha            -         |          Mu       kha          |         Am  -            -         -       |          bo     -       ru          ha      ||

 

P        D2      D2              N       |       N           S       |       P          D2              N          S       |       R          G       R     S          ||

San   -         -                 -         |       -         cha    |         ree   -            -         -       |          -         -       -          ka      ||

 

 

May He grant ("maata notu") benediction (i.e. bless us) ["mangala"]  forever ("nirantaram").

 

N       R       S               G       |       R           S       |       N          N                 D1      M    |          P        D2    N          S       ||

Ni      ran    -                 tha    |          ram    -       |          Man  -                 ga      la     |          Ma    -       -          ta       ||

 

 

P        D1      P               S       |       N           S       |       P          D1              M          P        |       G          ,         R     S          ||

No     -         -                 tu      |       -            -         |       -          -                 -          -         |       -          -         -       -          ||

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at June 30, 2022 No comments:
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Friday, June 17, 2022

low sthayi prannav lesson L 2 violin -Ganga Ramachandran@geetanjaligloba...

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at June 17, 2022 No comments:
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Labels: /http://geetanjali2014.blogspot.in/, ANNAMALAI UNIVERSITY EXAMINATION, geetanjali lessons lvl 1

Wednesday, June 8, 2022

natta kurini

 <iframe src="https://drive.google.com/file/d/1d7pTlAC39aAWdES63uKtMf-2PDLQ-o5W/preview" width="640" height="480" allow="autoplay"></iframe>

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at June 08, 2022 No comments:
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Labels: ANNAMALAI UNIVERSITY EXAMINATION, geetanjali lessons lvl 8, geetanjali lessons varna, lessons varna, lvl 8

Monday, June 6, 2022

natakurini brinda ekkalathilum

 https://sonichits.com/video/Brinda/Chalamela_-_Nattakurinji

Posted by Dr Ganga Raamachandran.Ph.D SRF MOC at June 06, 2022 No comments:
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nattakurinji pad a varnam poorvangam + uttarangam swaras

VARNAM 11 Ragam: Nattakkurinchi Talam: Adi (s m1 g3 m n2 d2 n p d n s : S n d m g m p g r2 s) Pallavi : || m , g , s , , s n d n p d , n , | s , , , , , n d n s n d n s r g || cha…la..…me… la … ………... …… je …… se……. va……yya….. || m g s r g m n d m g m n d p d n | S n d R S n d m g s n d n s r g || cha…….. kka…. ni………… Ma… ram……. ga…… yya A:Pa: || s , n d n p d n S n d m p g r s m g m p g m n d n p d n S , ; || ka… la….. ka…. la…. Mu……… ni………… pa…. da..mu…le… || n S R G M G S R S n S n d p d n S , n d m p g r s n , d n s r g|| ga……… thi……. .ya…… ni ……na.mmi….yu……. nda… ga… Chi: Swa : || m m g s n d n s r r s n d p d n | s n d m n d n p d n s r n s r g || || m m g srgm ndmgm ndns | RGM S , , Snd m , m g s r g || Charanam: || n , d , n , , S n d n p d , n , | S , ,, ,, n R S n d S n d m , || n…nnu….bro……va …… ni ku….. bha….. ra…. Ma Cha:Swa:1 || d, ,, ,, n, ,, d, ,, m, | g, ,, ,, s, ,, r, s, n, || d, ,, ,, m, ,, n, d, n, | s, ,, ,, n, s, r, g, m, || (Nannubbro…) Cha:Swa:2 || n , d p d n d , m g , m p g r s | n , d n s r s , rgm ndmgm || (Nannubbro…) Cha:Swa:3 || n,, S,, nRSn dnS dnp | d,, m,, rgmg snrsnd || n ,, s ,, rgmgm ndnpd | n,, S,, RGMGSn Sndm || (Nannubbro…) Cha:Swa:4 || S, ,, ,, RGMG Sn RSnd | n, ,, ,, pdn Snd mpgr || s , ,, ,, ndns ndns rg | m, ,, ,, rgmp mg mndn || || S, RS ndn, Sndp d,pm | g,mpgm n,d mndn pdn || SRGMGS nRSn dndpdn| Sdp gmpgr snd nsrgm || ( Nannubbro…)  


M – G – Sa - - n Dn Dn Dn P PnD Dsn 

Sa - - -Sa – n D Ni Sa n D Ni Sa Re Ga 

M G Sa Re Ga m ni D M G m ni D P D n 

S n D P D n D m G S ni D Ni Sa Re G 

Sa - - ni D ni P D Ni Sa ni D M P G R 

Sa m G m P – G m Ni D ni P D ni S – 

Ni S Re Ga M G S R S ni S ni D P D n 

S - Ni D M M – G S Ni D ni - Sa Re G 

M m G S Ni D ni S R R S n D P D n 

S N D m N D n P D N S R Ni S R G 

M m g S R G m n D m g m Ni D ni S 

R G m S - - S N D M – m G S R G 


MN –D – Ni - - S 

ni D ni P D n S 

– - S 

- ni R S ni D S N Ni D m 

D - - - 

- - -Ni - - D 

– – m 

G - - - 

- Sa -Ni D - m 

– ni – 

Ni – Sa – - -ni -Sa – Ri – G – m – 

(mni Da ni - --) 

Mn D P D ni D – M G – m P G R S 

N – D ni S R S R 

G m n D M G m 

(mni D ni - - ) 

Ni – - S -- N R S N D n S D n P 

D - - m -- R G M G S n R S n D 

Ni - - S - - R G M G m ni D n P D 

Ni -- S -- R G M G S n S n D m 

(mn D – ni - - ) 

S - - - 

- Re G M G S N R S N D 

N - - - 

-P D Ni S ni D R M P G R 

S - - - 

-Ni D NI S NI D NI S R G 

M - - - 

- R G M P m G M N D N 

S - - - 

- R G M G S N S n D m 

(Mn D – ni - - ) 


LYRICS – MEANING – TRANSLITERATION – LANGUAGE IS 

TELUGU, COMPOSER – MULAIVITTU RANGASWAMY 

NATTUVANAR. 


calamEla jEsEvayya (varNa). rAgA: nATakuranji. Adi tALA. 

Composer: Mulaivittu Rangasami Nattuvanar. 


P: calamEla jEsEvayya cakkani mA rangayya_A: kAla kalamu nI 

pAdamulE gatiyani nammmiyuNDaga_ (muktAyisvara 

sAhitya)_kari moraliDa vini uramuna veDali makarini dunimi 

karivaraduDa nI birudu _dharanu velasi surulu pogaDa kaligina 

patita pAvanuDa nA manavikonu_C: nannu brOva nIku 

bhAramA_ 1: idE bAgani yUrakAnu nIvunna nanu nE 

vIDacEdAna_ 2: nIdu smaraNa gAka vErE eruganu nIraja 

nayana danuja mada haraNa_ 3: anDaANDa mulaku nadipati 

vani niNDa moraliDaga vinivinaka yuNDa_ sariya guNa 

madanajana kuNDa varamosagu nanu dinamu_ 4: A draupadiki 

valuva sabhalO dora karuNa osagina mahA daya gala_ ninu 

pogaDanu nA taramaguna siri velayu rangapurini ElinapaDi 

nAkala_ nandacina palu naDatulu numadi telupa valadu 

valadu valadu caraNu murahari 

calamEla jEsEvayya (varNa). rAgA: nATakuranji. Adi tALA. 

Composer: Mulaivittu Rangasami Nattuvanar. 


P: calamEla jEsEvayya cakkani mA rangayya 

Gist: O beautiful Rangayya, why are you spiteful? 

A: kAla kalamu nI pAdamulE gatiyani nammmiyuNDaga_ kala kAlamu 

nI pAdamulE gatiyani nammmiyuNDaga 

Gist: Always, I believed your feet to be my destination._ 

_(muktAyisvara sAhitya) 


kari moraliDa vini uramuna (rayamuna?) veDali makarini dunimikarivaraduDa nI birudu dharanu velasi surulu pogaDa kaligina patitapAvanuDa nA manavikonu 


Gist: Hearing the elephant cry out, You went fast, killed the 

crocodile, got the title 'protector of the elephant', extolled by 

celestial beings as protector of the fallen, please hear my prayer. 


C: nannu brOva nIku bhAramA 

gist: Is it heavy (difficult) for you to protect me? 

1: idE bAgani yUrakAnu nIvunna, nanu (ninu) nE vIDacEdAna 

(viDacEdAninA) 


Gist: If you stay put thinking that this is ok, I am not one to 

leave 

you.


 2: nIdu smaraNa gAka vErE eruganu nIraja nayana danuja madaharaNa 

Gist: O lotuseyed, killer of demons, I know nothing else except 

your thoughts.


 3: anDaANDa mulaku nadipati vani niNDa moraliDaga vinivinakayuNDa sariya guNa madanajana kuNDa varamosagu nanu dinamu 

anDaANDa mulanu nadipedi vadavani moraliDaga, vinIvinakayuNDuTa sariyA, guNa madanajana kuNDa, varamosaga nanu dinamu(calamEla...) 


Gist: I prayed to you thinking you are the Maintainer of the 

universe. Is it proper for you to stay without properly hearing 

me? 

O father of Cupid! Why are you (refusing) to give me the boon?



 4: A draupadiki valuva sabhalO dora karuNa (n)osagina mahAdaya gala_ ninu pogaDanu nA taramaguna, siri velayu rangapurini 

ElinapaDinA kala_ nandacina palu naDatulu numadi telupa valadu valadu valaducaraNu murahari 

Gist: Is it possible for me to praise you, who, with great 

compasion, gave clothes to Draupadi in the congregation ( of 

Kauravas) ? Please donot disclose my behaviour in the dream 

during 

your reign of Rangapuri, Please protect me. 

The last half is not very clear. 

--Rigapada 


Lyrics:

P: calamEla jEsEvayya cakkani mA rangayya A: kAla kalamu nI pAdamulE gatiyani nammmiyuNDaga (muktAyisvara sAhitya) kari moraliDa vini uramuna veDali makarini dunimi karivaraduDa nI birudu dharanu velasi surulu pogaDa kaligina patita pAvanuDa nA manavikonu C: nannu brOva nIku bhAramA 1: idE bAgani yUrakAnu nIvunna nanu nE vIDacEdAna 2: nIdu smaraNa gAka vErE eruganu nIraja nayana danuja mada haraNa 3: anDaANDa mulaku nadipati vani niNDa moraliDaga vinivinaka yuNDa sariya guNa madanajana kuNDa varamosagu nanu dinamu 4: A draupadiki valuva sabhalO dora karuNa osagina mahA daya gala ninu pogaDanu nA taramaguna siri velayu rangapurini ElinapaDi nAkala nandacina palu naDatulu numadi telupa valadu valadu valadu caraNu murahari
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